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lindapittwood | Writing about art | lindapittwood.org Reviews
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Writing about art
lindapittwood.org
August | 2015 | lindapittwood
http://lindapittwood.org/2015/08
Monthly Archives: August 2015. August 4, 2015. I wrote these words last year when I met Penny at the Galley. The End, Penny Davenport. Animals, ink on paper 2011, Penny Davenport. Practicing spells on birds,10.8 x 7.5 inches ink on paper 2012, Penny Davenport. She doesn’t outright reject the interpretation that her drawings have a darkness, but it is the ambiguity of her work that she aims to make the only constant. It is not words, but rules that Penny really resists. Rules, definitions and cate...She t...
Penny Davenport | lindapittwood
http://lindapittwood.org/2015/08/04/penny-davenport
August 4, 2015. I wrote these words last year when I met Penny at the Galley. The End, Penny Davenport. Animals, ink on paper 2011, Penny Davenport. Practicing spells on birds,10.8 x 7.5 inches ink on paper 2012, Penny Davenport. She doesn’t outright reject the interpretation that her drawings have a darkness, but it is the ambiguity of her work that she aims to make the only constant. It is not words, but rules that Penny really resists. Rules, definitions and categorization. She trained as a fine artis...
animals | lindapittwood
http://lindapittwood.org/2015/08/04/penny-davenport/animals
Original size at 670 × 456. Animals, ink on paper. 2011, Penny Davenport. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. You are commenting using your Google account. ( Log Out. Notify me of new comments via email.
Contemporary Chinese Art | lindapittwood
http://lindapittwood.org/category/contemporary-chinese-art
Serendipity, subjectivity and distance: entwined reflections on Wu Hung’s lecture and the first six months of my PhD. March 2, 2016. Innovations in exhibitionary practise. In the 1980s a lot happened in China But I was in America. Everyone was travelling, including myself. As a curator I want to embrace that. Wu Hung speaking at his Slade lecture, 29 February 2016. Picture courtesy of the author. Several of the solo exhibitions that Wu Hung developed are still touring, years on from their original presen...
Lost In Translation? Harmonious Society — Reviewed | lindapittwood
http://lindapittwood.org/2015/05/02/lost-in-translation-harmonious-society-reviewed
May 2, 2015. Before we begin looking at Harmonious Society in detail, first a few thoughts on perennial exhibitions. Why do they occur? What do they mean in relation to other kinds of exhibition production? Obviously these are huge questions, and to answer them fully would take more time than we have here, but we will consider a few ideas. But also very possibly because this country’s contemporary art has matured in the UK as an area of academic focus and curatorial concern. In the four cultural centres ...
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lindapittwood | Writing about art
August 4, 2015. I wrote these words last year when I met Penny at the Galley. The End, Penny Davenport. Animals, ink on paper 2011, Penny Davenport. Practicing spells on birds,10.8 x 7.5 inches ink on paper 2012, Penny Davenport. She doesn’t outright reject the interpretation that her drawings have a darkness, but it is the ambiguity of her work that she aims to make the only constant. It is not words, but rules that Penny really resists. Rules, definitions and categorization. She trained as a fine artis...
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