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Music in London 1800-1851 | An interdisciplinary research project at King’s College London, supported by the European Research Council

Music in London 1800-1851 is a five-year research project (2013- 2018) funded by the European Research Council, based in the Music Department at King’s College London. The project is headed by Principal Investigator Roger Parker and comprises a team of dedicated scholars, including three full-time research fellows, three research associates, an administrator and a large…

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Music in London 1800-1851 | An interdisciplinary research project at King’s College London, supported by the European Research Council | musicinlondon.org Reviews
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Music in London 1800-1851 is a five-year research project (2013- 2018) funded by the European Research Council, based in the Music Department at King’s College London. The project is headed by Principal Investigator Roger Parker and comprises a team of dedicated scholars, including three full-time research fellows, three research associates, an administrator and a large…
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Music in London 1800-1851 | An interdisciplinary research project at King’s College London, supported by the European Research Council | musicinlondon.org Reviews

https://musicinlondon.org

Music in London 1800-1851 is a five-year research project (2013- 2018) funded by the European Research Council, based in the Music Department at King’s College London. The project is headed by Principal Investigator Roger Parker and comprises a team of dedicated scholars, including three full-time research fellows, three research associates, an administrator and a large…

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Publications | Music in London 1800-1851

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Music in London 1800-1851. Among the major achievements of the project are a large number of multi-day workshops. Each of these has brought together a group of international experts for discussion of pre-circulated papers. In all cases, the results have been interesting enough to merit collection in an edited volume. Details are as follows:. Sound Knowledge: Music and Science in London. The essays have appeared as James Q. Davies and Ellen Lockhart, eds.,. Chicago: University of Chicago Press, 2017).

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People | Music in London 1800-1851

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Music in London 1800-1851. From 1 November 2016). 1 September 2013 – 29 January 2017). From 1 October 2016). 1 January 2014 – 31 August 2016). King’s College London). King’s College, London). Term I, August – December 2013. James Davies (UC Berkeley); Sarah Hibberd (Nottingham); Erin Johnson-Hill (Yale); Ellen Lockhart (Princeton); Wiebke Thormählen (Royal College of Music). Term II, January – July 2014. Term III, August – December 2014. Term IV, January – July 2015. Term V, August – December 2015. Wille...

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Events | Music in London 1800-1851

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Music in London 1800-1851. This list contains upcoming and past events organised by the project, as well as events attended by more than one Music in London project member. All events are held at KCL unless otherwise stated. Events in orange are conferences hosted or co-hosted by the project. Term VIII, January – July 2017. Organisers: Josephine McDonagh and Flora Willson. Symposium – Peacock’s Operatic Criticism. Organisers: Roger Parker and Jo McDonagh. Shows of London Meeting on Mono-poly. Roger Parke...

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Music and the Middlebrow | Rationale

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In recent years, the academy has witnessed an explosion of interest in the concept of the middlebrow - a term used, on the simplest level, to describe cultural practices and products that are neither straightforwardly highbrow nor lowbrow, but which fall between the two. The most sustained engagement has come from literary and film studies, where the middlebrow has been deployed in a variety of different ways. Finally, at a time when calls to establish middlebrow studies as a sub-discipline in its own ri...

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About - Scrambled Messages

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Scrambled Messages: The Telegraphic Imaginary 1857-1900. We are an interdisciplinary group from fields as diverse as engineering, art history, English and archaeology. Meet the Scrambled Messages team. We meet fortnightly to explore and discuss telegraphic imaginings in Victorian literature, engineering, and the arts (1857-1900). Explore our project bibliography. Read our most recent thoughts on our blog. We hold frequent events. Groups we work with. We have links with a number of related projects.

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Music and the Middlebrow | events

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8:00pm - 9:30pm, 5 November 2016. Annual Meeting of the American Musicological Society. Pavilion Ballroom A, Sheraton Vancouver Wall Centre Hotel, Vancouver. Stephen Hinton (Stanford University; chair). Christopher Chowrimootoo (University of Notre Dame). Peter Franklin (University of Oxford). Kate Guthrie (University of Southampton). Heather Wiebe (King’s College London). Benjamin Piekut (Cornell University; respondent). A brief outline of this session is available in the programme booklet. 2005) Other ...

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Music and the Middlebrow | Call for Papers

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We welcome proposals for individual papers (20 minutes) and panel sessions (3 papers) that respond to the project rationale. Possible topics include, but are not limited to, the relationship between music, the middlebrow and:. Abstracts of around 300 words should be submitted to Kate Guthrie. By 15 December 2016. Panel proposals should also include a brief (ca.150-word) statement explaining the rationale for the session.

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Music and the Middlebrow | People

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Is an Assistant Professor of Musicology and Liberal Studies at the University of Notre Dame. His current book project,. Examines Benjamin Britten's operas as a case study of the wider ways in which middlebrow composers, critics and audiences mediated the "great divide" between modernism and mass culture. Chris has published articles and essays in the. Journal of the Royal Musical Association. He is the recipient of numerous awards and fellowships, including the Jerome Roche Prize. 2016) and an Ellington-...

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Music in London 1800-1851 | An interdisciplinary research project at King’s College London, supported by the European Research Council

Music in London 1800-1851. Music in London 1800-1851. Music in London 1800-1851. Is a five-year research project (2013- 2018) funded by the European Research Council, based in the Music Department at King’s College London. The project is headed by Principal Investigator Roger Parker and comprises a team of dedicated scholars, including three full-time research fellows, three research associates, an administrator and a large number of visiting scholars. Music in London 1800-1851. Blog at WordPress.com.

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