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Farce Filled Jar

Sunday, December 19, 2010. The so-called "foreign cinema" as the precursor of the 21st century film? There seems to be a wide-spread consensus to dichotomize world cinema into US-American cinema, on the one hand, and „foreign cinema“ on the other. That are, at least thematically, not too different: Tropa de Elite. José Padilha, 2007) and Un prophète. Jacques Audiard, 2009). Both films present circular structures: Tropa de Elite. Audiard’s Un prophète. Who is trying to quit his job.) The rules of the ...

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Farce Filled Jar | farcefilledjar.blogspot.com Reviews
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Sunday, December 19, 2010. The so-called foreign cinema as the precursor of the 21st century film? There seems to be a wide-spread consensus to dichotomize world cinema into US-American cinema, on the one hand, and „foreign cinema“ on the other. That are, at least thematically, not too different: Tropa de Elite. José Padilha, 2007) and Un prophète. Jacques Audiard, 2009). Both films present circular structures: Tropa de Elite. Audiard’s Un prophète. Who is trying to quit his job.) The rules of the ...
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Farce Filled Jar | farcefilledjar.blogspot.com Reviews

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Sunday, December 19, 2010. The so-called "foreign cinema" as the precursor of the 21st century film? There seems to be a wide-spread consensus to dichotomize world cinema into US-American cinema, on the one hand, and „foreign cinema“ on the other. That are, at least thematically, not too different: Tropa de Elite. José Padilha, 2007) and Un prophète. Jacques Audiard, 2009). Both films present circular structures: Tropa de Elite. Audiard’s Un prophète. Who is trying to quit his job.) The rules of the ...

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Farce Filled Jar: You Will Meet...Nothing New

http://farcefilledjar.blogspot.com/2010/10/you-will-meetnothing-new.html

Saturday, October 02, 2010. You Will Meet.Nothing New. What could be a more appropriate first entry for such a blog on socio-cultural ramblings than a post related to one of my favourite film artists. His most recent film, You Will Meet a Tall Dark Stranger. Is certainly a typical Woody Allen. Yet, at the same time, it is not worthy of standing out as such a representative work. YWMaTDS. Has got such grandiose moments as well, but they are few. Or Dianne Wiest in The Purple Rose of Cairo.

2

Farce Filled Jar: They're going to get you

http://farcefilledjar.blogspot.com/2010/10/theyre-going-to-get-you.html

Tuesday, October 05, 2010. They're going to get you. Sam Raimi's The Evil Dead. Is often considered to be one of the great low budget-classics of the horror film genre, alongside such masterpieces as Halloween. Both by John Carpenter). Needless to say that it is then rather difficult to live up to such a hype. Still, The Evil Dead. Succeeds doing so in many ways. Avoids those traps and delivers thus plain horror fun. That is it, and there was nothing more initially asked for. 6 October 2010 at 19:09.

3

Farce Filled Jar: The two faces of a filmmaker

http://farcefilledjar.blogspot.com/2010/10/two-faces-of-filmmaker.html

Sunday, October 17, 2010. The two faces of a filmmaker. There is a Brian DePalma who made. Phantom of the Paradise. Then there is also a Brian DePalma who made. The Bonfire of the Vanities. Considering and comparing just these few among his numerous films makes you wonder how one and the same director can present such huge differences in the quality of his work. In spite of some very intense moments, The Black Dahlia. Subscribe to: Post Comments (Atom). View my complete profile.

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Farce Filled Jar: The so-called "foreign cinema" as the precursor of the 21st century film? Two examples.

http://farcefilledjar.blogspot.com/2010/12/so-called-foreign-cinema-as-precursor.html

Sunday, December 19, 2010. The so-called "foreign cinema" as the precursor of the 21st century film? There seems to be a wide-spread consensus to dichotomize world cinema into US-American cinema, on the one hand, and „foreign cinema“ on the other. That are, at least thematically, not too different: Tropa de Elite. José Padilha, 2007) and Un prophète. Jacques Audiard, 2009). Both films present circular structures: Tropa de Elite. Audiard’s Un prophète. Who is trying to quit his job.) The rules of the ...

5

Farce Filled Jar: Czech Animation

http://farcefilledjar.blogspot.com/2010/10/czech-animation.html

Saturday, October 30, 2010. When you think about animation films, the Czech Republic does not necessarily cross your mind immediately. You would rather think of the usual suspects, such as the works by Disney or Pixar or maybe even Japanese animes. The following overview (which does not claim to be exhaustive or complete in any way, but merely to give a quick insight) should show quite plainly that the numerous pearls of Czech animation are easily as good (if not better) than the aforementioned. Directed...

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Sunday, December 19, 2010. The so-called "foreign cinema" as the precursor of the 21st century film? There seems to be a wide-spread consensus to dichotomize world cinema into US-American cinema, on the one hand, and „foreign cinema“ on the other. That are, at least thematically, not too different: Tropa de Elite. José Padilha, 2007) and Un prophète. Jacques Audiard, 2009). Both films present circular structures: Tropa de Elite. Audiard’s Un prophète. Who is trying to quit his job.) The rules of the ...

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Farce, fodder, and foodstuffs. Just another WordPress.com weblog. February 2, 2010. I don’t really have recipes to give you for any of the snacks served, because it all stop and go type creative process. However, I will tell you that I used 8 cippolini onions and 1 large bulb of fennel (and a handful of its fronds), cane sugar, salt, and pepper to make the jam. Also, please try Anna’s. Ginger thins as the cookie for an ice cream sandwich if you ever want to dazzle friends in the easiest way possible.

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