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Group Critical Writing | | groupcriticalwriting.dundee.ac.uk Reviews
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Group Critical Writing | | groupcriticalwriting.dundee.ac.uk Reviews

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Group Critical Writing Residency Texts | Group Critical Writing

https://groupcriticalwriting.dundee.ac.uk/texts

Content work produce form – a collective writing project. Content work produce form. Is a collective of women writers using a shared Google document to post original creative textual responses to source texts and material, including Monica Ross. A selection of articles discussing. Associated feminist art projects, and the artists and artwork featured in the exhibition. Of Other Spaces: Where does gesture become event? And then to one another’s writing. Feministo Postal Art Event. Content work produce form.

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About | Group Critical Writing

https://groupcriticalwriting.dundee.ac.uk/about

Is a gathering of words and deeds where creativity meets criticality. Is a space of appearance , in which words have an effect. Is a supporting structure that advocates for experimental, radical and critical writing about arts and culture in Scotland and beyond. Was inaugurated as Studio Jamming Group Critical Writing Residency. Formed the foundation of Group Critical Writing. And are presented here on this site. Middot; Designed by. Middot; Powered by.

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Reading Events | Group Critical Writing

https://groupcriticalwriting.dundee.ac.uk/reading-events

Since Group Critical Writing. Launched in 2014 as part of. Studio Jamming: Artists’ Collaborations in Scotland. There have been a number of public reading events. In addition, with the support of Cooper Gallery DJCAD and editor Maria Fusco, participants of Group Critical Writing Residency have launched Writing Groups in Glasgow and Edinburgh. For more information about the writing groups please email exhibitions@dundee.ac.uk. To present a talk as part of the ongoing Group Critical Writing. Seven Scotland...

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Group Critical Writing Residency Reading List | Group Critical Writing

https://groupcriticalwriting.dundee.ac.uk/reading-list

Each of our writers suggest five books you’d better read. . . Modern Edinburgh Film School. Catherine M. Robb and Joel S. Summers. Holly Knox Yeoman and Ben Burtenshaw. Middot; Designed by. Middot; Powered by.

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Afterall • Journal • R.H. Quaytman: Archive to Ark, the Subjects of Painting

http://www.afterall.org/journal/issue.38/r.h.quaytman_archive-to-ark_the-subjects-of-painting

Ndash; Spring 2015. Notes Towards a History of the Solo Exhibition. Sharon Hayes Sounds Off. Our Broken Genres: Sharon Hayes’s Love Addresses. Will You Be My Version? James Richards: Things Together and Apart. RH Quaytman: Archive to Ark, the Subjects of Painting. RH Quaytman: Paratexts and Palimpsests. Events, Works, Exhibitions. The Potential of Plurality: A Discussion with the Directors of L’Internationale. RH Quaytman: Archive to Ark, the Subjects of Painting. Send to a Friend. Send to a Friend.

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Afterall • Journal • R.H. Quaytman: Paratexts and Palimpsests

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Ndash; Spring 2015. Notes Towards a History of the Solo Exhibition. Sharon Hayes Sounds Off. Our Broken Genres: Sharon Hayes’s Love Addresses. Will You Be My Version? James Richards: Things Together and Apart. RH Quaytman: Archive to Ark, the Subjects of Painting. RH Quaytman: Paratexts and Palimpsests. Events, Works, Exhibitions. The Potential of Plurality: A Discussion with the Directors of L’Internationale. RH Quaytman: Paratexts and Palimpsests. Send to a Friend. This field intentionally left blank.

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Afterall • Online • Two Slight Returns: Chauncey Hare and Marianne Wex

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Two Slight Returns: Chauncey Hare and Marianne Wex. Reviews / 19.04.2011. Chauncey Hare, 'Richmond, California, 1969', 1969, photograph. Courtesy the artist and Steidl. Writing about the poet Aidan Andrew Dun, Iain Sinclair laid out a contradictory double-imperative: ‘The poet has a dual responsibility: to give himself over entirely to his work, and to stage-manage a career.’. Chauncey Hare, 'Cincinnati, Ohio, 1971', 1971, photograph. Courtesy the artist and Steidl. This Was Corporate America. From the b...

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Afterall • Journal

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Journal looks at how technology shapes bodies. With essays on Kathy Acker, Cooperativa Cráter Invertido, Ion Grigorescu, Holly Herndon, On Kawara, Stuart Marshall, Franciszka and Stefan Themerson and more. Published twice a year, each issue of. Journal includes in-depth considerations of the work of contemporary artists, as well as essays on art history and critical theory. Ndash; Spring/Summer 2016. Naisho Wave Manifesto (Secrecy Wave Manifesto). Space/Time: Matter and Motion in On Kawara. The Artist as...

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Afterall • Journal • Christopher Williams: Territory Is Measured at the Borders

http://www.afterall.org/journal/issue.16/territory.measured.borders

Ndash; Autumn/Winter 2007. I (not love) Information. Depiction, Object, Event. Sleepers, Magicians, Smugglers: Yto Barrada and the Other Archive of the Strait. The State of the Straits. Critics vs. Gillian Carnegie. The true mystery of the world is the visible, not the invisible': On the Work of Ulrike Ottinger. Sign in the Void: Ulrike Ottinger's Johanna d'Arc of Mongolia. Ulrike Ottinger's Chronicle of Time. Christopher Williams: Territory Is Measured at the Borders. Christopher Williams in Conversation.

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Afterall • Online

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Shigeo Anzaï and the 10th Tokyo Biennale. Ambra Gattiglia examines Shigeo Anzaï’s photographs of the 1970 Tokyo Biennale. Artists at Work: Simone Forti. Bryony Gillard, Louis Hartnoll. Bryony Gillard and Louis Hartnoll talk to Simone Forti about her animal studies, collaboration and drawing as a tool for thinking. Exhibition Histories Talks: Lubaina Himid video online. Lubaina Himid, Paul Goodwin. Exhibition Histories Talks: Rasha Salti video online. Rasha Salti, Omar Kholeif. On Wednesday 18 February 20...

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Afterall • Online • Charlotte Prodger: microsphaeric howard hughes heaven movie

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Charlotte Prodger: microsphaeric howard hughes heaven movie. Reviews / 26.01.2015. Charlotte Prodger, microsphaeric howard hughes heaven movie, 2014. Performance view, ‘GENERATION: 25 Years of Contemporary Art in Scotland’, Tramway, Glasgow, 2014. Photograph: Martin Clark. All images courtesy the artist and Kendall Koppe, Glasgow. Microsphaeric howard hughes heaven movie. In this video you can see my bf and me in the same kind of nike classics (sizes eur 45 and eur 42). can you read the messages? This co...

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Afterall • Journal • Foreword

http://www.afterall.org/journal/issue.38

Ndash; Spring 2015. Notes Towards a History of the Solo Exhibition. Sharon Hayes Sounds Off. Our Broken Genres: Sharon Hayes’s Love Addresses. Will You Be My Version? James Richards: Things Together and Apart. RH Quaytman: Archive to Ark, the Subjects of Painting. RH Quaytman: Paratexts and Palimpsests. Events, Works, Exhibitions. The Potential of Plurality: A Discussion with the Directors of L’Internationale. Send to a Friend. This field intentionally left blank. To: (your friend’s email). 2010), an act...

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Afterall • Journal • Artistic Labour, Enclosure and the New Economy

http://www.afterall.org/journal/issue.30/artistic-labour-enclosure-and-the-new-economy

Ndash; Summer 2012. Artistic Labour, Enclosure and the New Economy. Stone as Stone: An Essay About Jimmie Durham. Jimmie Durham: For the Price of a Magazine. Loudspeaker and Flag: Yael Bartana, from Documentation to Conjuration. A Conversation Between Eduardo Molinari and Nuria Enguita Mayo. Archivo Caminante: Constellations and Performativity. Theaster Gates: Radical Reform with Everyday Tools. Who Cares a Lot? Ruangrupa: A Conversation on Horizontal Organisation. Events, Works, Exhibitions. Alternative...

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Afterall • Online • A Restless Interlude: Béatrice Balcou at FRAC Franche-Comté

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A Restless Interlude: Béatrice Balcou at FRAC Franche-Comté. Reviews / 11.03.2014. Béatrice Balcou, Untitled Performance, 2012. Performance view,‘Chaque chose en son temps’, FRAC Franche-Comté, Besançon, Saturday 7 September 2013. Photograph: Yves Petit. Courtesy the artist. Taking advantage of a pause between exhibitions at FRAC Franche-Comté, Besançon last year, the artist Béatrice Balcou temporarily occupied two of the exhibition galleries to present a programme of works that shared her concern. 2010)...

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Aiden James Crowl arrived 12/12/12, at 0700. He weighed 6 lb. 11 oz.and was 19 in. tall. Both Jim and Nichole survived the ordeal and all 3 are doing very well, thank you! Carlos arrived in Denver on the 23rd of December. He will depart on the 7th of January. It's great to have him home. Only the 4th time in 18 years. Doug remained in Alaska. His work on the Slope got in the way of Christmas this year. He will come to Denver sometime early in the New Year to see young AJ.

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