nuitinterieur.blogspot.com

NUIT INTERIEUR

Waiting for the light Oct.2016. Assim, esquecida da ingenuidade, seria ainda possível usar os olhos da criança. Flea market, Nov. 2013. The readymade, april 2016. Like one of another, the mirror without end, eyes into eyes, mine into yours into mine again, the figure has arrived quite before it was staged in front of them. The readymade, hoped to be found was found and became itself. Now that it is, we breathe relieved. Emilia Pardo Bázan, in "Spanish Women Travelers at Home and Abroad, 1850-1920". Subsc...

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Waiting for the light Oct.2016. Assim, esquecida da ingenuidade, seria ainda possível usar os olhos da criança. Flea market, Nov. 2013. The readymade, april 2016. Like one of another, the mirror without end, eyes into eyes, mine into yours into mine again, the figure has arrived quite before it was staged in front of them. The readymade, hoped to be found was found and became itself. Now that it is, we breathe relieved. Emilia Pardo Bázan, in Spanish Women Travelers at Home and Abroad, 1850-1920. Subsc...

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NUIT INTERIEUR | nuitinterieur.blogspot.com Reviews

https://nuitinterieur.blogspot.com

Waiting for the light Oct.2016. Assim, esquecida da ingenuidade, seria ainda possível usar os olhos da criança. Flea market, Nov. 2013. The readymade, april 2016. Like one of another, the mirror without end, eyes into eyes, mine into yours into mine again, the figure has arrived quite before it was staged in front of them. The readymade, hoped to be found was found and became itself. Now that it is, we breathe relieved. Emilia Pardo Bázan, in "Spanish Women Travelers at Home and Abroad, 1850-1920". Subsc...

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nuitinterieur.blogspot.com

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NUIT INTERIEUR: 03.12.2014

http://nuitinterieur.blogspot.com/2014/12/03122014.html

Bending together ( Unbody. Subscribe to: Post Comments (Atom). We can't go home again. Photography in this blog.

2

NUIT INTERIEUR: November 2014

http://nuitinterieur.blogspot.com/2014_11_01_archive.html

Joanna, the ballerina, resting as we talk, 2014. Uma razão do cinema, outra da fotografia, é esta, que me mantém em diálogo com ambos. 171;O gesto não é um elemento absolutamente não linguístico, mas algo que mantém com a linguagem uma relação mais íntima e, sobretudo, uma força que opera na própria língua, mais antiga e originária do que a expressão conceptual: gesto linguístico ( Sprachegebärde. Giorgio Agamben, 'A potência do pensamento'. Face value, 2014. Subscribe to: Posts (Atom).

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NUIT INTERIEUR: figures of relation

http://nuitinterieur.blogspot.com/2016/04/figures-of-relation.html

The readymade, april 2016. Like one of another, the mirror without end, eyes into eyes, mine into yours into mine again, the figure has arrived quite before it was staged in front of them. The readymade, hoped to be found was found and became itself. Now that it is, we breathe relieved. Subscribe to: Post Comments (Atom). We can't go home again. Photography in this blog.

4

NUIT INTERIEUR: September 2015

http://nuitinterieur.blogspot.com/2015_09_01_archive.html

171;In order to know a homeland, a nation, it is not enough to know her soul… it is necessary also to know her countryside, her soil, her land. Emilia Pardo Bázan, in "Spanish Women Travelers at Home and Abroad, 1850-1920". Tal com'as nubes . Qu'impele o vento, . Y agora asombran, y agora alegran. Os espaços inmensos d'o ceo,. As imaxes de multiples formas . D'estranas feituras, de cores incertos,. Agora asombran, . 8232; O fondo sin fondo d'o meu pensamento. Vaguedas III, Follas Novas. Rosalía de Castro,.

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NUIT INTERIEUR: 06.12.2016

http://nuitinterieur.blogspot.com/2016/12/06122016.html

Subscribe to: Post Comments (Atom). We can't go home again. Photography in this blog.

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NUIT INTERIEUR

Waiting for the light Oct.2016. Assim, esquecida da ingenuidade, seria ainda possível usar os olhos da criança. Flea market, Nov. 2013. The readymade, april 2016. Like one of another, the mirror without end, eyes into eyes, mine into yours into mine again, the figure has arrived quite before it was staged in front of them. The readymade, hoped to be found was found and became itself. Now that it is, we breathe relieved. Emilia Pardo Bázan, in "Spanish Women Travelers at Home and Abroad, 1850-1920". Subsc...

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