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oralhistory.itatti.harvard.edu

Oral History

When Bernard Berenson died in 1959 the fate of his beloved Villa I Tatti was far from certain. By the late 1950s, Berenson had managed to convince Harvard that it should accept the bequest of the Villa and turn it into the Harvard Center for Italian Renaissance Studies. This first part of VIT’s oral history takes us back to that period of transformation: the last few years of Berenson’s long and eventful life and the beginning of Harvard's stewardship.

http://oralhistory.itatti.harvard.edu/

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Oral History | oralhistory.itatti.harvard.edu Reviews
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When Bernard Berenson died in 1959 the fate of his beloved Villa I Tatti was far from certain. By the late 1950s, Berenson had managed to convince Harvard that it should accept the bequest of the Villa and turn it into the Harvard Center for Italian Renaissance Studies. This first part of VIT’s oral history takes us back to that period of transformation: the last few years of Berenson’s long and eventful life and the beginning of Harvard's stewardship.
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3 credits
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Oral History | oralhistory.itatti.harvard.edu Reviews

https://oralhistory.itatti.harvard.edu

When Bernard Berenson died in 1959 the fate of his beloved Villa I Tatti was far from certain. By the late 1950s, Berenson had managed to convince Harvard that it should accept the bequest of the Villa and turn it into the Harvard Center for Italian Renaissance Studies. This first part of VIT’s oral history takes us back to that period of transformation: the last few years of Berenson’s long and eventful life and the beginning of Harvard's stewardship.

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oralhistory.itatti.harvard.edu oralhistory.itatti.harvard.edu
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Oral History | Oral History Credits

http://oralhistory.itatti.harvard.edu/credits

All the watercolours and pencil sketches on this Oral History site were painted by Steve Ziger when visiting I Tatti. Steve is the Design Principal for the Baltimore-based architectural firm Ziger/Snead Architects. Which he co-founded with Jamie Snead in 1984. Steve was most generous in allowing us to choose from his watercolours and sketches and we are delighted with the way they enhance the pages. Oral History Editor: Anna Bensted. Web Producer and Editor: Scott Palmer. Sabina holds a degree from.

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Oral History | Preface

http://oralhistory.itatti.harvard.edu/introduction

The interviews were recorded by Anna Bensted either at Villa I Tatti or in the US between 2010 and 2013, the exception being the interview with Luisa Vertova which was recorded by Mary Gibbons Landor. And her husband John Landor. In 2001. They have been divided into categories. But are also searchable by names of interviewees. Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. 2017 The President and Fellows of Harvard College.

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Oral History | Villa I Tatti: A Timeline

http://oralhistory.itatti.harvard.edu/timeline

Villa I Tatti: A Timeline. VILLA I TATTI, the BERENSONS and HARVARD: SOME NOTEABLE DATES. Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. 2017 The President and Fellows of Harvard College.

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Oral History | Stories

http://oralhistory.itatti.harvard.edu/stories

Memories of those who lived or worked at the Villa with Bernard Berenson. Memories of those who were at the Villa as it was turned into the Harvard Center for Italian Renaissance Studies. Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. 2017 The President and Fellows of Harvard College.

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Oral History | Remembering Berenson

http://oralhistory.itatti.harvard.edu/remembering-berenson

Life at the Villa: 1930's and 40's. Berenson in the 1950's. Life at the Villa: 1950's. The Land and the Garden. Villa I Tatti, The Harvard University Center for Italian Renaissance Studies. 2017 The President and Fellows of Harvard College.

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Grants | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies

http://itatti.harvard.edu/grants

Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. Former I Tatti Appointees can apply for three different grants from the Lila Wallace Reader’s Digest Endowment Fund: the. For interdisciplinary projects; the. For scholarly books; and the. For seminars and conference sessions. Lila Wallace Reader’s Digest. Provides support for interdisciplinary projects in the Italian Renaissance, such as a conference, workshop, or seminar. A brief project description.

itatti.harvard.edu itatti.harvard.edu

Fellowships | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies

http://itatti.harvard.edu/fellowships

Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. I Tatti Fellowship (one year; deadline: 15 October). Fifteen I Tatti Fellowships, each for twelve months, are available annually for post-doctoral research in any aspect of the Italian Renaissance broadly understood historically to include the period from the 14. Short Term Fellowships (deadline: 14 December). Four Berenson Fellowships, for four or six months, are available annually for scholars who ex...

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The Berensons | Villa I Tatti | The Harvard University Center for Italian Renaissance Studies

http://itatti.harvard.edu/berensons

Skip to main content. Message from the Director. Music at I Tatti. Conferences, Lectures, and Seminars. Visit the online exhibitions:. Berenson and Harvard. Bernard and Mary as Students. Yashiro and Berenson: Art History between Japan and Italy. Villa I Tatti: An Oral History. Butrimonys, Vilna, Lithuania, 1865 Villa I Tatti, Florence, Italy, 1959. In April 1893. In 1895 Berenson published. Lorenzo Lotto: An Essay in Constructive Art Criticism. The Drawings of the Florentine Painters. Mary Berenson, a sc...

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Anna Bensted August 2013. Memories of those who lived or worked at the Villa with Bernard Berenson. From Villa to Research Center. Memories of those who were at the Villa as it was turned into the Harvard University Center for Italian Renaissance Studies. Villa I Tatti: A Timeline. An outline of some of the events and circumstances that have affected the Villa over the centuries. Watercolours by Steve Ziger (more about the artist on the Oral History Credits.

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