marcogallieri.micso.it
Marco Gallieri
http://marcogallieri.micso.it/res.htm
PhD Student in Control Engineering. University of Cambridge, UK. LASSO-MPC: Model Predictive Control (MPC) for Over-actuated systems. Status: Competed (Oct. 2010 - Jan. 2014). The project, supervised by Prof. J. Maciejowski. Head of the Information engineering division. DIV F) and member of the Control Group. Of University of Cambridge. Aimed advanced research on Model Predictive Control (MPC). The project has been funded by the EPRSC. Grant "Control for energy and sustainability". Select a preferred set...
guitarconsortium.wordpress.com
annepage2013 – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/author/annepage2013
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. January 11, 2016. January 3, 2016. Dr James Westbrook receives the 2015 Terence Pamplin Award. Dr James Westbrook has received the 2015 Terence Pamplin Award for Organology given by the Musicians’ Company. This biannual research prize of 1,200, is to assist further research into x-braced guitars by the Roudhloff Brothers and to make a replica instrument. January 3, 2016. October 2015, Andrew’s memorial serv...
guitarconsortium.wordpress.com
April 2015 – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/2015/04
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. April 9, 2015. Fernando Sor on the move in the early 1820s. A new study of Sor by Erik Stenstadvold. During his last months in London in 1822, Sor was busy composing music for the stage. The ballet. Was premiered at the King’s Theatre in March that year. Less known is that Sor was also involved in another scenic production, the five-hour long operatic drama,. This study questions that assumption and presents.
guitarconsortium.wordpress.com
Publications – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/publications
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. Gerhard Penn’s recent publications include:. Mauro Giuliani a Vienna: Nuovi Documenti in. No 169 (2015),. No 170 (2015),. No 171 (2015). The articles are in Italian. Erik Stenstadvold’s recent publications include:. Erik Stenstadvold, ‘Fernando Sor on the Move in the Early 1820s’, Soundboard Scholar. No 1, 2015. Jelma van Amersfoort’s recent publications include:. In 2014. The article is in English. A very ...
guitarconsortium.wordpress.com
Fernando Sor on the move in the early 1820s – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/2015/04/09/fernando-sor-on-the-move-in-the-early-1820s
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. April 9, 2015. Fernando Sor on the move in the early 1820s. A new study of Sor by Erik Stenstadvold. During his last months in London in 1822, Sor was busy composing music for the stage. The ballet. Was premiered at the King’s Theatre in March that year. Less known is that Sor was also involved in another scenic production, the five-hour long operatic drama,. This study questions that assumption and presents.
jasoningalls.blogspot.com
Contra Factum: SERMON: Jesus Gives Simon a New Name
http://jasoningalls.blogspot.com/2013/01/sermon-jesus-gives-simon-new-name.html
Singing new words to old tunes. Monday, January 21, 2013. SERMON: Jesus Gives Simon a New Name. Date: 20 January 2013. At: Sidney Sussex College. I grew up watching Batman. Specifically reruns of Adam West’s 1970’s camp-fest. It had red phones and bad puns and lots of running in place in front of projected backdrops. Delightful. But, in 1992, everything changed: Batman: The Animated Series. That God will do something to us, not realizing that we, like Simon, might just be in the wrong place. We might...
guitarconsortium.wordpress.com
The Consortium for Guitar Research – Page 2 – At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse
https://guitarconsortium.wordpress.com/page/2
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. January 3, 2016. On a beautiful Autumn afternoon, the 14. October 2015, Andrew’s memorial service took place in the church where he worshipped as a boy. The church of St. Bartholomew, in a quiet suburb of Bristol, lies very close to where he was raised. By two o’clock friends, family and colleagues had gathered to hear fond and loving reminiscences. On the first page of the service booklet Judith used part ...
guitarconsortium.wordpress.com
Colloquia – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/colloquia
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. Papers presented in 2016. A) ‘Vienna’s First Guitarists and Guitar Teachers, 1790 – 1807’ (b) ‘Mauro Giuliani’s Reception in Europe, 1820 – 1840’. 8216;Music Publisher Robert Cocks’ Involvement in the Guitar’. 8216;Guitar and cittern making in the Netherlands in the 18th century’. 8216;The mandolin in 18c Britain’. 8216;An unknown pupil of Sor: the life and career of Mariano de Castro’. Francesco MolinoR...
guitarconsortium.wordpress.com
August 2014 – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/2014/08
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. August 27, 2014. A Pioneering Guitar Design by Francesco Molino. Panagiotis Poulopoulos is researching the development of a pioneering guitar design by Francesco Molino and its significance in guitar history. An illustration in Francesco Molino’s Grande Méthode Complète pour Guitare ou Lyre, Op.33 (Paris 1823) showing his pioneering guitar design. August 27, 2014. The publication date has been set for next ...
guitarconsortium.wordpress.com
May 2014 – The Consortium for Guitar Research
https://guitarconsortium.wordpress.com/2014/05
The Consortium for Guitar Research. At Sidney Sussex College, Cambridge. Patron: Brian Whitehouse. May 25, 2014. The Origins of the Guitar and Mandolin Duet. Music making, especially in Italy, an association celebrated in such paintings as Wilhelm Martstrand’s October Festival Evening outside the Walls of Rome (1839), and in compositions by Verdi, Mahler, and Schoenberg. Continue reading →. May 10, 2014. The guittar in Holland. The Consortium has a Patron. The 2016 Andrew Britton Fellow.
