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Merging the energy of improvisation, rock- esthetics and strong poetry. This is Genre-crushing at its most beautiful. Tor Stemland, Musikk fra Norge). A powerful meeting…….Intricate and open pop inspired by Joni Mitchell, spoken word, Sonic Youth like art-rock with an edge, and volcanic prog often within the same song …. Vegard Enlid, Adresseavisen). Tone Åse – voice, electronics. Ståle Storløkken – keyboards, sampling. Tor Haugerud – drums, electronics.

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Home - Merging the energy of improvisation, rock- esthetics and strong poetry | bol.no Reviews

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Merging the energy of improvisation, rock- esthetics and strong poetry. This is Genre-crushing at its most beautiful. Tor Stemland, Musikk fra Norge). A powerful meeting…….Intricate and open pop inspired by Joni Mitchell, spoken word, Sonic Youth like art-rock with an edge, and volcanic prog often within the same song …. Vegard Enlid, Adresseavisen). Tone Åse – voice, electronics. Ståle Storløkken – keyboards, sampling. Tor Haugerud – drums, electronics.

INTERNAL PAGES

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1

About

http://www.bol.no/about

In 2010 the Norwegian impro-trio BOL. Started working with Hans Magnus Snah Ryan. Motorpsycho) for a festival project, also including norwegian guitarist. This happy cooperation resulted in the cd Numb, number (Gigafon) in 2012, and from 2013 the project continued as BOL&SNAH. SNAH is completing BOL in a magical way: rock- esthetics and open musical sceneries can meet and merge with great dynamics and total energy. MEMBERS OF THE BAND. Is a musical meeting between four improvising musicians with experien...

2

Photos

http://www.bol.no/photos

Photos above of BOL: Geir Mogen, Trondheim. Photos above of: BOL&SNAH by Anders Huke, Trondheim.

3

Technical info

http://www.bol.no/info

BOL&SNAH Tech rider 2016.

4

Music

http://www.bol.no/music

Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have JavaScript enabled in your browser. Audio clip: Adobe Flash Player (version 9 or above) is required to play this audio clip. Download the latest version here. You also need to have Ja...

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Home - Merging the energy of improvisation, rock- esthetics and strong poetry

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26 April / news. From Brukbar/Blæst, Trondheim: Thor Egil Leirtrø From Locomotive Club, Bologna: Emanuele Rosso BOL&SNAH The Sidewalks slide show from Tone Åse on Vimeo. 21 February / news. TRØNDERTUN & TROMSØ in february! Thank you Trøndertun and Tromsø, we had such great audiences! Photos from Tromsø by Christina Schröder). 20 February / news. Photos BOL&SNAH@Burkbar/Blæst by Thor Egil Leirtrø. 19 February / news. Thank you Folken, Hulen & Brukbar/Blæst! Thank you Folken, Hulen and Brukbar/Blæst! Relea...

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toneaase.no toneaase.no

Excerpt BOL: Nature is not Beautiful ‹ Welcome to Tone Aase

http://www.toneaase.no/excerpt-bol-nature-is-not-beautiful

Welcome to Tone Aase. Excerpt BOL: Nature is not Beautiful. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Representing the two poles of extremes) See Chapter 3. A rough categori...

toneaase.no toneaase.no

Åse/Strønen: Raised,rave ‹ Welcome to Tone Aase

http://www.toneaase.no/rased-rave

Welcome to Tone Aase. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Playing with grades of naturalness and meaning in voice sound and processed voice sound. (. A rough categoris...

toneaase.no toneaase.no

BOL/WESTERHUS/SNAH: The Western Wind ‹ Welcome to Tone Aase

http://www.toneaase.no/bolwesterhussnah-the-western-wind

Welcome to Tone Aase. BOL/WESTERHUS/SNAH: The Western Wind. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Representing the two poles of extremes) See Chapter 3. A rough categori...

toneaase.no toneaase.no

Numb, number ‹ Welcome to Tone Aase

http://www.toneaase.no/numb-number

Welcome to Tone Aase. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Playing with grades of naturalness and meaning in voice sound and processed voice sound. (. A rough categoris...

toneaase.no toneaase.no

Press/Info ‹ Welcome to Tone Aase

http://www.toneaase.no/press

Welcome to Tone Aase. My videos at Vimeo. Marilyn Mazur’s Future Song. The National Norwegian Artistic Research Fellowships Programme. 12 Artistic project and focus. 13 Methods and theories. 131 Artistic research and the practice. 132 Language as a processual tool. 133 Theory in artistic research. 134 Intertwined theories, practical work, and the outline of my critical reflection. 135 Transparency, language and form of the critical reflection. 14 Research goals what is new? 15 Background and context.

toneaase.no toneaase.no

Åse/Duch: Moah ‹ Welcome to Tone Aase

http://www.toneaase.no/aseduch-moah

Welcome to Tone Aase. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Playing with grades of naturalness and meaning in voice sound and processed voice sound. (. A rough categoris...

toneaase.no toneaase.no

BOL/WESTERHUS/SNAH: Spring is like a perhaps hand ‹ Welcome to Tone Aase

http://www.toneaase.no/bolwesterhussnah-spring-is-like-a-perhaps-hand

Welcome to Tone Aase. BOL/WESTERHUS/SNAH: Spring is like a perhaps hand. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Representing the two poles of extremes) See Chapter 3.

toneaase.no toneaase.no

BOL: Skylab Audiovision excerpt ‹ Welcome to Tone Aase

http://www.toneaase.no/skav-excerpt-2

Welcome to Tone Aase. BOL: Skylab Audiovision excerpt. These comments are meant to inform briefly about my techniques, the musical parameters I use, and roles in the musical interplay. These reflections are a part of my work as artistic researcher in the Norwegian Artistic Research Fellowship Programme. Situated at Department of Music, NTNU. The full reflection on my research can be found here. General info/explanation of terms. Representing the two poles of extremes) See Chapter 3. A rough categorising ...

toneaase.no toneaase.no

Releases ‹ Welcome to Tone Aase

http://www.toneaase.no/releases

Welcome to Tone Aase. Gigafon records (Giga013, 2015). Bol&Snah : The Sidewalks/Reality. The Sidewalks/Reality (Gigafon 2014-artwork by Rune Nergård). Two new songs released digitally october 2014. iTunes, Spotify, Wimp and Clicktrack…. BOL/WESTERHUS/SNAH: Numb, number. 1 Numb, number. 2 Spring is like a perhaps hand. 5 The Western Wind. Tone Åse/Thomas Strønen: Voxpheria. THE FAT GIRL’S REVENGE 5:57. WITHOUT A SOUND 4:46. Catalog no.: CLPCD89. CALLING TO MYSELF 3:39. COULD I BE THERE 5:01. OST I OST 3:42.

toneaase.no toneaase.no

Musicalproject ‹ Welcome to Tone Aase

http://www.toneaase.no/category/musical-project

Welcome to Tone Aase. BOL&SNAH is a cooperation between impro- trio BOL and Hans Magnus “Snah” Ryan, guitarist known for his outstanding work with among others the band Motorpsycho. The cooperation started as a project in 2010 ( At that time together with guitarist Stian Westerhus, the quintet released the cd “Numb, Number in 2012). The quartet has become a more permanent constellation, which released the album “So? 8221; november 2015. Tone Åse Vocal & Electronic. Tone Åse – voice, electronics. With the...

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Home - Merging the energy of improvisation, rock- esthetics and strong poetry

Merging the energy of improvisation, rock- esthetics and strong poetry. This is Genre-crushing at its most beautiful. Tor Stemland, Musikk fra Norge). A powerful meeting…….Intricate and open pop inspired by Joni Mitchell, spoken word, Sonic Youth like art-rock with an edge, and volcanic prog often within the same song …. Vegard Enlid, Adresseavisen). Tone Åse – voice, electronics. Ståle Storløkken – keyboards, sampling. Tor Haugerud – drums, electronics.

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