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CONTACTS AT SOUNDSOFCAPITALISM.COM

Timothy Taylor

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Timothy Taylor

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Timothy Taylor

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1

Examples, Chapters 7-8

http://www.soundsofcapitalism.com/Examples__Chapters_7-8.html

THE SOUNDS OF CAPITALISM. Advertising, Music, and the Conquest of Culture. TIMOTHY D. TAYLOR. University of Chicago Press. Examples, Chapters 7-8. Chapter 7: Consumption, Corporatization, and Youth in the 1980s. Example 7.1. Pepsi-Cola: Michael Jackson, “Billie Jean” (1984). Example 7.2. Pepsi-Cola: Michael Jackson, “Bad” (1987). Example 7.3. Run-D.M.C.: “My Adidas” (1987). Example 7.4. Nike: The Beatles, “Revolution” (1987). Example 8.1. Volkswagen: Nick Drake, “Milky Way” (1999).

2

Examples, Chapters 4-6

http://www.soundsofcapitalism.com/Examples__Chapters_4-6.html

THE SOUNDS OF CAPITALISM. Advertising, Music, and the Conquest of Culture. TIMOTHY D. TAYLOR. University of Chicago Press. Examples, Chapters 4-6. Chapter 4: Music, Mood, and Television: The Discovery and Use of Emotion in Advertising Music. Example 4.1. “L-A-V-A” (1944). Example 4.2. Gillette: “To Look Sharp” (1953). Example 4.3. “My Beer Is Rheingold” (mid-1950s). Example 4.4. Ford: “Backseat Blues” (1958). Example 4.5. McDonald’s: Gladys Knight and the Pips, “You! You’re the One! Example 6.5. ...Examp...

3

Home Page

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THE SOUNDS OF CAPITALISM. Advertising, Music, and the Conquest of Culture. TIMOTHY D. TAYLOR. University of Chicago Press. Timothy D. Taylor. Timothy D. Taylor is Professor of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of Global Pop: World Music, World Markets. Routledge, 1997), Strange Sounds: Music, Technology and Culture. Routledge, 2001), Beyond Exoticism: Western Music and the World. The Sounds of Capitalism. Taylor contends that today there is no l...

4

Examples, Chapters 1-3

http://www.soundsofcapitalism.com/Examples__Chapters_1-3.html

THE SOUNDS OF CAPITALISM. Advertising, Music, and the Conquest of Culture. TIMOTHY D. TAYLOR. University of Chicago Press. Examples, Chapters 1-3. Chapter 1: Music and Advertising in Early Radio. Example 1.1. Eveready Hour with Martha Copeland, broadcast excerpt (1928). Example 1.2. Clicquot Club Eskimos: "Clicquot Club Foxtrot" (1926). Chapter 2: The Classes and the Masses. Example 2.1. The Fleischmann’s Yeast Hour. Opening excerpt (19 December 1935). Example 3.4. The Interwoven Pair (late 1920s). Examp...

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Editor Bios

http://www.musicsoundtech.org/Editor_Bios.html

Music, Sound, and Technology in America: A Documentary History of Early Phonograph, Cinema, and Radio. Compiled and edited by. Timothy D. Taylor, Mark Katz, and Tony Grajeda. Duke University Press, 2012. Timothy D. Taylor. Timothy D. Taylor is Professor of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of. Global Pop: World Music, World Markets. Routledge, 1997),. Strange Sounds: Music, Technology and Culture. Routledge, 2001),. Duke, 2007),. Additionally, h...

themoneytrench.wordpress.com themoneytrench.wordpress.com

Resources | The Money Trench

https://themoneytrench.wordpress.com/music-at-work/music-and-sound-at-work-resources

CFP: Music and Sound at Work @ LCCT 2015. Music and Sound at Work @ LCCT 2015. Research and Knowledge Exchange. A list of reference points for the Music and Sound at Work. Bijsterveld, Karen (2008),. Mechanical Sound: Technology, Culture, and Public Problems of Noise in the Twentieth Century. Corbett, Martin (2003), ‘ Sound Organisation: A Brief History of Psychosonic Management. DeNora, Tia (2003), ‘ Music and Control. After Adorno: Rethinking Music Sociology. DeNora, Tia (2004),. Music in Everyday Life.

timothydtaylor.com timothydtaylor.com

Publications | Timothy D. Taylor

http://timothydtaylor.com/publications

Timothy D. Taylor. Examines the production, distribution, advertising, marketing, branding, and consumption of music in the last few decades. Drawing on extensive interviews with professionals in various corners of the cultural industries, including small independent record labels, this book shows how digitalization, globalization, and policies and ideologies in today’s capitalism are changing people’s relationships to music. Selected Articles and Book Chapters. 4 (December): 405- 25. Performance and Nos...

feministmusicgeek.com feministmusicgeek.com

En/Joy | Feminist Music Geek

https://feministmusicgeek.com/2014/04/16/enjoy

April 16, 2014. Several months ago, I received a text from a friend. Like much of my correspondence with her, I turned over this statement like a message in a bottle that washed up at my feet. The only time I really understand jouissance is when I listen to pop. In the season six episode, A Tale of Two Cities,. The unstudied recklessness of Joan’s professional daring in Two Cities mirrors the strain Joplin puts on her voice. Rock critic Ellen Willis argues that, as an interpreter of other people’s so...

betweenthelinernotes.com betweenthelinernotes.com

10: Jingle Brains — Between the Liner Notes

http://www.betweenthelinernotes.com/episodes-1/jingles

Subscribe to the show. City, State, Zip. Why music is the way it is. Your Custom Text Here. Subscribe to the show. May 9, 2016. Are traditionally defined as short songs about a product that are written for TV or radio, but with songs like Poo-Pourri’s Imagine Where You Can Go. Being released on the internet does the traditional definition need to be expanded? Listen as Tim Taylor, author of The Sounds of Capitalism. The host of The Allusionist. Larr; 11: The District. 09: Castrati →. Jun 11, 2012.

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THE SOUNDS OF CAPITALISM. Advertising, Music, and the Conquest of Culture. TIMOTHY D. TAYLOR. University of Chicago Press. Timothy D. Taylor. Timothy D. Taylor is Professor of Ethnomusicology and Musicology at the University of California, Los Angeles. He is the author of Global Pop: World Music, World Markets. Routledge, 1997), Strange Sounds: Music, Technology and Culture. Routledge, 2001), Beyond Exoticism: Western Music and the World. The Sounds of Capitalism. Taylor contends that today there is no l...

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