~ notes from my studio ~ thoughts about drawing ~ books read ~ work seen ~ music heard ~ places explored ~ conversations with artists ~ (by Fiona Robinson)
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Drawing | ~ notes from my studio ~ thoughts about drawing ~ books read ~ work seen ~ music heard ~ places explored ~ conversations with artists ~ | drawingpencillines.wordpress.com Reviews
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~ notes from my studio ~ thoughts about drawing ~ books read ~ work seen ~ music heard ~ places explored ~ conversations with artists ~ (by Fiona Robinson)
drawingpencillines.wordpress.com
Writing drawing and listening to music….. | Drawing
https://drawingpencillines.wordpress.com/2014/11/12/writing-drawing-and-listening-to-music
Cicatrix – the drawing of scars. One day – From sculpture to drawing to photography →. Writing drawing and listening to music. November 12, 2014. Notes from a small room – Gustave Fauré 1 and 2. Graphite charcoal chalk and wax on paper. 22 x 30 inches. 2014. John Cage in a Landscape 1948 Version 3. Graphite charcoal chalk and wax on paper. 32 x 44 inches. 2014. Now writing for Artlyst http:/ blog.artlyst.com/contemporary-drawing/. A young woman sleeping (Hendrickje Stoffels) about 1654. Most recently Chl...
Day Bowman – New work in Oxford and Sherborne, Dorset | Drawing
https://drawingpencillines.wordpress.com/2015/02/14/day-bowman-new-work-in-oxford-and-sherborne-dorset
Bringing sea and land inside. Tania Kovats – writing drawing. →. Day Bowman – New work in Oxford and Sherborne, Dorset. February 14, 2015. Are about borders, barbed wire and little fragments of maps in Europe. Study 3 Fast Moving Trains charcoal, pencil and wash on cartridge paper, 17 x 22 cm. In Oxford Bowman was showing her signature large canvases alongside new small drawings, which are somewhat of a departure but also the germs of a new beginning. Http:/ www.jennyblythfineart.co.uk. You are commentin...
Drawing | ~ notes from my studio ~ thoughts about drawing ~ books read ~ work seen ~ music heard ~ places explored ~ conversations with artists ~ | Page 2
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Newer posts →. September 23, 2014. Stood out as its breath holding sense of time-suspended felt particularly contemplative. Charcoal graphite and silkscreen on paper. There was plenty of narrative ranging from Mathieu Gruet”s complex and extraordinary. To Natasha-Anne Aplin’s group of five large portraits. A fall of Ordinariness and Light. A fall of Ordinariness and Light (The Order Land). A fall of Ordinariness and Light (The scheme). A fall of Ordinariness and Light (The enabling power). By Sigrid Müll...
Tania Kovats – writing drawing….. | Drawing
https://drawingpencillines.wordpress.com/2015/05/03/tania-kovats-writing-drawing
Day Bowman – New work in Oxford and Sherborne, Dorset. PRESS RELEASE Art and Music at RWA Bristol and Hauser and Wirth Somerset →. Tania Kovats – writing drawing. May 3, 2015. Drawing as a mechanism for exploration. Published by Fruitmarket Gallery (2014). She quotes Susan Sontag ruminating on how to critique art. Should one even attempt to do this? Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Follow Blog via Email.
Fiona Robinson | Drawing
https://drawingpencillines.wordpress.com/author/fioncrowley
Author Archives: Fiona Robinson. PRESS RELEASE Art and Music at RWA Bristol and Hauser and Wirth Somerset. May 31, 2015. TWO CONCERTS CONNECTING ART AND MUSIC. Anywhere Else But Here. Graphite charcoal chalk and wax. 56 x 76 cmd. 2015. How does one define the relationship between music and art? How might a work of visual art be re-imagined as music? Anywhere Else but Here. Ingram Collection of Modern British Art. And DRAWN at the RWA and Zhang Enli. At Hauser and Wirth. Art and Music 1. Art and Music 2.
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fineartdrawinglca.blogspot.com
Drawing : May 2016
http://fineartdrawinglca.blogspot.com/2016_05_01_archive.html
Tuesday, 24 May 2016. Up close and far away. The macro and the micro. Look at the video link and it clearly articulates how powers of magnitude allow us to think about how scale and 'look' are relative concepts that depend on moving our conceptual framework beyond our 'normal' sense of scale, a normality that is based on a particular understanding of ourselves. From 'Powers of 10'. The concept behind Debra Weisberg’s tape drawings relies on this effect. Debra Weisberg: Tape Drawing. This close up of the ...
fineartdrawinglca.blogspot.com
Drawing : November 2016
http://fineartdrawinglca.blogspot.com/2016_11_01_archive.html
Tuesday, 22 November 2016. The grid as a cage or trap. Above 3D cages and traps, below 2D perspective grids, they have a very clear visual relationship. An early example of the perspective grid being used to define a space for humans. Mr Van Amburgh, as He Appeared with His Animals: Sir Edwin Landseer 1847. He must have been aware of historical p recedents. Who used grids in the backgrounds of his photographs in order to establish a frame of reference. The perspective grid is often used in how to draw bo...
fineartdrawinglca.blogspot.com
Drawing : Louise Lawler: Modern Art Oxford
http://fineartdrawinglca.blogspot.com/2016/12/louise-lawler-modern-art-oxford.html
Thursday, 15 December 2016. Louise Lawler: Modern Art Oxford. I have mentioned Louise Lawler’s work before in reference to ‘tracing’. She is in a very good exhibition in Oxford at the moment;. KALEIDOSCOPE: The Vanished Reality - Modern Art Oxford - until 31 December 2016. If you are interested in that interface between drawing and photography Lawler’s work is very interesting, especially if you are also thinking of how the use of vector graphic packages can extend the way you think about scale. This blo...
fineartdrawinglca.blogspot.com
Drawing : July 2016
http://fineartdrawinglca.blogspot.com/2016_07_01_archive.html
Sunday, 24 July 2016. Why does ink stick to paper? I use water-based ink on paper as my drawing materials. I sometimes categorise my drawing materials into those that flow in water as if in a primordial sea and those that are scraped off on hard surfaces like some form of geological attrition. There is for myself a rightness about the flow of ink, it feels as if I am tapped into working with something akin to my own life blood. I choose to use water based or. A hydroxyl group consists of one hydrogen.
fineartdrawinglca.blogspot.com
Drawing : February 2016
http://fineartdrawinglca.blogspot.com/2016_02_01_archive.html
Wednesday, 24 February 2016. Is drawing a language? In Richard Cytowic's 'The Man Who Tasted Shapes' it is pointed out that no two synesthetics 'see' their associations the same way, one person hearing the sound of a trumpet as bright red, another as cold blue. These issues point to a much more complex problem and one fundamental to my question. Are languages learnt or innate? It is however no different outside of the education world. The 'art world' itself has languages of discourse and you have to ...
fineartdrawinglca.blogspot.com
Drawing : A line of disjuncture: the tear
http://fineartdrawinglca.blogspot.com/2017/01/a-line-of-disjuncture-tear.html
Wednesday, 4 January 2017. A line of disjuncture: the tear. Asger Jorn 1950 drawing on two pieces of paper. Every process can be highjacked to support other agendas, and the Chapman Brothers turned to. In the original Surrealist Exquisite Corpse drawing above, I like the way that Miro's drawing is so clearly his, the awkward 'naffness' of this image chimes with the desire to discover something new and is an interesting comparison with the Chapman Brothers more knowing composition. This blog is designed t...
fineartdrawinglca.blogspot.com
Drawing : Pop expressionist surrealism
http://fineartdrawinglca.blogspot.com/2016/12/pop-expressionist-surrealism.html
Sunday, 4 December 2016. I suspect if you think you need to think about these things you are already 'past it'. Academia rages about plagiarism but people sitting on computers and fingering their mobiles world wide simply cut and paste and get on with their lives. Here is a nice easy primer/manifesto for Pop expressionist surrealism. Subscribe to: Post Comments (Atom). View my complete profile. Heidegger on the significance of drawing. Louise Lawler: Modern Art Oxford. Deanna Petherbridge at the Whitworth.
fineartdrawinglca.blogspot.com
Drawing : October 2016
http://fineartdrawinglca.blogspot.com/2016_10_01_archive.html
Saturday, 29 October 2016. Tony Bevan at Cartwright Hall. I finally managed to get over to the Cartwright Hall in Bradford to see the Tony Bevan exhibition. For those of you interested in charcoal as a drawing medium Bevan is a must see. He has been working for many years now, pushing his charcoal drawings into a territory that verges into painting but never quite leaving behind the fact that he is still drawing. Ou can get an idea of how he works by watching thisvideo. Of him talking about his work.
fineartdrawinglca.blogspot.com
Drawing : March 2016
http://fineartdrawinglca.blogspot.com/2016_03_01_archive.html
Saturday, 19 March 2016. Michael Lyons surrounded by his own drawings. Michael Lyons the sculptor has an exhibition of drawings on over at the Leeds University's Stanley and. Audrey Burton Art G. Allery. It's aways interesting to look at sculptor's drawings because no matter how gestural you might think they are, there is always an underlying sense of form, whether from a sense of mass or volume. Michael Lyons Tree Drawings. Michael Lyons: Trees in a landscape. Lyons is much more interested this time in ...
The Les Coleman Bequest of Publications and Printed Matter | Artists' Books: Reading Room
https://rebeccalowe.wordpress.com/2015/06/09/the-les-coleman-bequest
Artists' Books: Reading Room. ARTISTS’ BOOK FAIRS. ARTISTS’ MATERIALS SUPPLIES. PRINT WORKSHOPS, SMALL PRESSES & BINDERIES. PUBLISHERS and RARE BOOK SELLERS. RESEARCH, RESOURCES AND SUPPORT. The Les Coleman Bequest of Publications and Printed Matter. 9 June, 2015. Middot; by Rebecca Lowe. Middot; in Artists' Books News. Middot; Leave a comment. His friend and colleague at In House Publishing, Charlie Holmes, suggested this image as a symbol for the bequest. It was originally published in. Ensixteen Editi...
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Drawing | ~ notes from my studio ~ thoughts about drawing ~ books read ~ work seen ~ music heard ~ places explored ~ conversations with artists ~
Notes from my studio thoughts about drawing books read work seen music heard places explored conversations with artists. PRESS RELEASE Art and Music at RWA Bristol and Hauser and Wirth Somerset. May 31, 2015. TWO CONCERTS CONNECTING ART AND MUSIC. Anywhere Else But Here. Graphite charcoal chalk and wax. 56 x 76 cmd. 2015. How does one define the relationship between music and art? How might a work of visual art be re-imagined as music? Anywhere Else but Here. Ingram Collection of Modern British Art.
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