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Samta Benyahia | ‎بن يحيى  

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. An artist Samta Benyahia by Valerie Behiery, Islamic Art historian, Ph.D. L’œuvre met ainsi à la portée du spectateur le plus lointain, dans le temps comme dans l’espace, rassemblant, rapprochant ce qui paraissait le plus éloigné.

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Samta Benyahia | ‎بن يحيى   | samtabenyahia.com Reviews
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Samta Benyahia | ‎بن يحيى   | samtabenyahia.com Reviews

https://samtabenyahia.com

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. An artist Samta Benyahia by Valerie Behiery, Islamic Art historian, Ph.D. L’œuvre met ainsi à la portée du spectateur le plus lointain, dans le temps comme dans l’espace, rassemblant, rapprochant ce qui paraissait le plus éloigné.

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samtabenyahia.com samtabenyahia.com
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About Beauty, HKW, Berlin | Samta Benyahia

http://samtabenyahia.com/exhibitions/about-beauty-hkw-berlin-2005

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. About Beauty, HKW, Berlin. Haus der Kulturen der Welt, Berlin. Installation with serigraphs on folio, pearl oyster, sequins on front windows of the building. Laquo; Dans la lumière des matins et le luxe naturel des nuits, la joie est sans douceur » d’après Albert Camus.

2

Galerie B. March, Stuttgart | Samta Benyahia

http://samtabenyahia.com/exhibitions/galerie-b-march-stuttgart-1992

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. Galerie B. March, Stuttgart. Inside Memory. Force sight. Biennale internationale de Shenzhen, autour de l’encre de Chine), à l’adaptation au mur, comme elle le met en œuvre dès 1992 sur les murs d’un château près de Stuttgart. Emmanuelle Amiot-Saulnier, Historienne de l’art, novembre 2011.

3

Gwangju Biennale, Korea | Samta Benyahia

http://samtabenyahia.com/exhibitions/gwangju-biennale-korea-2006

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. Gwangju Biennale, Korea. Emmanuelle Amiot-Saulnier, Historienne de l’art, novembre 2011.

4

50e Biennale de Venise | Samta Benyahia

http://samtabenyahia.com/exhibitions/50e-biennale-de-venise-2003

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. 50e Biennale de Venise. Le Polygone et le Dédale. Samta Benyahia originally based her design for. Le Polygon et Le Dédale. Seen from above,. The outer walls of. Le Polygon et Le Dédale. Conviction than almost any of the artist’s other recently exhibited pieces. Just large enough for three or four people at a time,.

5

La Force de l’Art, Paris | Samta Benyahia

http://samtabenyahia.com/exhibitions/la-force-de-lart-paris-2006

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. La Force de l’Art, Paris. Laboratoire pour un avenir incertain. La force de l’art, Grand Palais Paris, 2006, curator Hou Hanru. Laquo; À la croisée des chemins, le dialogue. On l’aura compris, les installations de Samta Benyahia instaurent toutes un dialogue : avec l’espace ambiant, avec le spectateur, avec l’autre.

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Samta Benyahia | ‎بن يحيى  

Aller au contenu principal. Fowler Museum, Los Angeles. La Force de l’Art, Paris, 2006. Gwangju Biennale, Korea. About Beauty, HKW, Berlin. 50e Biennale de Venise. Galerie B. March, Stuttgart. An artist Samta Benyahia by Valerie Behiery, Islamic Art historian, Ph.D. L’œuvre met ainsi à la portée du spectateur le plus lointain, dans le temps comme dans l’espace, rassemblant, rapprochant ce qui paraissait le plus éloigné.

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