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Methods in Art and Art History

Methods in Art and Art History. Class 27: December 4th (Presentations). Finally I conclude my presentation by stating that: The cathedral is an architectural form that inspires artists to depict it as a subject, as well as a form that invites artists to create within it. It is a generative structure, something that encourages thought, reflection, and reuse. Bill Viola and Kira Perov, Martyrs (Earth, Air, Fire, Water), 2014. Video Installation. St. Paul’s Cathedral, London. Q=bill viola martyrs&clien...

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Methods in Art and Art History | hplankart260.wordpress.com Reviews
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Methods in Art and Art History. Class 27: December 4th (Presentations). Finally I conclude my presentation by stating that: The cathedral is an architectural form that inspires artists to depict it as a subject, as well as a form that invites artists to create within it. It is a generative structure, something that encourages thought, reflection, and reuse. Bill Viola and Kira Perov, Martyrs (Earth, Air, Fire, Water), 2014. Video Installation. St. Paul’s Cathedral, London. Q=bill viola martyrs&clien...
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Methods in Art and Art History | hplankart260.wordpress.com Reviews

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Methods in Art and Art History. Class 27: December 4th (Presentations). Finally I conclude my presentation by stating that: The cathedral is an architectural form that inspires artists to depict it as a subject, as well as a form that invites artists to create within it. It is a generative structure, something that encourages thought, reflection, and reuse. Bill Viola and Kira Perov, Martyrs (Earth, Air, Fire, Water), 2014. Video Installation. St. Paul’s Cathedral, London. Q=bill viola martyrs&clien...

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1

October « 2014 « Methods in Art and Art History

https://hplankart260.wordpress.com/2014/10

Methods in Art and Art History. Monthly Archives: October 2014. Class 16: October 23rd (whitespace gallery). On Thursday, our class visited whitespace gallery and talked to Susan Bridges, the gallery director and owner. When first arrived at the gallery, while we were waiting for the rest of the class to arrive, we looked around the gallery. The current exhibition, entitled. Richard Sexton, from. This photograph stood out to me as one that fit well with the colors and textures of the gallery space itself.

2

Class 26: December 2nd (Workday) « Methods in Art and Art History

https://hplankart260.wordpress.com/2014/12/04/class-26-december-2nd-workday

Methods in Art and Art History. Class 26: December 2nd (Workday). During the workday, I continued planning programs for my exhibition. My ideas about one program, involving an installation by Anne Patterson, can be read here: https:/ hplankart260.wordpress.com/2014/11/30/class-22-november-13th-check-ins-and-maquettes-with-nell/. I also thought that it would be nice to invite Elizabeth Emery, the author of. Romancing the Cathedral: Gothic Architecture in Fin-de-Siècle French Culture. One particularly inte...

3

Class 27: December 4th (Presentations) « Methods in Art and Art History

https://hplankart260.wordpress.com/2014/12/04/class-27-december-4th-presentations

Methods in Art and Art History. Class 27: December 4th (Presentations). Finally I conclude my presentation by stating that: The cathedral is an architectural form that inspires artists to depict it as a subject, as well as a form that invites artists to create within it. It is a generative structure, something that encourages thought, reflection, and reuse. Bill Viola and Kira Perov, Martyrs (Earth, Air, Fire, Water), 2014. Video Installation. St. Paul’s Cathedral, London. Q=bill viola martyrs&clien...

4

Class 22: November 13th (Check-Ins and Maquettes with Nell) « Methods in Art and Art History

https://hplankart260.wordpress.com/2014/11/30/class-22-november-13th-check-ins-and-maquettes-with-nell

Methods in Art and Art History. Class 22: November 13th (Check-Ins and Maquettes with Nell). In this class, we each shared an update about our projects and Nell gave a demonstration about making maquettes. When discussing one of the works for my project, Anne Patterson’s installation. Said that she wanted to hold her exhibition in moving or rotating space, since her theme relates to motion. This reminded me of the cycloramas that we read about in Griffiths’s article [1]. Alison Griffiths, “The Reve...

5

The Idea Bank « Methods in Art and Art History

https://hplankart260.wordpress.com/2014/08/30/the-idea-bank

Methods in Art and Art History. This post is the place where I will store images, links, and ideas that are relevant to the course or provide inspiration for course projects. I aim to update it frequently. Sagrada: The Mystery of Creation. At the Bechtler Museum of Art ( http:/ www.bechtler.org/. The trailer for the film is available at: http:/ vimeo.com/51221873. Antonio Gaudi, Sagrada Familia, Barcelona, Spain, begun 1884. After looking at a book that Donna let me borrow,. By Elizabeth Emery, [2].

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August | 2016 | Donna Sadler

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Professor of Art History. The Art of Portraiture, ART 330. Monthly Archives: August 2016. In The Art of Portraiture, ART 330. August 30, 2016. Http:/ www.nytimes.com/interactive/2013/01/16/arts/design/16postcards-web.html? Nl=todaysheadlines&emc=edit th 20130116. Why are these a form of portraiture! In The Art of Portraiture, ART 330. August 29, 2016. Questions to ponder on the Nature of Portraiture! In The Art of Portraiture, ART 330. August 28, 2016. Questions to Ponder on the Nature of Portraiture.

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Digital Processes | Page 2

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October 20, 2014. S in my paragraph exercise go off the page. I like this idea because it would make my work more dynamic. It would also further the connections between my first and third exercises, since the first exercise does not show the full letter. See the images that I presented in the critique below:. October 13, 2014. Typography Exercises in Adobe Illustrator CC 2014. This project is a series of three exercises in which I have chosen to focus on the letter. I chose the letter. Because the inters...

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February | 2015 | Donna Sadler

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Professor of Art History. The Art of Portraiture, ART 330. Monthly Archives: February 2015. The Measure of Piety! In Stone, Flesh, Spirit: Late Medieval Sculpture and Patterns of Devotion, 2015. February 27, 2015. The Measure of Piety! 1 Why are the Wounds of Christ a key element in late Medieval piety? 2 Do you agree with Lewis about the gendered nature of devotion in the later Middle Ages? 3 What did a focus on the side wound promote in the worshiper? Where do you stand on this issue? What was the purp...

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January | 2015 | Donna Sadler

https://donnasadlerasc.wordpress.com/2015/01

Professor of Art History. The Art of Portraiture, ART 330. Monthly Archives: January 2015. Questions on Visuality and Devotion and Gibson’s Passion of Christ. In Stone, Flesh, Spirit: Late Medieval Sculpture and Patterns of Devotion, 2015. January 31, 2015. Questions on Visuality and Devotion and Mel Gibson’s. The Passion of Christ. What do the medieval theories of vision have in common? What connection does sight have to the acquisition of knowledge? How does the hierarchy of vision endow late medieva.

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September | 2014 | Digital Processes

https://hannahplankart244fa2014.wordpress.com/2014/09

September 29, 2014. Continuing Work on Strange Worlds and In-Progress Critique. Screenshot: In the process of removing green background from behind the bush with pink flowers, it was helpful to zoom in and use precise tools because the background was so similar in color to the object itself. Then, I tried to make the objects look wild and strange, using selections from the transform menu, like scale, skew, distort, perspective, and warp. The first image of my series: the daisy sucks objects into a vortex.

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March | 2015 | Donna Sadler

https://donnasadlerasc.wordpress.com/2015/03

Professor of Art History. The Art of Portraiture, ART 330. Monthly Archives: March 2015. Speculation about Speculation, seeing and believing, visions, Jan van Eyck, and Woody Allen! In Stone, Flesh, Spirit: Late Medieval Sculpture and Patterns of Devotion, 2015. March 30, 2015. Speculation on Speculation, Vision, the Role of Images in accessing the Divine, Van Eyck, and Woody Allen! What did Suso mean by speculation in Pauline sense? What is dangerous about the opposition of corporeal and spiritual sight?

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April | 2015 | Donna Sadler

https://donnasadlerasc.wordpress.com/2015/04

Professor of Art History. The Art of Portraiture, ART 330. Monthly Archives: April 2015. Questions about Popular Piety, Modes of Visual Perception, St. Francis’ Body as Image, and Embodied Perception! In Stone, Flesh, Spirit: Late Medieval Sculpture and Patterns of Devotion, 2015. April 4, 2015. Discussion Questions about Popular Piety and Modes of Visual Perception, St. Francis’ Body as Image, and Embodied Perception. What are the reasons for the neglect of images in the 15. Do you agree with him? How d...

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September | 2015 | Donna Sadler

https://donnasadlerasc.wordpress.com/2015/09

Professor of Art History. The Art of Portraiture, ART 330. Monthly Archives: September 2015. Questions about “Figuring Forth the Body of Christ” by David Aers. Spirit: Late Medieval Sculpture and Patterns of Devotion. September 1, 2015. Art of the Italian Renaissance, Art 203. Art of the Middle Ages, Art 202. Spirit: Late Medieval Sculpture and Patterns of Devotion. Stone, Flesh, Spirit: Late Medieval Sculpture and Patterns of Devotion, 2015. The Art of Ancient Greece and Rome.

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Methods in Art and Art History

Methods in Art and Art History. Class 27: December 4th (Presentations). Finally I conclude my presentation by stating that: The cathedral is an architectural form that inspires artists to depict it as a subject, as well as a form that invites artists to create within it. It is a generative structure, something that encourages thought, reflection, and reuse. Bill Viola and Kira Perov, Martyrs (Earth, Air, Fire, Water), 2014. Video Installation. St. Paul’s Cathedral, London. Q=bill viola martyrs&clien...

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