African Presences II: Music in the Americas. Course website for African Presences II: Music in the Americas (musc266), Wesleyan University. Header photo by Marlon Bishop).
http://musc266.blogs.wesleyan.edu/
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African Presences II: Music in the Americas | musc266.blogs.wesleyan.edu Reviews
https://musc266.blogs.wesleyan.edu
African Presences II: Music in the Americas. Course website for African Presences II: Music in the Americas (musc266), Wesleyan University. Header photo by Marlon Bishop).
musc266.blogs.wesleyan.edu
African Presences II: Music in the Americas » Cuba
http://musc266.blogs.wesleyan.edu/cuba
African Presences II: Music in the Americas. Berta Jottar’s Rumba site. Study workshops in Cuba. Oye Como Va: Tito Puente. Pancho Quinto (aberikula–unbaptised iya bata), Michael Herrera (congas). Yoruba bata drumming (Nigeria). Debbie Klein’s youtube channel. Yoruba Bata Goes Global). 1962), dir. by Bernabé Hernández. Cuban Abakua delegation to Nigeria. Aristides Soto (“Tata GÜINÉS”) workshop. Los Munequitos de Matanzas: Guaguanco. 1; Guaguanco 2. Don Azpiazu Havana Casino Orchestra, “ El Manicero.
African Presences II: Music in the Americas » Jamaica
http://musc266.blogs.wesleyan.edu/jamaica
African Presences II: Music in the Americas. Jonkonnu: from Mockery to Celebration. Accompong Maroon Festival 2008. Maroon Heritage of Moore Town. Kromanti Language of the Maroons. Louise “Miss Lou” Bennett-Coverley. Documentary (requires logging on to youtube). Nyabinghi drumming with Sizzla. Bob Marley Museum 2012). Stephen Marley, “ Made in Africa. 8221; (Nyabinghi version). Jamaican Field Service Project. Bongo, Backra, and Coolie: Jamaican Roots. Millie, “My Boy Lollipop” ( Shindig. 8220; Stir it Up.
African Presences II: Music in the Americas » Links
http://musc266.blogs.wesleyan.edu/links_page
African Presences II: Music in the Americas. Select country from pulldown menu). World population statistics from 1750. Based on UN Report: The World at Six Billion, page 6. Transatlantic Slave Trade Database. Atlantic Slave Trade in Two Minutes. Slave Routes: A Global Vision. Dvd and supporting material). Bingcom web page translator. Afropop Worldwide on Soundcloud. Radio documentaries by Marlon Bishop. PBS Latin Music USA. Caribbean Cultural Center homepage. Franz Boas and Zora Neale Hurston.
African Presences II: Music in the Americas » Welcome
http://musc266.blogs.wesleyan.edu/2008/01/28/hello-world
African Presences II: Music in the Americas. 03:03 pm on Jan 28th 2008. Course website for African Presences II: Music in the Americas (musc266), Wesleyan University. Header photo by Marlon Bishop).
African Presences II: Music in the Americas » Trinidad and Tobago
http://musc266.blogs.wesleyan.edu/trinidad-and-tobago
African Presences II: Music in the Americas. History of Steel Pan timeline. US Navy Steel Band. Steel pan history and more. Chord Masters pan around the neck, “ Feeling It. 8221; (1984 panorama). Amoco Renegades: “ Pan in A Minor. 8221; (1987), original by Lord Kitchener. Phase 2 Pan Groove: “ Fire and Steel. Making a steel pan. Len “Boogsie” Sharpe: Sonny Rollin’s “ Doxy. Trinidad All Stars: “ The Hammer. Mighty Sparrow, “ Well Spoken Moppers. David Rudder: “ Bahia Girl. 8221; The Hammer.
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Eric Charry's homepage » Courses
http://echarry.blogs.wesleyan.edu/classes
Eric Charry's homepage. History of Rock and R&B. Musc108)– Student Projects. Music and Downtown New York, 1950-1970. African Presences I: Music in Africa. African Presences II: Music in the Americas. Special Topics in Contemporary Pop Music. Improvisation in Cross-Cultural Perspective. Last modified on Oct 18th 2012. Trio Da Kali at Wesleyan University. Podcast powered by podPress v8.8.10.17.
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MUSC 1300
MUSC 1300
musc22's blog - lion - Skyrock.com
20/06/2010 at 2:45 PM. 12/12/2013 at 4:49 PM. Subscribe to my blog! Don't forget that insults, racism, etc. are forbidden by Skyrock's 'General Terms of Use' and that you can be identified by your IP address (66.160.134.4) if someone makes a complaint. Please enter the sequence of characters in the field below. Posted on Thursday, 12 December 2013 at 4:49 PM. 1 2 3 .algerie. Please enter the sequence of characters in the field below. Posted on Thursday, 12 December 2013 at 4:11 PM. Please enter the seque...
African Presences I: Music in Africa
African Presences I: Music in Africa. Pictures from “african underground” concert. Welcome to the blog for musc265, African Presences I: Music in Africa, taught by Eric Charry at Wesleyan University.
musc265proj.blogs.wesleyan.edu
African Presences I: Class Projects
A Full Sound Spectrum: Buzzing and Vocalizations as an Aesthetic. Jeli’s Music and History. Wassoulou Music Title Page. African Presences I: Class Projects. Musc265 projects @ wesleyan. Gnawa Mystical Musicians of Morocco. Written by Chloe Bolton. The term Gnawa (or Gnaoua) has three distinct meanings. Continue Reading ». The Rhythmic Patterns of West African Drumming. Continue Reading ». Deviations from the Traditional Ngoni. Ni Continue Reading ». The ngoni (or xalam) is said to be the most ancient of ...
African Presences II: Music in the Americas
African Presences II: Music in the Americas. Course website for African Presences II: Music in the Americas (musc266), Wesleyan University. Header photo by Marlon Bishop).
musc266proj.blogs.wesleyan.edu
Music 266 Projects
Just another blogs.wesleyan.edu weblog. Mary Longley, Allyson Chung, Noah Gapsis, Shira Knishkowy). Exploring Cultural Permeation Via Muppets. Julia Perlman, Ethan Robinson, Spencer Sheridan). Jared Coureville, Drew Hudson, Erik Youngdahl). Simone Plummer, Joyous Bey, Amit Bob, and Cara Sternberg (vocals), Gary Chance and Anthony Edwards (music, production), Luyang Yang (guitar), Gelihsa Arjoon and Bulaong Ramirez (dancers).
MUSC2700 Beyond Rock
Music in the Digital Age. Brisbane, Queensland, Australia. View my complete profile. Third exam, second essay, and final marks. Missing essays Pt.2. Death metal, doom metal.soccer metal. Final lecture notes, week 13. Best gig rider, ever. Thursday, November 23, 2006. Third exam, second essay, and final marks. Student#.Essay 2.Exam 3.Mark.Grade. 41076884.27.5.5.67.5. 40763338.45.7.90.7. 41197163.40.7.80.6. 41178975. DNS.3.27.1. 40986511.11.5.5.50.4. 41180969.45.4.86.7. 41239205.24.3.54.4. Any discrepencie...
MUSC 301
Monday, February 8, 2010. Schumann Piano Quintet Op. 44: Allegro ma non troppo. Historical Background on Piano Quintet in E flat Major Op. 44: IV. Allegro, ma non troppo. Allegro ma non troppo. Intro to 9th measure of letter A- melody in piano. 9th measure of letter A to 7 before B- melody in violin 1. 7 before B to B- melody back in piano. B- key change to GM (violin moving eighth notes and strings lyrical melody/countermelody). 8 before C piano melody. C begins new subject (more fluent and lyrical).
MUSC316
Special Topics in Contemporary Pop Music. Http:/ www.youtube.com/watch? V=hP9nrCYoOmY – guns are drawn. Http:/ www.youtube.com/watch? V=EvdV3W8Q1yU – forgiveness. Http:/ www.youtube.com/watch? V=F22yKJRZoZc – jazz (we’ve got). Http:/ www.youtube.com/watch? V=8-CKeymGPro – blind leaving the blind. Just Blaze vs. Total Kaos. Http:/ www.worldstarhiphop.com/videos/video.php? The “Little Brother” Beat Story. Uestlove on J Dilla. Fall In Love (Instrumental). Http:/ www.youtube.com/watch? Banging on the door.
SOCIAL ENGAGEMENT