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Image Credit: Bernault Smilde,. At the VISUAL Centre for Contemporary Art, Carlow, Ireland. The concepts of atmosphere and place denote concrete material-geographical domains as well as spheres of affect or ambience. One may speak of. Atmosphere and Place will bring together local and international artists, humanists, social and natural scientists whose interests bear upon the theme to share their work through seminars, workshops and studio visits and a planning workshop April 16-19th, 2015.

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Atmosphere and Place - Home | atmosphereandplace.weebly.com Reviews

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Image Credit: Bernault Smilde,. At the VISUAL Centre for Contemporary Art, Carlow, Ireland. The concepts of atmosphere and place denote concrete material-geographical domains as well as spheres of affect or ambience. One may speak of. Atmosphere and Place will bring together local and international artists, humanists, social and natural scientists whose interests bear upon the theme to share their work through seminars, workshops and studio visits and a planning workshop April 16-19th, 2015.

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Atmosphere and Place - Home | atmosphereandplace.weebly.com Reviews

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Image Credit: Bernault Smilde,. At the VISUAL Centre for Contemporary Art, Carlow, Ireland. The concepts of atmosphere and place denote concrete material-geographical domains as well as spheres of affect or ambience. One may speak of. Atmosphere and Place will bring together local and international artists, humanists, social and natural scientists whose interests bear upon the theme to share their work through seminars, workshops and studio visits and a planning workshop April 16-19th, 2015.

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Seminar - Atmosphere and Place

http://atmosphereandplace.weebly.com/seminar.html

MW 12:00 PM - 1:15 PM. Mondays: Theory / Wednesday: Practice). Image Credit: Diller Scofidio,. Exposition Pavilion, Swiss Expo, Yverdon-Les-Bains, 2002. And what habits of noticing and describing do we require to capture both familiar and unfamiliar ways of inhabiting homes, climates, and social spaces? Group Projects: Coding theory. This assigment will be divided into three parts:. Iterative Final Project (25%) The final project itself will be presented in a series of steps. Groups will be allowed t...

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Bibliography - Atmosphere and Place

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Barad, Karen Michelle. Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning,. Basso, Kieth M.,. Wisdom Sits in Places. University of New Mexico Press, 1996. Böhme, Gernot “The art of the stage set as a paradigm for an aesthetics of atmospheres”,. Ambiances: International Journal of Sensory Environment. 10 February, 2013. Gernot, and Olafur Eliasson. Architectural Atmospheres: On the Experience and Politics of Architecture,. Technologies of the Picturesque. Fine, Gary,.

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Atmosphere and Place - Blog

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Desert Color Palette for Balance/UnBalance. Write something about yourself. No need to be fancy, just an overview. Create a free website. Create your own free website. Start your own free website. A surprisingly easy drag and drop site creator. Learn more.

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Projects - Atmosphere and Place

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Can we reconcile what climate models tell us with what we learn through our own senses? Do we have good reason to trust the models when what they suggest is counter-intuitive, unimaginable, or frightening? What would it feel like to be inside a climate model? The Experiential Climate Models aims to enhance and transform climate modeling practices by creating responsive media environments in which it is possible to experience of vast and complex atmospheric phenomena at an embodied human scale.

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Residency - Atmosphere and Place

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Experiential Climate Models Workshop. April 16-18th, 2015. Tempe Campus, Arizona State University. The Synthesis Center is pleased to announce a transdisciplinary workshop that will explore how our experiences of atmosphere and place are mediated by. And how those experiences may be moderated and enhanced through the use of responsive media and experiential computing. With support from ASU's Institute for Humanities Research. The workshop will bring. A responsive media environment. Public Event in iStage.

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Placing the Golden Spike: Landscapes of the Anthropocene | Dehlia Hannah

http://dehliahannah.com/placing-the-golden-spike-landscapes-of-the-anthropocene

Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. Placing the Golden Spike: Landscapes of the Anthropocene. Eve Andrée Laramée, “Danger Ranger” Slouching Toward Yucca Mountain, 2011. Placing the Golden Spike: Landscapes of the Anthropocene. Placing the Golden Spike.

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Curriculum Vitae | Dehlia Hannah

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Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. Provost’s Postdoctoral Fellow, Center for 21st Century Studies, University of Wisconsin-Milwaukee, 2013-2014. Contributing Editor, Nautilus Magazine, New York, NY, 2012 present. Columbia University, NY. 2008 10 Cor...

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Sensing Change: Mapping the Climatic Imaginary through Art, Science and History | Dehlia Hannah

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Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. Sensing Change: Mapping the Climatic Imaginary through Art, Science and History. November 7-9, 2013. Center for Contemporary History and Policy, Chemical Heritage Foundation, Philadelphia, Pennsylvania. In Context ...

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Climate Aesthetics | Dehlia Hannah

http://dehliahannah.com/climate-aesthetics

Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. CALL FOR PAPERS: Critical Climate Aesthetics. What aesthetic tropes are used to figure climate change in different media? Insofar as concepts like the sublime, the beautiful, the disgusting and even the cute rely u...

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Performative Experiments | Dehlia Hannah

http://dehliahannah.com/dissertation-abstract

Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. Performative Experiments: Case Studies in the Philosophy of Art, Science and Technology. A term that I reserve for artworks that at once enact and query the logic of scientific experimentation. 2010), an artwork qua.

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A Year Without a Winter | Dehlia Hannah

http://dehliahannah.com/a-year-without-a-winter

Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. A Year Without a Winter. A Year Without a Winter. Placing the Golden Spike: Landscapes of the Anthropocene. By Way of Example: A Dictionary of Philosophical Monsters. Art and Climate Change References.

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Events | Dehlia Hannah

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Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. Leave a Reply Cancel reply. Your email address will not be published. Required fields are marked *. You may use these. A Year Without a Winter. Placing the Golden Spike: Landscapes of the Anthropocene.

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Logics of Exemplarity | Dehlia Hannah

http://dehliahannah.com/philosophical-monsters

Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. A Year Without a Winter. Placing the Golden Spike: Landscapes of the Anthropocene. By Way of Example: A Dictionary of Philosophical Monsters. Art and Climate Change References. Eco-Art and Ocean Acidification.

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Model Climates | Dehlia Hannah

http://dehliahannah.com/model-climates

Tea Mäkipää, World of Plenty (2005). Eve Andrée Laramée, Apparatus for the Distillation of Vague Intuitions, 1998. Caleb Cain Marcus, Patagonia-Perito Moreno Plate 1, 2012. Kevin Clarke, Portrait of Nam June Paik, 1999. Eve Andrée Laramée, Danger Ranger (Slouching Toward Yucca Mountain), 2011. Rain Room by Random International, 2012. The Weather Project by Olafur Eliasson, 2007. Cloud Arbor by Ned Khan, 2012. Forrest 2 by Chris Ziegler, 2009. 36 Ventilators, 4.7m3 Packing Chips by Zamoun, 2014. Nov 7-9, ...

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Atmosphere and Place - Home

Image Credit: Bernault Smilde,. At the VISUAL Centre for Contemporary Art, Carlow, Ireland. The concepts of atmosphere and place denote concrete material-geographical domains as well as spheres of affect or ambience. One may speak of. Atmosphere and Place will bring together local and international artists, humanists, social and natural scientists whose interests bear upon the theme to share their work through seminars, workshops and studio visits and a planning workshop April 16-19th, 2015.

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