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Mark Byron | Modernism & Digital Scholarly Editing

Modernism & Digital Scholarly Editing

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A Digital Medieval Modernism? | Mark Byron

https://msbyron27.wordpress.com/2014/09/27/a-digital-medieval-modernism

Modernism and Digital Scholarly Editing. The Aristotelian Crescent: Medieval Arabic Philosophy in the Poetics of Ezra Pound. Between Apocalypse and Extinction: Eschatology in Ezra Pound’s Poetry →. A Digital Medieval Modernism? September 27, 2014. How might digital forms of these modernist frays into the medieval take advantage of the well-known sympathies between medieval and digital textual cultures, and what differences might be wrought in having modernist textual intermediaries? Apr 26, 2014. Moderni...

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December | 2010 | Mark Byron

https://msbyron27.wordpress.com/2010/12

Modernism and Digital Scholarly Editing. Monthly Archives: December 2010. The Samuel Beckett Digital Manuscript Project, Digital Editing, Digital Humanities, University Of Sydney, 10 December 2010. December 10, 2010. Abstracts - Presentations (2010). Pound’s China as a Transnationalist Chronotope. Bibliographic Technography: Ezra Pound’s Cantos as Philological Machine. Modernism’s Shaggy Sea Monsters. Between Apocalypse and Extinction: Eschatology in Ezra Pound’s Poetry. A Digital Medieval Modernism?

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Modernism’s Shaggy Sea Monsters | Mark Byron

https://msbyron27.wordpress.com/2014/09/27/modernisms-shaggy-sea-monsters

Modernism and Digital Scholarly Editing. Between Apocalypse and Extinction: Eschatology in Ezra Pound’s Poetry. Bibliographic Technography: Ezra Pound’s Cantos as Philological Machine →. Modernism’s Shaggy Sea Monsters. September 27, 2014. What exactly are we missing (or gaining) in not reeling them in? Bankstown Campus, University of Western Sydney. Nov 21, 2014. Lecturer in Modern and Contemporary British and American Literature, Department of English, University of Sydney. Leave a Reply Cancel reply.

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msbyron27 | Mark Byron

https://msbyron27.wordpress.com/author/msbyron27

Modernism and Digital Scholarly Editing. Lecturer in Modern and Contemporary British and American Literature, Department of English, University of Sydney. Pound’s China as a Transnationalist Chronotope. September 27, 2014. Bibliographic Technography: Ezra Pound’s Cantos as Philological Machine. September 27, 2014. Modernism’s Shaggy Sea Monsters. September 27, 2014. This paper will take aim at two texts Virginia Woolf’s To the Lighthouse (1927) and John Banville’s The Sea (2005) each of which appears to ...

5

September | 2011 | Mark Byron

https://msbyron27.wordpress.com/2011/09

Modernism and Digital Scholarly Editing. Monthly Archives: September 2011. 8220;Centres and Peripheries: Topoi of Culture and Power in Pound’s Thought,” 24th Ezra Pound International Conference, Senate House, London, 5-9 July 2011. September 30, 2011. Abstracts - Presentations (2010). 8220;The Digital Arm of the Archive and the Status of Beckett’s Texts,” Samuel Beckett: Out of the Archive, York University, 23-26 June 2011. September 30, 2011. Abstracts - Presentations (2010). September 30, 2011. Samuel ...

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Mark Byron | Modernism & Digital Scholarly Editing

Modernism and Digital Scholarly Editing. Pound’s China as a Transnationalist Chronotope. September 27, 2014. Transnational Modernisms: 2nd Australian Modernist Studies Network Conference. Dec 15, 2014. Dec 17, 2014. Bibliographic Technography: Ezra Pound’s Cantos as Philological Machine. September 27, 2014. Dec 11, 2014. Dec 12, 2014. Modernism’s Shaggy Sea Monsters. September 27, 2014. What exactly are we missing (or gaining) in not reeling them in? Bankstown Campus, University of Western Sydney. This a...

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