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Eastman's Poetry Blog

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Thursday, August 12, 2004. Given: metre and metrical verse are oudated museum curiosities. They belong to the oral tradition when poetry was cast in predictable rhythms to aid memorization and summon up trance like states. There's no call for that sort of behaviour nowadays. We have a different toolbox, and anyway, who hears the blank verse in Shakespeare anymore? Not actors, not directors, not. Posted by Alan Eastman at 7:07 AM. Andrews say...

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Eastman's Poetry Blog | alaneastman.blogspot.com Reviews

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ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Thursday, August 12, 2004. Given: metre and metrical verse are oudated museum curiosities. They belong to the oral tradition when poetry was cast in predictable rhythms to aid memorization and summon up trance like states. There's no call for that sort of behaviour nowadays. We have a different toolbox, and anyway, who hears the blank verse in Shakespeare anymore? Not actors, not directors, not. Posted by Alan Eastman at 7:07 AM. Andrews say...

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Eastman's Poetry Blog | alaneastman.blogspot.com Reviews

https://alaneastman.blogspot.com

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Thursday, August 12, 2004. Given: metre and metrical verse are oudated museum curiosities. They belong to the oral tradition when poetry was cast in predictable rhythms to aid memorization and summon up trance like states. There's no call for that sort of behaviour nowadays. We have a different toolbox, and anyway, who hears the blank verse in Shakespeare anymore? Not actors, not directors, not. Posted by Alan Eastman at 7:07 AM. Andrews say...

INTERNAL PAGES

alaneastman.blogspot.com

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Eastman's Poetry Blog: August 2004

http://alaneastman.blogspot.com/2004_08_01_archive.html

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Thursday, August 12, 2004. Given: metre and metrical verse are oudated museum curiosities. They belong to the oral tradition when poetry was cast in predictable rhythms to aid memorization and summon up trance like states. There's no call for that sort of behaviour nowadays. We have a different toolbox, and anyway, who hears the blank verse in Shakespeare anymore? Not actors, not directors, not. Posted by Alan Eastman at 7:07 AM.

2

Eastman's Poetry Blog: June 2004

http://alaneastman.blogspot.com/2004_06_01_archive.html

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Wednesday, June 30, 2004. Jim Andrews will be speaking at INCUBATION3. The 3rd trAce International Symposium on Writing and the Internet, which will run from the 12th to the 14th of July at Nottingham Trent University. Andrews will be speaking on "The Ghost of Poetry in the Machine- the life of electric letters" He quotes Isadore Isou. Each poet will integrate everything into Everything. Everything must be revealed by letters. What wind And ...

3

Eastman's Poetry Blog: THE WAY FORWARD

http://alaneastman.blogspot.com/2004/06/way-forward.html

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Monday, June 21, 2004. As Brian Kim Stefans has observed, one of the achievements of Language poetry was its critique of "identity" and the "self" and the deconstruction of the lyric "I" as a central subject of discourse, successfully debunking the bourgeois poetic values of referentiality and "expressiveness" But in coversation this week, a colleague pulled me up on a point I raised in last week's post. We may exalt the poets of the future,...

4

Eastman's Poetry Blog: SUCCESSFUL LEARNING OBJECTIVES NEUTRALIZED

http://alaneastman.blogspot.com/2004/06/successful-learning-objectives.html

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Wednesday, June 16, 2004. SUCCESSFUL LEARNING OBJECTIVES NEUTRALIZED. Leave the darkness to its labour. Beneath everywhere our stunning encomia. The breathless praise of the unbreathing. The formulation and implementation of. The whisper's defence and security policy. The domestic lyric installed free of charge. Car totalled but the electric windows work. Emphasis is placed on the. Electrostatic bursts between stations.

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Eastman's Poetry Blog: GETTING A GREP

http://alaneastman.blogspot.com/2004/06/getting-grep.html

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Wednesday, June 23, 2004. Just finished Digital Poetics: The Making of E-Poetries. Posted by Alan Eastman at 5:42 AM. Is not "I" behind any creative effort? Is it a myth, or a self-deception, to posit that such is not the case, that the "self", "I", can be eliminated, when, in fact, that "self" is geneating processes? I think there is some hypocrisy here by us Americans. But, perhaps I do not understand. June 28, 2004 at 4:10 AM. Of course e...

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Eastman's Poetry Blog

ALAN EASTMAN IS A POET AND CRITIC STALKING THE UK POETRY SCENE. Thursday, August 12, 2004. Given: metre and metrical verse are oudated museum curiosities. They belong to the oral tradition when poetry was cast in predictable rhythms to aid memorization and summon up trance like states. There's no call for that sort of behaviour nowadays. We have a different toolbox, and anyway, who hears the blank verse in Shakespeare anymore? Not actors, not directors, not. Posted by Alan Eastman at 7:07 AM. Andrews say...

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