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scottishharpmusic | thoughts by Karen Marshalsaythoughts by Karen Marshalsay (by karenclarsach)
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thoughts by Karen Marshalsay (by karenclarsach)
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scottishharpmusic | thoughts by Karen Marshalsay | scottishharpmusic.wordpress.com Reviews
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thoughts by Karen Marshalsay (by karenclarsach)
March | 2012 | scottishharpmusic
https://scottishharpmusic.wordpress.com/2012/03
Thoughts by Karen Marshalsay. Monthly Archives: March 2012. March 27, 2012. It’s been a week of exams and competitions for me in a surprisingly sunny Scotland. Last Saturday I adjudicated the clarsach competitions at the Moray Music Festival in Elgin. It’s the first time that clarsach has been part of this successful … Continue reading →. How do wire players find new material? Tune for a rainy day. Follow me on Twitter. Follow Blog via Email. Join 3 other followers. Blog at WordPress.com.
About | scottishharpmusic
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Thoughts by Karen Marshalsay. An experienced tutor, Karen taught clarsach at the National Centre of Excellence in Traditional Music at Plockton for 7 years and lectured in Scottish and world music at the RSAMD. This blog is an informal sounding board to share some thoughts on music generally, and more specifically about Scottish harp music. Comments and suggestions are always welcome! Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:.
How do wire players find new material? | scottishharpmusic
https://scottishharpmusic.wordpress.com/2012/02/23/how-do-wire-players-find-new-material
Thoughts by Karen Marshalsay. Tune for a rainy day. Exams and competitions →. How do wire players find new material? February 23, 2012. Over the past few years I’ve been involved with the Wire Branch of the Clarsach Society. We’re an international, scattered bunch and many folks don’t have regular contact with a teacher or group of players. When I edited the branch’s newsletter,. It seems so obvious I don’t know why it’s taken me til now to get it together. At the workshop on Sunday we worked on. Who als...
Tune for a rainy day | scottishharpmusic
https://scottishharpmusic.wordpress.com/2012/02/10/tune-for-a-rainy-day
Thoughts by Karen Marshalsay. How do wire players find new material? Tune for a rainy day. February 10, 2012. This track was recorded for the Harp House CD which the Edinburgh International Harp Festival. Released in 2004. It seemed like a good thing to post on a rainy day here in Edinburgh! L which I composed and a traditional piece called. Which I found in Frances Tolmie’s collection One Hundred and Five Songs of Occupation from the Western Isles. View all posts by karenclarsach →. Tune for a rainy day.
Exams and competitions | scottishharpmusic
https://scottishharpmusic.wordpress.com/2012/03/27/exams-and-competitions
Thoughts by Karen Marshalsay. How do wire players find new material? March 27, 2012. It’s been a week of exams and competitions for me in a surprisingly sunny Scotland. Last Saturday I adjudicated the clarsach competitions at the Moray Music Festival. In Elgin. It’s the first time that clarsach has been part of this successful competitive music festival and though it was a small field it was a good standard and bodes well for the future. Oh and by the way, our students all did very well! You are commenti...
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Karen Marshalsay Scottish Harp Player & Composer | CDs
http://www.karenmarshalsay.com/recordings.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. North Uist Sea Poems. During the winter of 2004/5, which included the devastating Jan 11th hurricane, Pauline Prior-Pitt. Regularly walked on Sollas beach. She kept a sea diary, and from it created a prize winning pamphlet of poems, for which Catherine Eunson. Later wrote music. This was premiered on North Uist on 4 April 2015 and recorded later in the year. Pauline Prior-Pitt – voice / Gordon Wells. Available to buy at Birnam CD shop.
Karen Marshalsay Scottish Harp Player & Composer | Home
http://www.karenmarshalsay.com/index.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Draws on a wealth of differing experiences, from work within the Gaelic and Scottish traditions to studies with Paraguayan harp master Rito Pederson. Playing both gut and wire-strung clarsachs. Scottish harp) as well as bray and Paraguayan harps. Karen has developed through the folk world of feisean, festivals and lessons with leading players such as Alison Kinnaird. Now the Royal Conservatoire of Scotland. Cathal McConnell Band at Fringe.
Karen Marshalsay Scottish Harp Player & Composer | News
http://www.karenmarshalsay.com/news.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Cathal McConnell Band at Fringe. Karen will be performing with Kathryn Nicolls (fiddle/viola) and the man himself in The Cathal McConnell Band in the Fringe - artspace@StMarks 8.30pm 11 and 13 August Tickets and info. The Road to Dalginross. String quintet) was premiered by Mr McFalls Chamber. Residentials. You can hear all the tracks here. Gig with Cathal McConnell. Website content Karen Marshalsay 2016. Cathal McConnell Band at Fringe.
Karen Marshalsay Scottish Harp Player & Composer | For wire-strung harps
http://www.karenmarshalsay.com/wireharpmusic.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Music for wire-strung harps. Karen teaches regularly for the Wire Branch of the Clarsach Society. And has published some of these workshop pieces as pdf and mp3 packages - giving the music notation and a recording of each part to help students learn. They are available here. She has also published an introduction to playing wire-strung harp, First Steps. And a book, Key Techniques. Half Ower, Half Ower tae Aberdour. Postcard to Kenroku-en,.
Karen Marshalsay Scottish Harp Player & Composer | Biog
http://www.karenmarshalsay.com/biography.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. One of the leading contemporary performers on the instrument The Scotsman. Uses fingernail technique on gut and wire-strung clarsachs (Scottish harps), bray harp and Paraguayan harp,. Specializing in the traditional music of Scotland and Latin America. Her playing has developed through the folk world of feisean, festivals, workshops and instruction from such leading players as Bill Taylor. As part of the prestigious Celtic Connections.
Karen Marshalsay Scottish Harp Player & Composer | Recent pics
http://www.karenmarshalsay.com/recentpics.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Recent photos - live and in studio sessions. Solo wire with Na Clarsairean. Playing the wire part of Isobel Mieras' Sileas Suite with Na Clarsairean Edinburgh Festival Fringe 21 August 2015. Rehearsal at Drake Music Scotland of digital and acoustic harp trio - with Amy Moar and Rhona Smith. With Allan MacDonald and Eilidh Steel. Teaching a pibroch workshop at the Edinburgh International Harp Festival, photo thanks to Gwen Mairi Yorke.
Karen Marshalsay Scottish Harp Player & Composer | Gut harp pics
http://www.karenmarshalsay.com/gallery1.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Live and publicity photos. Clicking on the the picture will bring up a larger image. C) Sue Flood Photography. With Eilidh Steel on fiddle. Live at Brotfabrik, Bonn. Live in Washington DC. Live at Celtic Connections Festival. Photo by Gordon Hotchkiss. Photo by Gordon Hotchkiss. Duet with Rito Pederson. Edinburgh International Harp Festival 1998. With percussionist Tom Teasley, Washington DC. Photo by Gordon Hotchkiss. Photo by Marc Marnie.
Karen Marshalsay Scottish Harp Player & Composer | Music books
http://www.karenmarshalsay.com/musicbooks.asp
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Karen has published several music books - a collection of Scottish traditional tunes and compositions arranged in 3 graded volumes as. The Clarsach Collection;. An introduction to playing the wire-strung harp,. Key Techniques for Harp. Karen also runs Marsharp Music. Which publishes her work, and that of Bill Taylor. Website content Karen Marshalsay 2016. Cathal McConnell Band at Fringe. Gig with Cathal McConnell. North Uist Sea Poems CD.
Karen Marshalsay Scottish Harp Player & Composer | Home
http://www.karenmarshalsay.com/index.asp?pageid=3131
Gig with Cathal M. North Uist Sea Po. Wire harp pdf/mp3 downloads. Draws on a wealth of differing experiences, from work within the Gaelic and Scottish traditions to studies with Paraguayan harp master Rito Pederson. Playing both gut and wire-strung clarsachs. Scottish harp) as well as bray and Paraguayan harps. Karen has developed through the folk world of feisean, festivals and lessons with leading players such as Alison Kinnaird. Now the Royal Conservatoire of Scotland. Cathal McConnell Band at Fringe.
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Regarding Hannah – A girl who writes words.
A girl who writes words. A’ Ghàidhealtachd (The Highlands). July 18, 2016. December 16, 2016. A little video that captures the beauty of the land I will soon be absent from. The Highlands hold my heart. That seemingly little corner of Scotland on the map, that is vast and bold and beautiful in the flesh; it comforts me, it terrifies me, it inspires me. The hills enclosing my being as I sit, silent and small, breathing in so much of the life they exude. Words and Video by Hannah Boyle. April 21, 2016.
Scottish Handwriting home page
Online Tuition in the Palaeography of Scottish Documents. The Scottish Handwriting site is maintained by the National Records of Scotland. Welcome to Scottish Handwriting.com, the website offering online tuition in palaeography for historians, genealogists and other researchers who have problems reading manuscript historical records written in Scotland in the 16th, 17th and 18th centuries. Test your palaeography skills with our interactive tutorials. Arranged by types of record or date).
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scottishharpmusic | thoughts by Karen Marshalsay
Thoughts by Karen Marshalsay. March 27, 2012. It’s been a week of exams and competitions for me in a surprisingly sunny Scotland. Last Saturday I adjudicated the clarsach competitions at the Moray Music Festival. In Elgin. It’s the first time that clarsach has been part of this successful competitive music festival and though it was a small field it was a good standard and bodes well for the future. Then after a few days back at base camp it was on to the National Centre of Excellence in Traditional Music.
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