monashcomposers.blogspot.com

Monash Composers

A blog for students and staff at Monash School of Music. Sunday, August 31, 2008. Thoughts on Sound Diffusion V. Listening to a multidimensional representation of sound won't be as accurate or complete as what our ears perceive if it were a 'real' sound source which will present an issue in creating sound spatialisation. So for me it’s a twofold consideration: of what and how that sound is placed in space equally as what implications of space are in the sound source itself. What captures my imagination a...

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Monash Composers | monashcomposers.blogspot.com Reviews

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A blog for students and staff at Monash School of Music. Sunday, August 31, 2008. Thoughts on Sound Diffusion V. Listening to a multidimensional representation of sound won't be as accurate or complete as what our ears perceive if it were a 'real' sound source which will present an issue in creating sound spatialisation. So for me it’s a twofold consideration: of what and how that sound is placed in space equally as what implications of space are in the sound source itself. What captures my imagination a...

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Monash Composers | monashcomposers.blogspot.com Reviews

https://monashcomposers.blogspot.com

A blog for students and staff at Monash School of Music. Sunday, August 31, 2008. Thoughts on Sound Diffusion V. Listening to a multidimensional representation of sound won't be as accurate or complete as what our ears perceive if it were a 'real' sound source which will present an issue in creating sound spatialisation. So for me it’s a twofold consideration: of what and how that sound is placed in space equally as what implications of space are in the sound source itself. What captures my imagination a...

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monashcomposers.blogspot.com

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Monash Composers: Thoughts on Sound Diffusion IV

http://www.monashcomposers.blogspot.com/2008/08/thoughts-on-sound-diffusion-iv.html

A blog for students and staff at Monash School of Music. Monday, August 25, 2008. Thoughts on Sound Diffusion IV. Must we be limited to this though? What if we manipulate diffusion to support the dynamics of a composition itself? In an auditorium filled with speakers (and listeners! The temptation to correlate the number of speakers to aural size may be difficult to resist, but what about an inverse correlation? 2] Or more recently, K-20/RMS, K-14/RMS and K-12/RMS. Subscribe to: Post Comments (Atom).

2

Monash Composers: Thoughts on Sound Diffusion II

http://www.monashcomposers.blogspot.com/2008/08/sound-diffusion_18.html

A blog for students and staff at Monash School of Music. Monday, August 18, 2008. Thoughts on Sound Diffusion II. When we first started doing sound diffusion, I thought that all we would really be doing is expanding a normal stereo speaker system from 2 to 6 speakers. I was not all that sure about what we would actually accomplish. However once we set up the system, and introduced the. Sliders to control the levels of each speaker, I knew that there was potential. August 18, 2008 at 8:35 PM. We intend to...

3

Monash Composers: August 2008

http://www.monashcomposers.blogspot.com/2008_08_01_archive.html

A blog for students and staff at Monash School of Music. Sunday, August 31, 2008. Thoughts on Sound Diffusion V. Listening to a multidimensional representation of sound won't be as accurate or complete as what our ears perceive if it were a 'real' sound source which will present an issue in creating sound spatialisation. So for me it’s a twofold consideration: of what and how that sound is placed in space equally as what implications of space are in the sound source itself. What captures my imagination a...

4

Monash Composers: Thoughts on Sound Diffusion I

http://www.monashcomposers.blogspot.com/2008/08/thoughts-on-sound-diffusion-i-think.html

A blog for students and staff at Monash School of Music. Monday, August 18, 2008. Thoughts on Sound Diffusion I. Subscribe to: Post Comments (Atom). Thoughts on Sound Diffusion V. Thoughts on Sound Diffusion IV. Thoughts on Sound Diffusion III. Thoughts on Sound Diffusion II. Thoughts on Sound Diffusion I. Welcome to the Monash Composers Blog. We hope that over time the blog will provide useful hints and ideas about the creative processes of composition. Sample Library for OLPC.

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Monash Composers: Thoughts on Sound Diffusion III

http://www.monashcomposers.blogspot.com/2008/08/comments-on-sound-diffusion.html

A blog for students and staff at Monash School of Music. Monday, August 18, 2008. Thoughts on Sound Diffusion III. The stereo space can replicate or imitate a myriad of environments. With two speakers a sound can be given depth, size, position etc. using level, panning and reverb. Using a live multi channel mix in a performance area as a way of shifting the environment of a stereo sound takes these aspects further. For example, it is useful for the performance space to lend itself to different kinds of r...

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the monash sonic art project on sound cloud | Monash Composers

https://monashcomposers.wordpress.com/2011/03/21/the-monash-sonic-art-project-on-sound-cloud

A Blog for Students and Staff in Composition at Monash. Petrushka: The Shrovetide Fair. The monash sonic art project on sound cloud. March 21, 2011. I’ve made a post to the new. Monash sonic art project. Group page on sound cloud. See:. To post your sonic art pieces you need to:. Join sound cloud (its free): http:/ soundcloud.com/. Join the monash sonic art project: http:/ soundcloud.com/groups/monashsonicartproject. Up load your pieces as you create them to your account. Feed for this Entry. This is a b...

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TORU TAKEMITSU – “Rain Tree” | Monash Composers

https://monashcomposers.wordpress.com/2011/06/12/toru-takemitsu-“rain-tree”

A Blog for Students and Staff in Composition at Monash. PROKOFIEV Piano Sonata no1 in F Minor. Danse Macabre by Saint-Saëns Camille. TORU TAKEMITSU – Rain Tree. June 12, 2011. Responses to “TORU TAKEMITSU – Rain Tree ”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out.

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Sonic Art Project | Monash Composers

https://monashcomposers.wordpress.com/sonic-art-project

A Blog for Students and Staff in Composition at Monash. A test to see whether we can have posts for SAGP on this blog. Responses to “Sonic Art Project”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. You are commenting using your Twitter account. ( Log Out. You are commenting using your Facebook account. ( Log Out. Follow &l...

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ANTON WEBERN – 5 Movements for String Quartet | Monash Composers

https://monashcomposers.wordpress.com/2011/06/12/anton-webern-–-5-movements-for-string-quartet

A Blog for Students and Staff in Composition at Monash. Danse Macabre by Saint-Saëns Camille. LIGETI Continuum for harpsichord. ANTON WEBERN 5 Movements for String Quartet. June 12, 2011. Responses to “ANTON WEBERN 5 Movements for String Quartet”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. LIGETI Continuum for harpsichord.

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Danse Macabre by Saint-Saëns Camille | Monash Composers

https://monashcomposers.wordpress.com/2011/06/12/danse-macabre-by-saint-saens-camille-2

A Blog for Students and Staff in Composition at Monash. TORU TAKEMITSU – Rain Tree. ANTON WEBERN 5 Movements for String Quartet. Danse Macabre by Saint-Saëns Camille. June 12, 2011. Responses to “Danse Macabre by Saint-Saëns Camille”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. TORU TAKEMITSU – Rain Tree. This is a blog f...

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PROKOFIEV – Piano Sonata no1 in F Minor | Monash Composers

https://monashcomposers.wordpress.com/2011/06/12/prokofiev-–-piano-sonata-no1-in-f-minor

A Blog for Students and Staff in Composition at Monash. CLAUDE DEBUSSY Footsteps in the Snow. TORU TAKEMITSU – Rain Tree. PROKOFIEV Piano Sonata no1 in F Minor. June 12, 2011. Responses to “PROKOFIEV Piano Sonata no1 in F Minor”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here. Please log in using one of these methods to post your comment:. Address never made public). You are commenting using your WordPress.com account. ( Log Out. CLAUDE DEBUSSY Footsteps in the Snow. Nodal Gener...

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Monash Composers | A Blog for Students and Staff in Composition at Monash | Page 2

https://monashcomposers.wordpress.com/page/2

A Blog for Students and Staff in Composition at Monash. CLAUDE DEBUSSY Footsteps in the Snow. June 12, 2011. I find this piece to be, not so much an exploration in motif transformation (as the main motif remains unchanged), but more of a lesson in the addative processes one can take to redevelop and recreate a stagnant motif. PETER MAXWELL DAVIES-Eight Songs for a Mad King. June 12, 2011. There also seems to be a certain plasticity in both metre/rhythm and tonality, which highlights the abstractism of th...

monashcomposers.wordpress.com

Debussy: La Mer (3rd Movement) | Monash Composers

https://monashcomposers.wordpress.com/2011/08/15/debussy-la-mer-3rd-movement

A Blog for Students and Staff in Composition at Monash. Bartok: Concerto for Orchestra (5th Movement). Debussy: La Mer (3rd Movement). August 15, 2011. Debussy annoys me a bit. Not that I dislike his writing, but so much of his music is about colours, that it makes it difficult to look at the score and quickly understand what is going on. Probably a good reason to study his scores more. Responses to “Debussy: La Mer (3rd Movement)”. Feed for this Entry. Leave a Reply Cancel reply. Enter your comment here.

monashcomposers.wordpress.com

LIGETI Continuum – for harpsichord | Monash Composers

https://monashcomposers.wordpress.com/2011/06/12/ligeti-continuum-–-for-harpsichord

A Blog for Students and Staff in Composition at Monash. ANTON WEBERN 5 Movements for String Quartet. Bartok: Concerto for Orchestra (5th Movement). LIGETI Continuum for harpsichord. June 12, 2011. One point of interest though was that the trichords used consisted of octaves, 5ths, 4ths, tritones and major seconds through this, Ligeti creates a sound that doesn’t sound triadic, through the elimination of 3rds. Thus he works within the tetrachord, minor third and minor second or that done backwards. You ar...

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monashcomposers.blogspot.com

Monash Composers

A blog for students and staff at Monash School of Music. Sunday, August 31, 2008. Thoughts on Sound Diffusion V. Listening to a multidimensional representation of sound won't be as accurate or complete as what our ears perceive if it were a 'real' sound source which will present an issue in creating sound spatialisation. So for me it’s a twofold consideration: of what and how that sound is placed in space equally as what implications of space are in the sound source itself. What captures my imagination a...

monashcomposers.wordpress.com

Monash Composers | A Blog for Students and Staff in Composition at Monash

A Blog for Students and Staff in Composition at Monash. The monash sonic art project on sound cloud. March 21, 2011. I’ve made a post to the new. Monash sonic art project. Group page on sound cloud. See:. To post your sonic art pieces you need to:. Join sound cloud (its free): http:/ soundcloud.com/. Join the monash sonic art project: http:/ soundcloud.com/groups/monashsonicartproject. Up load your pieces as you create them to your account. Debussy: La Mer (3rd Movement). August 15, 2011. August 15, 2011.

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