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Christmas Open Studio 6-9pm Fri 1 Dec, 2-6pm Sat 2nd, 3-6pm Sun 3rd Dec 2017. For more news see my blog. Open studio virtual tour. Do not go gentle. The art of writing. Exploring paper and clay. New work on paper. My nesta guest blog.

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Carys Davies

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Carys Davies

Carys Davies

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Lo●●on , UK, W4 1HE

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Christmas Open Studio 6-9pm Fri 1 Dec, 2-6pm Sat 2nd, 3-6pm Sun 3rd Dec 2017. For more news see my blog. Open studio virtual tour. Do not go gentle. The art of writing. Exploring paper and clay. New work on paper. My nesta guest blog.
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carys davies porcelain | carysdavies.com Reviews

https://carysdavies.com

Christmas Open Studio 6-9pm Fri 1 Dec, 2-6pm Sat 2nd, 3-6pm Sun 3rd Dec 2017. For more news see my blog. Open studio virtual tour. Do not go gentle. The art of writing. Exploring paper and clay. New work on paper. My nesta guest blog.

INTERNAL PAGES

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1

carys davies porcelain

http://www.carysdavies.com/newspage.html

If you're interested in more about my wider art practice and thinking, take a look at my blog. You can get email updates as well - 'Follow blog via email', on the blog home page. Join me at the Salisbury Contemporary Craft and Heritage Festival. Artist Open House is coming up, 7/8 and 14/15 May, 11-6pm. I'd love to see you at 22 Parade Mews - there's a dozen other studios open in the Mews too. The DF booklets are available now from shops around the area. There's more online at the Artists' Open House.

2

carys davies porcelain

http://www.carysdavies.com/sp-Cotehele.html

Oak ash and thorn. Still falls the rain. For Cotehele NT near Plymouth I've made an installation inspired by the house and Col. Piers Edgcumbe who lived there during the civil war. It was fantastically inspiring to read his words and others' and try and catch the feeling of those times.

3

carys davies porcelain

http://www.carysdavies.com/sp-anim1.html

Oak ash and thorn. Still falls the rain. Some animations are of text, some of pots. Stacks of pots are objects to handle - you need to see each plate, and the small but important variations, in the texts and in the plates, as you stack them, looking for stability.

4

carys davies porcelain

http://www.carysdavies.com/CVpage.html

Artist in Residence, Godolphin School, Salisbury. Studio Manager, London. Ceramics BA Hons, University of Westminster. Engineer and consultant for Rolls Royce, Philips and IBM. BA Hons, Engineering Science, Jesus College, Oxford. Born Conwy, Wales. Plymouth City Museum and Art Gallery. Applied Art prize, Eisteddfod Genedlaethol, Wrecsam. The Art of Poetry', Obsidian Art view. Nantgarw Chinaworks Museum view. The Harrow Effect', crafts and design, Nov/Dec 2012 link. From fish market to crafts market'.

5

carys davies porcelain

http://www.carysdavies.com/specialprojectsmenu.html

Oak ash and thorn. Still falls the rain. Oak ash and thorn.

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Blaven • Blà Bheinn

http://www.blaven.com/visitorbook.aspx

Uses cookies to make this website better. Read more about this on the privacy policy. Walking the Marble Line. Origin of the Name. Over the Sea to Skye. Beware of the Wildlife. Origin of Picture Postcards. Mallaig and Sound of Sleat. Knoydart and Sound of Sleat. Bernera and Ben Aslak. Glen Bernera and Glas Bheinn. Eric G. Meadows. Please feel free to sign the visitor book. The following people were kind enough to do so. You can send a message to any one in the book by clicking on the. Roy Tait Torrin, Is...

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What is Interesting Writing in Art History?: Chapter 7

http://305737.blogspot.com/2013/06/chapter-52-tim-clark.html

What is Interesting Writing in Art History? TJ Clark, The Sight of Death. Voice, in this book, is several worlds away from what happens in Krauss's book. For me the end of the book's opening gambit that readers might see. Its narrator is a passage on p. 30, in which Clark says, parenthetically, "(Remember Chantelou's room with the Sacraments,. I confess that I came late to this book, because I had been teaching and reading Clark's Farewell to an Idea. The book, considered as a book. By which I mean the b...

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new year, new pots | carys davies porcelain

https://carysdavies.wordpress.com/2015/01/23/new-year

New year, new pots. January 23, 2015. I’m back in the workshop after my textile Christmas, starting with making to replace stock sold. I’ve also made a dozen bowls, for a commission. They are to be a present, bowls to be used every day, for soups or puddings: practical, yet still special. The great thing with high-fired porcelain is that they are practical: tough and dishwasher-safe. The cold weather makes working with clay difficult: mostly because it’s hard to predict drying times. The Seagull, as the ...

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words, words, words | carys davies porcelain

https://carysdavies.wordpress.com/2015/04/03/words-words-words

Words, words, words. April 3, 2015. Working with clay, you have to get used to. You can’t just start making something and carry on until it’s finished. I’m also getting work ready for an exhibition in Stoke Mandeville, at the Obsidian Art Gallery. The gallery is also creating a physical book of images and poems from the exhibition. I’ve been half scared to death this week by news of a new auto-authoring service at Amazon. I read of it in a couple of blogs before realising it is. An April Fool’s joke.

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embarrassment and ‘taste’ | carys davies porcelain

https://carysdavies.wordpress.com/2015/05/15/embarrassment

Embarrassment and ‘taste’. May 15, 2015. When I put this black plate out (on the right, you may need to click ‘show images’ in some email programs), ready for Dulwich Festival (open again tomorrow, in case you’re nearby), I suddenly noticed something. A spelling mistake. I wrote ‘te’ instead of ‘the’. The quote is from Edward Thomas. Out in the dark over the snow. The fallow fawns invisible go. With the fallow doe;. And the winds blow. Fast as the stars are slow. I’ve noticed myself talking up the ...

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make:shift and other mashups | carys davies porcelain

https://carysdavies.wordpress.com/2014/11/21/makeshift-and-other-mashups

Make:shift and other mashups. November 21, 2014. I’ve been watching the live streaming of the craft council’s. It’s been really great – I think I can see and hear better that I could if I was there, plus when I get overexcited – as I always do – I just tweet too much, instead of disturbing the conference! Win, as the young folk say. Together: sharing tacit knowledge –. Things you know, but can’t tell. There’s be more from the conference tomorrow, streaming from around 10am. The Guardian article: ‘I...

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sea and cloud | carys davies porcelain

https://carysdavies.wordpress.com/2015/02/06/sea-and-cloud

February 6, 2015. I’ve been firing work for Kathrin Bohm. To take to Leipzig, for the International Village Show. She’s curating and showing work in. She brought me these Blackcurrent Sodas. Made from currents gleaned. After the main harvest, by people from the East End who historically helped out on Kent farms – with fruit as well as hops. It’s a fascinating community project. Making all kinds of links. 8216;s paintings: suddenly, here’s my own life in art. Kathrin, at myvillages.org. That she was using...

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the division of labour | carys davies porcelain

https://carysdavies.wordpress.com/2014/10/10/division-of-labour

The division of labour. October 10, 2014. This week I’ve been an electrician, a stone-cutter, a photographer, an illustrator, a gardener, a marketer, a critic, and an entrepreneur. Well, sort of. Mending my kiln was the scariest activity: involving chipping away at the kiln’s bricks; replacing the electrical element and connectors (some while the kiln was at 500C); and troubleshooting without overreacting. My hand reached for the phone to get in an expert many times. This is in The German Ideology. As we...

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carys davies porcelain

Christmas Open Studio 6-9pm Fri 1 Dec, 2-6pm Sat 2nd, 3-6pm Sun 3rd Dec 2017. For more news see my blog. Open studio virtual tour. Do not go gentle. The art of writing. Exploring paper and clay. New work on paper. My nesta guest blog.

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October 26, 2017. May 12, 2017. April 28, 2017. Video killed the radio star. August 19, 2016. June 24, 2016. February 20, 2015. November 30, 2017. I’ve been turning out my shelves, ready for Open Studios in a couple of days (invitation here). Trying to decide what is ‘current work’, what is ‘archive’. What to keep, […]. Read Article →. November 3, 2017. Read Article →. April 21, 2017. Read Article →. April 7, 2017. November 24, 2016. Matcha and tea bowls. November 4, 2016. Affordable Art Fair Battersea.

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