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BIJAN YASHAR

From its inception, photography has had an ongoing dialogue with painting, and the two mediums have shaped one another in notable ways. In the series Illuminated/Eliminated I have been visiting painting collections at various museums and reconsidering these works through a camera. The glare one sees on reflective surfaces is usually an annoyance for photographers. In this series, instead of avoiding the glare, I embrace it. Photographed at just the right angle, the same gallery lights that normally illumina

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Bijan Yashar

360 Pano●●●●●●●●y Apt. H

Ber●●●ley , California, 94704

United States

1415●●●●7584
bi●●●@berkeley.edu

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Bijan Yashar

360 Pano●●●●●●●●y Apt. H

Ber●●●ley , California, 94704

United States

1415●●●●7584
bi●●●@berkeley.edu

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Bijan Yashar

360 Pano●●●●●●●●y Apt. H

Ber●●●ley , California, 94704

United States

1415●●●●7584
bi●●●@berkeley.edu

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BIJAN YASHAR | bijanyashar.com Reviews
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From its inception, photography has had an ongoing dialogue with painting, and the two mediums have shaped one another in notable ways. In the series Illuminated/Eliminated I have been visiting painting collections at various museums and reconsidering these works through a camera. The glare one sees on reflective surfaces is usually an annoyance for photographers. In this series, instead of avoiding the glare, I embrace it. Photographed at just the right angle, the same gallery lights that normally illumina
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1 projects
2 illuminated
3 catalina
4 aqueous
5 in passing
6 water
7 surface event
8 powerlines ii
9 powerlines i
10 american
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BIJAN YASHAR | bijanyashar.com Reviews

https://bijanyashar.com

From its inception, photography has had an ongoing dialogue with painting, and the two mediums have shaped one another in notable ways. In the series Illuminated/Eliminated I have been visiting painting collections at various museums and reconsidering these works through a camera. The glare one sees on reflective surfaces is usually an annoyance for photographers. In this series, instead of avoiding the glare, I embrace it. Photographed at just the right angle, the same gallery lights that normally illumina

INTERNAL PAGES

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1

Catalina — BIJAN YASHAR

http://www.bijanyashar.com/catalina

State of the Union. State of the Union.

2

My work — BIJAN YASHAR

http://www.bijanyashar.com/new-page

State of the Union. State of the Union. My photography and video projects vary in concept and subject matter, and each project takes its own path, shape and duration. The pleasure in these discoveries is ultimately what inspires my work. For info about my video projects, click here. Archival pigment prints, dimensions variable 30x40" and 24x36" and 40x60" - edition of 12. Archival pigment prints, dimensions variable, 24x36" and 12x18" - edition of 12. This ongoing series is devoted to discovering depth i...

3

Kiwi Mountains — BIJAN YASHAR

http://www.bijanyashar.com/kiwi-mountains

State of the Union. State of the Union.

4

Video — BIJAN YASHAR

http://www.bijanyashar.com/video

State of the Union. State of the Union. Untitled, 17 second excerpt of 2 minute single channel HD video, silent, 2014. The code, 1:48, single channel HD video, stereo, 2007. OUT THE WINDOW, 4:50, single channel video, stereo, 2005. Collaborative video with David Ireland. Leland Stanford Jr.'s death mask, 2:07, single channel video, stereo, 2004. King Kong, 0:37 loop, single channel video, stereo, 2005. Afternoon, 2:27 loop, single channel video, stereo, 2004. As a secondary projection.

5

Athanasia — BIJAN YASHAR

http://www.bijanyashar.com/athanasia

State of the Union. State of the Union. Duis mollis, est non commodo luctus, nisi erat porttitor ligula, eget lacinia odio sem nec elit. Maecenas faucibus mollis interdum. Nulla vitae elit libero, a pharetra augue. You must select a collection to display. The requested social account cannot be found.

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San Francisco Now Playing – Peephole Cinema

http://www.peepholecinema.com/san-francisco-now-playing

San Francisco Now Playing. Three experimental video shorts that explore the process of painting and natural forms using both computer generated and hand processed animation techniques. Video by Jeremy Rotsztain, Takashi Ohashi and Kynd. Curated by Victoria Scott. On view 24 hours a day. From February 15th – March 31st, 2017. Still from Electric Fields I (Jeremy Rotsztain, 2014). Http:/ www.mantissa.ca/. Still from nakaniwa (Takashi Ohashi, 2016). Still from Nemumel, (Kynd, 2014). Kynd, 2014, 02:38) start...

kala.org kala.org

Kala Art Institute: Residency Programs - Fellowship Awards

http://www.kala.org/fellow/fellowship.html

Now in its thirtieth year, The Kala Fellowship Program is an international competition that annually grants eight artists a cash award, unlimited access to Kala’s facilities for up to six months, and a culminating show in the Kala Gallery, through a competitive jurying process. San Francisco, CA. San Francisco, CA. San Francisco, CA. San Francisco, CA. Our jurors in 2015 were Genevieve Quick. Alumni Fellowship Artist and Kevin B. Chen. Independent Bay Area Curator, Writer, and Visual Artist. Hosting new ...

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PARTICIPANTS | SIGNAL TRAFFIC

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