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<code>text – writing | programming | programmable writing

Writing programming programmable writing. Scroll down to content. In an essay on. Picture becomes text, becomes writing: software as interlocutor’. Christopher Funkhouser and Sonny Rae Tempest transform an image into text, encode it and then translate the outcome to produce the poem ‘Exit Ducky? Continue reading “Reused, rewritten”. Interactivity is not a dirty word. Continue reading “Interactivity is not a dirty word”. If William Blake were going to make a poetry ebook. Digital you keep using that word!

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<code>text – writing | programming | programmable writing | codetext.net Reviews
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Writing programming programmable writing. Scroll down to content. In an essay on. Picture becomes text, becomes writing: software as interlocutor’. Christopher Funkhouser and Sonny Rae Tempest transform an image into text, encode it and then translate the outcome to produce the poem ‘Exit Ducky? Continue reading “Reused, rewritten”. Interactivity is not a dirty word. Continue reading “Interactivity is not a dirty word”. If William Blake were going to make a poetry ebook. Digital you keep using that word!
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6 cordite poetry review
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<code>text – writing | programming | programmable writing | codetext.net Reviews

https://codetext.net

Writing programming programmable writing. Scroll down to content. In an essay on. Picture becomes text, becomes writing: software as interlocutor’. Christopher Funkhouser and Sonny Rae Tempest transform an image into text, encode it and then translate the outcome to produce the poem ‘Exit Ducky? Continue reading “Reused, rewritten”. Interactivity is not a dirty word. Continue reading “Interactivity is not a dirty word”. If William Blake were going to make a poetry ebook. Digital you keep using that word!

SUBDOMAINS

poetry.codetext.net poetry.codetext.net

Benjamin Laird

I am a PhD candidate in the School of Media and Communication. Based in Melbourne, Australia. My research is in biographical poetry in print and programmable media. My PhD project,. The Code of Things. Involves a creative component—poetry in print and programmable media—and an exegesis. My undergraduate degrees are in engineering and computer science from Swinburne. And an honours year in creative writing at RMIT University. My honours exegesis,. En)coded poetry: read, write, execute.

encoded.codetext.net encoded.codetext.net

(en)coded poetry: read, write, execute

En)coded poetry: read, write, execute. Creative works produced partial fulfilment for the requirements for the degree of Bachelor of Media and Communication (Honours). Sognare la tromba / Suonare la tromba. Discussed on page: 48. Discussed on page: 49. Discussed on page: 50. I sing the sound electric. Discussed on page: 51. Lyrics to Gary Numan's. Hampton Fancher and David Peoples's Screenplay to. Discussed on page: 52. The representation of self. Discussed on page: 55. Discussed on page: 56.

INTERNAL PAGES

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1

Interactivity is not a dirty word | <code>text

https://codetext.net/posts/2012/08/29/interactivity-is-not-a-dirty-word

Writing programming programmable writing. Skip to primary content. Skip to secondary content. Interactivity is not a dirty word. Print had its precursor interactive texts within Oulipian experiments. Interactivity’ has long acted as a buzzword. It is representative of the relationship we have with the market in general and the media specifically. A recent article, aptly titled ‘ What if interactivity is the new passivity? Meanwhile, Ali Alizadeh’s Meanland post last year. The plague of fantasies. Precise...

2

May | 2012 | <code>text

https://codetext.net/posts/2012/05

Writing programming programmable writing. Skip to primary content. Skip to secondary content. Monthly Archives: May 2012. Digital you keep using that word! This is how I feel every time I say the word ‘digital’. Given I’ve been saying it for a long time now, it’s starting to become a problem. Continue reading →. Documenting a writers’ festival in Darwin. Continue reading →. Interactivity is not a dirty word. If William Blake were going to make a poetry ebook. Nonfiction and an interdisciplinary lab.

3

Electronic literature | <code>text

https://codetext.net/topics/electronic-literature

Writing programming programmable writing. Skip to primary content. Skip to secondary content. Category Archives: Electronic literature. In an essay on. Picture becomes text, becomes writing: software as interlocutor’. Christopher Funkhouser and Sonny Rae Tempest transform an image into text, encode it and then translate the outcome to produce the poem ‘Exit Ducky? Continue reading →. Interactivity is not a dirty word. Continue reading →. If William Blake were going to make a poetry ebook. The player woul...

4

Digital – you keep using that word! | <code>text

https://codetext.net/posts/2012/05/16/digital-you-keep-using-that-word

Writing programming programmable writing. Skip to primary content. Skip to secondary content. Digital you keep using that word! This is how I feel every time I say the word ‘digital’. Given I’ve been saying it for a long time now, it’s starting to become a problem. What this technology was preventing me from collecting (the things that were actually inside the box) were two literary journals I subscribe to: the latest issues of. So does that make them digital in nature? In a review of the. The problem as...

5

If William Blake were going to make a poetry ebook | <code>text

https://codetext.net/posts/2012/07/18/if-william-blake-were-going-to-make-a-poetry-ebook

Writing programming programmable writing. Skip to primary content. Skip to secondary content. If William Blake were going to make a poetry ebook. Some languages may well have been influenced in this way, but does that mean this is how all language develops? It certainly highlights a sense of relationship to history and the world: that there is a rule, singular, for why x is like y. If, say, Hebrew was developed with the pen, perhaps it would flow north-west to east instead. In publishing, the material pr...

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<code>text – writing | programming | programmable writing

Writing programming programmable writing. Scroll down to content. In an essay on. Picture becomes text, becomes writing: software as interlocutor’. Christopher Funkhouser and Sonny Rae Tempest transform an image into text, encode it and then translate the outcome to produce the poem ‘Exit Ducky? Continue reading “Reused, rewritten”. Interactivity is not a dirty word. Continue reading “Interactivity is not a dirty word”. If William Blake were going to make a poetry ebook. Digital you keep using that word!

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Experiments in computationally [g]enerated poetry: code : poetry. Then it have; no glance but if, and. Where we’re going. You’re a. Moment. It may; and yet, I. Find the torn, enraged waves he. Shakes off, revealing an empty street, which. Is attached a rope for breakers, meeting. Him, wherever he did not suffice. Take off thine eye! With the white, but walk away. With the falling form of love for all. Splintered to pieces, right. Before me in my spine, as the shoulder. Herman Melville, Moby Dick. Gary Nu...

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