dancerchez.blogspot.com

Dance Journal

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. I am an artist that prefers to work on my own, in my own practice. This is all I know! Setting people the same task and receiving different responses is an important factor of dance. Being able to explore the differences in people, while at the same time being able to relate to them. What does this say about them? Why are they so different?

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Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. I am an artist that prefers to work on my own, in my own practice. This is all I know! Setting people the same task and receiving different responses is an important factor of dance. Being able to explore the differences in people, while at the same time being able to relate to them. What does this say about them? Why are they so different?

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1 dance journal

2 blog archive

3 improvisation

4 improvisational scores

5 my focus

6 my dancing

7 exploring the unknown

8 the outcomes

9 0 comments

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Dance Journal | dancerchez.blogspot.com Reviews

https://dancerchez.blogspot.com

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. I am an artist that prefers to work on my own, in my own practice. This is all I know! Setting people the same task and receiving different responses is an important factor of dance. Being able to explore the differences in people, while at the same time being able to relate to them. What does this say about them? Why are they so different?

INTERNAL PAGES

dancerchez.blogspot.com

1

Dance Journal: Putting BMC into practice

http://www.dancerchez.blogspot.com/2013/03/putting-bmc-into-practice.html

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. Putting BMC into practice. I've come to realise BMC relates to my whole moving body, whether it is moving in a studio or in everyday, dancing or not dancing. Using this practice within everyday life continues this learning path that I am on, constantly reminding me of my body and the way my body moves within dance and also everyday life.

2

Dance Journal: The outcomes

http://www.dancerchez.blogspot.com/2013/03/the-outcomes.html

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. Setting people the same task and receiving different responses is an important factor of dance. Being able to explore the differences in people, while at the same time being able to relate to them. What does this say about them? Why are they so different? Subscribe to: Post Comments (Atom). View my complete profile. Simple template. Powered by Blogger.

3

Dance Journal: My dancing

http://www.dancerchez.blogspot.com/2013/03/my-dancing.html

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. An exploration of me. Subscribe to: Post Comments (Atom). View my complete profile. Simple template. Powered by Blogger.

4

Dance Journal: Improvisation

http://www.dancerchez.blogspot.com/2013/03/improvisation.html

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. Sitting in a space, looking for things, allowing things to find me. The score I drew from this task has sparked an interest for me, it creates a pretty picture and a creative mind. Looking at this again opens so many doors of exploration and brings back all the memories I had on the day. Subscribe to: Post Comments (Atom). View my complete profile.

5

Dance Journal: "If you loose you feet, you loose your head"

http://www.dancerchez.blogspot.com/2013/03/you-loose-you-feet-you-loose-your-head.html

Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. If you loose you feet, you loose your head. Subscribe to: Post Comments (Atom). View my complete profile. Simple template. Powered by Blogger.

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dancetraces.wordpress.com

Flip Video RIP | Dance traces

https://dancetraces.wordpress.com/2011/05/05/flip-video-rip

Dance Teaching Resources and Collaborative Engagement Space. Flip Alternatives: 5 Great Pocket Video Cameras →. May 5, 2011. Here is the email I received this week with full details of the implications:. As well as our warranty. Policy can be found on our website. FlipShare software will continue to be fully functional and will be supported until 12/31/2013. After that time Cisco will no longer support the application though it may remain functional as a software for offloading videos, editing, organ...

dancetraces.wordpress.com

Course documents | Dance traces

https://dancetraces.wordpress.com/documentation/course-documents

Dance Teaching Resources and Collaborative Engagement Space. Student interim evaluation sheet. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.

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DTraces Rapid Analysis Report | Dance traces

https://dancetraces.wordpress.com/2010/11/15/dtraces-rapid-analysis-report

Dance Teaching Resources and Collaborative Engagement Space. Tech skills session 1 →. DTraces Rapid Analysis Report. November 15, 2010. This is the completed Rapid Analysis report which was required for the first part of the DTraces project. The report provides an overview of the impact and use of Siobhan Davies Replay. Full appendices are available on request. Jo Marsh and Gill Evans. DTraces Rapid Analysis Report. Weight loss after menopause. August 12, 2015 at 4:01 pm. Leave a Reply Cancel reply.

dancetraces.wordpress.com

Online learning needs a strategy, says new report | Dance traces

https://dancetraces.wordpress.com/2011/01/27/online-learning-needs-a-strategy-says-new-report

Dance Teaching Resources and Collaborative Engagement Space. Digital Dance Archives (DDA) Survey Report. D-TRACES final report →. Online learning needs a strategy, says new report. January 27, 2011. This news release came through from JISC-ANNOUNCE and seems pertinent to this project – might be helpful with report writing. Universities and colleges need to make online learning a central part of their strategies if they are to stay competitive globally, says a new report. Dr Malcolm Read, JISC’s exe...

dancetraces.wordpress.com

D-TRACES final report | Dance traces

https://dancetraces.wordpress.com/2011/04/28/d-traces-final-report

Dance Teaching Resources and Collaborative Engagement Space. Online learning needs a strategy, says new report. Flip Video RIP →. April 28, 2011. DTRACES final report April11. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Http:/ jennifer...

dancetraces.wordpress.com

Project Board Meeting | Dance traces

https://dancetraces.wordpress.com/2010/12/09/project-board-meeting

Dance Teaching Resources and Collaborative Engagement Space. Library Session, 11/11/10. Project update →. December 9, 2010. The agenda for the Project Board Meeting will be posted early next week. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. Notify me of new comments via email. Http:/ jennifer&...

dancetraces.wordpress.com

Project documents | Dance traces

https://dancetraces.wordpress.com/documentation

Dance Teaching Resources and Collaborative Engagement Space. DTRACES final report April11. DDA Survey Report (Dec 2010). Rapid Analysis Report (Nov 2010). Project timeline and tasks. JISC project plan template. JISC terms and conditions of funding. Http:/ abisdanceblog.blogspot.com/. Http:/ alexsdanceblog.blogspot.com/. Http:/ allwedoisdance.blogspot.com/. Http:/ ambersdanceblog.blogspot.com. Http:/ anitaamouranda.blogspot.com/. Http:/ charliesdanceblog.blogspot.com/. Http:/ emma-259.tumblr.com/. Http:/ ...

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Flip Alternatives: 5 Great Pocket Video Cameras | Dance traces

https://dancetraces.wordpress.com/2011/05/08/flip-alternatives-5-great-pocket-video-cameras

Dance Teaching Resources and Collaborative Engagement Space. Flip Alternatives: 5 Great Pocket Video Cameras. May 8, 2011. Ok, maybe the Flip is no more but there are other products out there more than capable to take it’s place as this link proves. Flip Alternatives: 5 Great Pocket Video Cameras. Research Assistant Coventry School of Art and Design. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Http:/ hgrahammarti...

dancetraces.wordpress.com

Meeting Minutes | Dance traces

https://dancetraces.wordpress.com/documentation/meeting-minutes

Dance Teaching Resources and Collaborative Engagement Space. Meeting 1 – 15/09/10. Meeting 2 – 30/09/10. Meeting 3 – 03/11/10. Meeting 4 – 09/12/10. Meeting 5 – 06/01/11. Meeting 6 – 27/01/11. Meeting 7 – 24/02/11. Project Board Terms of Reference. Meeting 1 – 21/10/10. Meeting 2 – 15/12/10. Meeting 3 – 02/03/11. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Notify me of new comments via email. Http:/ ioanadabija&#...

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Putting BMC into practice. If you loose you feet, you loose your head. Move your head to move your feet, move your feet . The unknown is still here. I am an artist that prefers to work on my own, in my own practice. This is all I know! Setting people the same task and receiving different responses is an important factor of dance. Being able to explore the differences in people, while at the same time being able to relate to them. What does this say about them? Why are they so different?

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