Television is more interesting than people. If it were not, we would have people standing in the corners of our rooms. -Alan Corenk
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Television Cultures Blog | Television is more interesting than people. If it were not, we would have people standing in the corners of our rooms. -Alan Corenk | elawrence24.wordpress.com Reviews
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Television is more interesting than people. If it were not, we would have people standing in the corners of our rooms. -Alan Corenk
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Television Cultures Blog | Television is more interesting than people. If it were not, we would have people standing in the corners of our rooms. -Alan Corenk | Page 2
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Newer posts →. July 28, 2011 · 8:28 am. Why On Earth Do We Love Reality Television? 1 It makes you feel like you’re a part of the action. Gone are the days where you would sit idly watching, reality TV lets us interact. According to Hicks, “American Idol is the most popular television show in America not because it produces stars but because it turns audience members into what they always wanted to be: star-makers.”. America’s Next Top Model. The Real Housewives…, Jersey Shore. 8220;We don’t need t...
The “Best” of the “Best” | Television Cultures Blog
https://elawrence24.wordpress.com/2011/08/27/the-best-of-the-best
Convergence Culture →. August 27, 2011 · 8:41 pm. The “Best” of the “Best”. Here are my top 4 blog posts (in no particular order):. Tagged as blog post. Convergence Culture →. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out.
Audience Participation | Television Cultures Blog
https://elawrence24.wordpress.com/2011/08/27/71
The “Best” of the “Best” →. August 27, 2011 · 8:23 pm. A curious advertisement popped up on the side of my Facebook page the other day. It was for a place called, “ Club Fangtasia. Interactivity refers to the ways that new technologies have been designed to be more responsive to consumer feedback… One can imagine differing degrees of interactivity enabled by different communication technologies, ranging from television to video games… The constraints on interactivity are technological. Pa...Jenkins state...
Television Abroad | Television Cultures Blog
https://elawrence24.wordpress.com/2011/08/18/television-abroad
TV Everywhere →. August 18, 2011 · 4:56 pm. I recently watched this really interesting documentary called, “Exporting Raymond”. It was about the creator of the hit American sitcom, Everybody Loves Raymond, and the attempt to create a Russian version of the show, Everybody Loves Kostya (Воронины). Here’s the trailer:. Aussie shows have also become extremely popular overseas with Neighbours, Chris Lilley’s Angry Boys and Summer Heights High and more recently Wilfred, which has been adapted for Americ...
Transmedia Storytelling | Television Cultures Blog
https://elawrence24.wordpress.com/2011/10/08/transmedia-storytelling
October 8, 2011 · 12:03 pm. In its simplest, transmedia storytelling is a narrative telling stories across multiple platforms such as digital technologies. Transmedia narratives also allow the consumer to engage with the franchise more through creating their own stories such as fan fiction, filming their own take on television shows, creating web comics and so much more. Transmedia is closely related to convergence culture, which I talked about here. The Wonderful Wizard of Oz. Leave a Reply Cancel reply.
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Final Reflective Report | TV CULTURES
https://tvme3190172.wordpress.com/final-reflective-report
Television culture nowadays changes constantly and thus plays an important part in constituting our cultural world. This reflective report will demonstrate my understanding of three relevant key analytical concepts learned from Television Culture this semester, which includes television culture in relation to cultural imperialism, soft power and nation. A number of case studies will be presented in order to clearly demonstrate each analytical concept. Is a Japanese television cooking show produced by Fuj...
Desperate Housewives – Television portrayal of gender role identity and family crisis | TV CULTURES
https://tvme3190172.wordpress.com/2011/07/28/desperate-housewives-–-sexual-racial-and-gender-stereotypes-or-theres-more-to-it
July 28, 2011. Desperate Housewives Television portrayal of gender role identity and family crisis. Is one of the first drama series I watched. The story is about the secret lives of five housewives who live in the suburbs of America on Wisteria Lane and each family has their own ‘dirty little secret’ and problems to deal with. Desperate Housewives clearly portrays the gender role. Gabrielle Solis with her husband and boyfriend. Lynette Scavo in a work uniform taking care of her baby. As opposed to Gabri...
Cultural Imperialism: ‘Meteor Garden’ and its invasion across Asia | TV CULTURES
https://tvme3190172.wordpress.com/2011/08/18/cultural-imperialism-meteor-garden-and-its-invasion-across-asia
August 18, 2011. Cultural Imperialism: ‘Meteor Garden’ and its invasion across Asia. Is a Taiwanese live-action show based on Japanese manga series, Hana Yori Dango (Boys Over Flower). It is basically an Asian version of Cinderella story that depicts the romance between the rich and the poor. The show became a smash success. In Asia during the early 2000s and has made its way to captivate fans across Asian countries such as in Hong Kong, China, Singapore, Indonesia, Malaysia, Thailand and the Philippines.
Made possible by the power of fandom: Case study “We give a Chuck” | TV CULTURES
https://tvme3190172.wordpress.com/2011/08/28/made-possible-by-the-power-of-fandom-case-study-“we-give-a-chuck”
August 28, 2011. Made possible by the power of fandom: Case study We give a Chuck. Has been around since god knows when. However, convergence culture nowadays allows people all around the world who share the same interest to come together a lot easier due to technological advancement such as internet. Therefore fan culture communities are not limited to geographical space. Henry Jenkins (2008) represents media fans in is his study. The relationship between fans and producers. Predates the digital age....
Bodyjar: association within a scene | radioblaster
https://radioblaster.wordpress.com/2011/10/14/bodyjar-association-within-a-scene
Lucas Shipsides – RMIT. October 14, 2011. Bodyjar: association within a scene. As previously mentioned, Bodyjar can be described as a punk rock band with elements of pop punk, leading to a generally well rounded ‘melodic’ sound. their association with an overall “scene” is probably best aligned toward the skate punk. Scene, however this is more to do with cultural identity and not necessarily the music. I’ll state the obvious here and mention the inclusion of Not The Same. This isn’t to discredit B...
Bodyjar: the essentials | radioblaster
https://radioblaster.wordpress.com/2011/09/30/bodyjar-the-essentials
Lucas Shipsides – RMIT. September 30, 2011. For my Global Musician research assignment, i will be looking at Melbourne based punk rock band BODYJAR. And analyzing their musical culture on a local and global scale, in addition to their method of their success. 1994-2009 (and reforming in 2011 to play two reunion shows). they however have been ‘active’ since 1990, under former names Helium and Damnation. Cameron Baines (guitar/vocals), Tom Reed (guitar), Grant Relf (bass), Shane Wakker (drums). Shot in the...
Bodyjar: ‘Jar Wars’ video intermission and ABC/JJJ | radioblaster
https://radioblaster.wordpress.com/2011/10/14/bodyjar-jar-wars-video-intermission-and-abcjjj
Lucas Shipsides – RMIT. October 14, 2011. Bodyjar: ‘Jar Wars’ video intermission and ABC/JJJ. Going through my Bodyjar CD collection, i found a copy of the One In A Million CDS. on it is part two of a three part series called ‘Jar Wars’ – short docos that aren’t particularly about much. there are some candid moments and live footage mostly. i’m not posting this because of the content, but rather the overall themes some of the scenes represent. At 10:23 is a snippet from when they hosted Rage. Which conta...
radioblaster | Lucas Shipsides – RMIT | Page 2
https://radioblaster.wordpress.com/page/2
Lucas Shipsides – RMIT. September 8, 2011. The role of online marketing for TV. Expanding from the week 6 lecture and discussion on webisodes and the representation of technological convergence, i found a pretty interesting link from the @TIME. Basically, Fox is putting the pilot episode of one of its new shows. New Girl, through iTunes as a free download. Most of the time because of stupid geographical restrictions. the episode will remain there until its September 20th premiere. August 29, 2011. Where ...
Bodyjar: global and local impact, and music industry model | radioblaster
https://radioblaster.wordpress.com/2011/09/30/bodyjar-global-and-local-impact-and-music-industry-model
Lucas Shipsides – RMIT. September 30, 2011. Bodyjar: global and local impact, and music industry model. April 2011 was the last month of operation for iconic Melbourne venue, The Arthouse. as part of their last drinks. Celebration, Bodyjar reunited for their first of two shows since their ‘The End Is Now’. Bombshellzine posted interviews with Grant Relf (bass). And Shane Wakker (drums). 8221;, two very ‘distinct’ and ‘local’ answers were provided:. It can be said that a venue. However, the music industry...
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Television Cultures Blog | Television is more interesting than people. If it were not, we would have people standing in the corners of our rooms. -Alan Corenk
October 8, 2011 · 12:03 pm. In its simplest, transmedia storytelling is a narrative telling stories across multiple platforms such as digital technologies. Transmedia narratives also allow the consumer to engage with the franchise more through creating their own stories such as fan fiction, filming their own take on television shows, creating web comics and so much more. Transmedia is closely related to convergence culture, which I talked about here. The Wonderful Wizard of Oz. The “Best” of ...Here are ...
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