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European Opera Rarities

Unternehmensziel ist die Wiederauff hrung und Erforschung besonderer, zu Unrecht vergessener Opern mit historisch-politischem Kontext aus dem reichen Fundus der europ ischen Musikgeschichte. Sie werden an Orten aufgef hrt, in denen sich das Schicksal Europas in sinnf lliger Weise spiegelt. Teplice war 1813 das Hauptquartier der alliierten Monarchen von sterreich, Preu en und Russland, die hier ihr B ndnis gegen Napoleon schlossen. Im darauffolgenden halben Jahrhundert war Teplice immer wieder Ort der Begegn

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European Opera Rarities | opera-rarities.com Reviews

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Unternehmensziel ist die Wiederauff hrung und Erforschung besonderer, zu Unrecht vergessener Opern mit historisch-politischem Kontext aus dem reichen Fundus der europ ischen Musikgeschichte. Sie werden an Orten aufgef hrt, in denen sich das Schicksal Europas in sinnf lliger Weise spiegelt. Teplice war 1813 das Hauptquartier der alliierten Monarchen von sterreich, Preu en und Russland, die hier ihr B ndnis gegen Napoleon schlossen. Im darauffolgenden halben Jahrhundert war Teplice immer wieder Ort der Begegn

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1 European Opera Rarities

2 EOR

3 Axel Kresin

4 Martin Fischer-Dieskau

5 gemeinn tziges Unternehmen

6 Berlin

7 Prof. Eva Blahov

8 Br nn

9 Marek Marian Gasztecki

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European Opera Rarities | opera-rarities.com Reviews

https://opera-rarities.com

Unternehmensziel ist die Wiederauff hrung und Erforschung besonderer, zu Unrecht vergessener Opern mit historisch-politischem Kontext aus dem reichen Fundus der europ ischen Musikgeschichte. Sie werden an Orten aufgef hrt, in denen sich das Schicksal Europas in sinnf lliger Weise spiegelt. Teplice war 1813 das Hauptquartier der alliierten Monarchen von sterreich, Preu en und Russland, die hier ihr B ndnis gegen Napoleon schlossen. Im darauffolgenden halben Jahrhundert war Teplice immer wieder Ort der Begegn

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opera-rarities.com

1

European Opera Rarities

http://www.opera-rarities.com/en/projects.php

The Teplice Opera Festival is a young innovative European initiative: ten cooperation partners from six different European States have come together to realize the idea of a new opera festival.

2

European Opera Rarities

http://www.opera-rarities.com/en/internerBereich.php

Please use the code above:.

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European Opera Rarities

http://www.opera-rarities.com/en/spenden.php

We thank you for your financial support! The entity European Opera Rarities encourages the following non-profit purposes:. The promotion of Arts and Culture following 52 par. 2 clause 1 no. 5 AO. The promotion of popular education as well as occupational training following 52 par. 2 clause 1 no.7 AO. The promotion of science and research following 52 par. 2 clause 1 no. 1 AO. European Opera Rarities will therefore be entitled to donations and contribution.

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European Opera Rarities

http://www.opera-rarities.com/en/impressum.php

The webdesign was created by Westend IT-Solutions Michael Clauß. For the provision of the photography by Prof. Blahová we thank. Information pursuant to 5 TMG (German Teleservices Act). Non-profit enterprise (limited liability). Axel Kresin (Managing Director). Telephone: 49-160-345 80 66. Fax: 49-160-345 80 66. E-Mail: european.opera.rarities[at]gmx.de. Entry in the Register:. Entry in Registration Court: Charlottenburg Local Court. Registration number: HRB 129899.

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European Opera Rarities

http://www.opera-rarities.com/en/sponsoren.php

The Czech-German Fund for the Future based in Prague is supporting the Opera Festival Teplice project and its organizer European Opera Rarities with one of the highest contributions made in 2011. We are deeply grateful for the confidence placed in us.

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The non-profit entrepreneurial company European Opera Rarities (EOR) based in Berlin-Charlottenburg was founded by the opera director Axel Kresin and the conductor Martin Fischer-Dieskau in October 2010. In 1813, Teplice was the headquarters in which the monarchies of Austria, Prussia and Russia formed their alliance against Napoleon Bonaparte. During the subsequent half-century, Teplice repeatedly established itself as an amicable gathering place for the political interchange of the European monarchs.

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