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Indonesian Contemporary Art

A view on Indonesian contemporary art with a brief background history of modern and contemporary art, analysis of specific works and excerpts from the book: Going Global - Indonesian Visual Art in the 1990s. Reference is made to political activism through art at the time of Reformasi, the effect of globalization and the artists who participated in biennales including Heri Dono, Dadang Christanto, Arahmaiani and FX Harsono.

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Indonesian Contemporary Art | inghaminindonesia.com Reviews
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A view on Indonesian contemporary art with a brief background history of modern and contemporary art, analysis of specific works and excerpts from the book: Going Global - Indonesian Visual Art in the 1990s. Reference is made to political activism through art at the time of Reformasi, the effect of globalization and the artists who participated in biennales including Heri Dono, Dadang Christanto, Arahmaiani and FX Harsono.
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KEYWORDS
1 indonesian
2 contemporary art
3 what's new
4 background
5 book excerpt
6 resources
7 still available
8 book excerpt reformasi
9 arahmaiani in tibet
10 modernitites and memories
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Indonesian Contemporary Art | inghaminindonesia.com Reviews

https://inghaminindonesia.com

A view on Indonesian contemporary art with a brief background history of modern and contemporary art, analysis of specific works and excerpts from the book: Going Global - Indonesian Visual Art in the 1990s. Reference is made to political activism through art at the time of Reformasi, the effect of globalization and the artists who participated in biennales including Heri Dono, Dadang Christanto, Arahmaiani and FX Harsono.

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1

Indonesian Contemporary Art: What's New

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WHAT'S NEW: Exhibitions, books, issues and special features that arise. August 2015: nothing to report, sorry. Still available below: ARAHMAIANI in TIBET and. MODERNITIES AND MEMORIES,. An exhibition, in Venice, 1997. A summary by Sue Ingham. In 2010 Arahmaiani undertook a new direction. She developed a friendship with Tibetan Buddhist monks that has led to ongoing environmental projects together. And subsequent conversations held with her. Yushu after the earthquake, 2010 photograph by Arahmaiani. In 20...

2

Indonesian Contemporary Art: About

http://www.inghaminindonesia.com/pages/about.html

WHY THIS MATERIAL IS BEING MADE AVAILABLE. The texts and resources on this website are based on some ten years of research for a PhD thesis, titled Powerlines: alternative art and infrastructure in Indonesia in the 1990s. By searching under my name, Susan Ingham. And table of contents. Can be viewed with the Book Excerpt. One final comment about the images: permission was obtained from the artists for the use of their mages in the book and in many cases they provided better, high resolution versions....

3

Indonesian Contemporary Art: Background

http://www.inghaminindonesia.com/pages/background.html

BRIEF BACKGROUND TO INDONESIAN MODERN AND CONTEMPORARY ART. This is for those who may not have this information and are interested. Modern and Contemporary are complex terms in relation to cultural practice and are charged with conflicting meanings. There are important distinctions between the terms: modern, modernization and Modernism, the art movement associated with the 20th century. Hamparan Sawah (A Spread of Ricefields). Date unknown. The style Sudjojono referred to as mooie Indie. These artists we...

4

Indonesian Contemporary Art: Resources

http://www.inghaminindonesia.com/pages/resources.html

It is intended to add information on exhibitions, galleries. To this page as it become available. Links to articles now removed from the website. Dadang: They Give Evidence. History of Indonesian Participation in the Venice Biennale. The Indonesian Pavilion at the Venice Biennale, 2013. Arahmaiani: New York Exhibition 2014. Jakarta Biennale: background and report 2013. The report is by Carla Bianpoen. The first extract from my book. Information from post exhibition sources. The Singapore Gallery, STPI,.

5

Indonesian Contemporary Art: Book Excerpt

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The following excerpt of. Going Global - Indonesian Visual Art in the 1990s. Is Chapter 4, the development of curatorial practice in Indonesia. It is a snapshot of the situation in the 1990s and early 2000s and subsequently there may have been changes, but the local conditions that first gave rise to curatorial practice are explored here. The discussion begins with the first generation of curators with a particular focus on the career of Jim Supangkat. The previous Book Excerpt,. Cemeti - the alternative.

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Indonesian Contemporary Art

Isa Perkasa, Keliru kultur (Wrong Culture). Pen drawing, 1997. Ingham in Indonesia is a web site offering a perspective on Indonesian Contemporary Art. It is the view of one Australian - based individual and is the result of PhD and post doc research conducted between 2000 and 2012. It is intended to be a contribution to knowledge about Indonesian Contemporary Art and, with these limitations, is freely offered. BOOK EXCERPT: CURATORIAL PRACTICE and JIM SUPANGKAT. BOOK EXCERPT: CEMETI ART HOUSE.

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