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Whimsical Art and Illustration | Tamara Garvey, Brooklyn, NY

Whimsical and fun pen-and-ink art and illustration. My work frequently includes forests, animals, food, old-timey burglars, text, and absurdism.

http://www.tamaragarvey.com/

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CONTACTS AT TAMARAGARVEY.COM

Tamara Garvey

317 E●●●●●t St.

Ap●●B1

Bro●●●lyn , New York, 11237

United States

1.20●●●●7148
ta●●●●●@gmail.com

View this contact

Tamara Garvey

317 E●●●●●t St.

Ap●●B1

Bro●●●lyn , New York, 11237

United States

1.20●●●●7148
ta●●●●●@gmail.com

View this contact

Tamara Garvey

317 E●●●●●t St.

Ap●●B1

Bro●●●lyn , New York, 11237

United States

1.20●●●●7148
ta●●●●●@gmail.com

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Whimsical Art and Illustration | Tamara Garvey, Brooklyn, NY | tamaragarvey.com Reviews
<META>
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Whimsical and fun pen-and-ink art and illustration. My work frequently includes forests, animals, food, old-timey burglars, text, and absurdism.
<META>
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1 art
2 cheerful
3 children
4 fun
5 graphic design
6 illustration
7 kids
8 pen and ink
9 quirky
10 whimsical
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Whimsical Art and Illustration | Tamara Garvey, Brooklyn, NY | tamaragarvey.com Reviews

https://tamaragarvey.com

Whimsical and fun pen-and-ink art and illustration. My work frequently includes forests, animals, food, old-timey burglars, text, and absurdism.

LINKS TO THIS WEBSITE

retained.blogspot.com retained.blogspot.com

R E T A I N E D: Adrian Ghenie: Oil on canvas

http://retained.blogspot.com/2010/02/adrian-ghenie.html

TO HAVE and TO HOLD. Adrian Ghenie: Oil on canvas. Pie Fight Study 2", 2008, oil on canvas, 55 X 59 cm. Dada is Dead", 2009, oil on canvas, 200 X 220 cm. Study for Nickelodeon", 2008, oil on canvas, 120 X 80 cm. Duchamp", 2009, oil on canvas, 125 X 105 cm. Dark, moody, and foreboding Romanian artist Adrian Chenie creates work with many layers, accruing in the physical and figurative. Posted by J. Tyler Flatt. February 16, 2010 at 1:19 PM. May 6, 2011 at 12:20 PM. I get amazed by these wonderful works.

retained.blogspot.com retained.blogspot.com

R E T A I N E D: Cheki: Hammer Museum

http://retained.blogspot.com/2009/07/cheki-hammer-museum.html

TO HAVE and TO HOLD. 1st, 2nd, and 3rd from left) Nic Hess, Automatic Crash Response. Mixed-media tape drawing installation, 2009. 4th from left) Environmental design outside Billy Wilder Theater. 5th from left) View of an adjacent building from the courtyard of the Hammer. Posted by J. Tyler Flatt. Subscribe to: Post Comments (Atom). New York, NY. View my complete profile. Yusaku Kamekura: Mikron Binoculars. Hans Hillmann: Sturm Über Asien. The Book Cover Archive. Artist Spotlight: Zsofia Schweger.

retained.blogspot.com retained.blogspot.com

R E T A I N E D: September 2009

http://retained.blogspot.com/2009_09_01_archive.html

TO HAVE and TO HOLD. Aubrey Beardsley: The Abbé. Pen and ink, over faint traces of pencil, 1896. Aubrey Beardsley (1872–1898). Posted by J. Tyler Flatt. Allison Schulnik: Oil on canvas. Oil on canvas, 60" x 60", 2008. Oil on canvas, 68" x 84", 2008. Posted by J. Tyler Flatt. Subscribe to: Posts (Atom). New York, NY. View my complete profile. Aubrey Beardsley: The Abbé. Allison Schulnik: Oil on canvas. The Book Cover Archive. Artist Spotlight: Zsofia Schweger. Premium Chocolate Bars NUGALI. Bats of the Re...

retained.blogspot.com retained.blogspot.com

R E T A I N E D: Yusaku Kamekura: Mikron Binoculars

http://retained.blogspot.com/2009/07/yusaku-kamekura-mikron-binoculars.html

TO HAVE and TO HOLD. Yusaku Kamekura: Mikron Binoculars. Poster c. 1995, Nippon Kogaku K.K. Tokyo Japan. 105.5 x 76 cm, Japan. Yusaku Kamekura (Japan, Yoshida 1915–Tokyo 1997). Posted by J. Tyler Flatt. December 7, 2012 at 5:53 PM. Fastidious response in return of this question with real arguments and telling all about that. Teen Booty and pussy CamDance. Subscribe to: Post Comments (Atom). New York, NY. View my complete profile. Yusaku Kamekura: Mikron Binoculars. Hans Hillmann: Sturm Über Asien. Bats o...

retained.blogspot.com retained.blogspot.com

R E T A I N E D: July 2009

http://retained.blogspot.com/2009_07_01_archive.html

TO HAVE and TO HOLD. Yusaku Kamekura: Mikron Binoculars. Poster c. 1995, Nippon Kogaku K.K. Tokyo Japan. 105.5 x 76 cm, Japan. Yusaku Kamekura (Japan, Yoshida 1915–Tokyo 1997). Posted by J. Tyler Flatt. Hans Hillmann: Sturm Über Asien. Poster. 1961, 84 x 61 cm, Germany. Hans Hillmann (Germany 1925–). Posted by J. Tyler Flatt. 1st, 2nd, and 3rd from left) Nic Hess, Automatic Crash Response. Mixed-media tape drawing installation, 2009. 4th from left) Environmental design outside Billy Wilder Theater. A sel...

retained.blogspot.com retained.blogspot.com

R E T A I N E D: Yellena James: Pen & Ink

http://retained.blogspot.com/2009/08/yellena-james-pen-ink.html

TO HAVE and TO HOLD. Yellena James: Pen and Ink. Allusion" 8" x 10" Pen and Ink on paper. Thistle" 7.5" x 7.5" Pen and Ink on paper. Arise" 7.5" x 7.5" Pen and Ink on paper. Never underestimate the power of line quality. Check out more of Yellena James amazing work here. Posted by J. Tyler Flatt. Labels: Pen and Ink. August 25, 2009 at 8:42 PM. I loooove yellenas drawings! They are all science-y and fantastical. Subscribe to: Post Comments (Atom). New York, NY. View my complete profile. Benjamin Clementi...

retained.blogspot.com retained.blogspot.com

R E T A I N E D: Hans Hillmann: Sturm Über Asien

http://retained.blogspot.com/2009/07/hans-hillmann-sturm-uber-asien.html

TO HAVE and TO HOLD. Hans Hillmann: Sturm Über Asien. Poster. 1961, 84 x 61 cm, Germany. Hans Hillmann (Germany 1925–). Posted by J. Tyler Flatt. Subscribe to: Post Comments (Atom). New York, NY. View my complete profile. I created this blog to have a collection of art and design that inspires me so that I may better understand the commonalities I am drawn to as a designer. The word retained, in short, means to hold on to physically or mentally, and through this blog I hope to do both. FPO: For Print Only.

pecannoot.blogspot.com pecannoot.blogspot.com

pecannoot (make every day abundant): March 2009

http://pecannoot.blogspot.com/2009_03_01_archive.html

Tuesday, March 31, 2009. Enough: by pretty little thieves. Imagine my excitement when i received an email from nancy mungcal, the artist behind pretty little thieves. With this image attached. she is absolutely one of my favorite artists, so yes, i was thrilled. Nancy says: it's a simple reminder for myself that i have more than enough. and maybe as a reminder when i feel like i'm not getting enough done. Gosh, couldn't we all use this reminder? Please do visit the pretty little thieves website. You are ...

retained.blogspot.com retained.blogspot.com

R E T A I N E D: Aubrey Beardsley: The Abbé

http://retained.blogspot.com/2009/09/aubrey-beardsley-abbe.html

TO HAVE and TO HOLD. Aubrey Beardsley: The Abbé. Pen and ink, over faint traces of pencil, 1896. Aubrey Beardsley (1872–1898). Posted by J. Tyler Flatt. September 9, 2009 at 5:56 PM. Oh man, i freaking love aubrey beardsley! This is beautiful; i would love to see it in person. September 9, 2009 at 9:41 PM. One of my favorite illustrators. Subscribe to: Post Comments (Atom). New York, NY. View my complete profile. Aubrey Beardsley: The Abbé. Allison Schulnik: Oil on canvas. The Book Cover Archive. Bats of...

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Le storie di My Coach Mobile. Le storie di My Coach Mobile. Non puoi insegnare qualcosa. Ad un uomo,. A scoprire dentro di sè. Nei momenti di crisi. Se la parola è azione. E l’azione costruisce il mio essere,. Il mio essere attraverso la parola. Non sono gli individui. Più forti di una specie. Nè i più intelligenti,. Ma i più pronti a cambiare. Il coaching rappresenta un’innovazione. In quanto non trasmette competenze, ma:. Agevola l’identificazione di obiettivi sfidanti. A migliorare ed accrescere:.

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8211; – - Impossible is nothing - – –. American National Corpus Review. Posteado por: Tamara González. Enero 28, 2010. Biblioteca electrónica, virtual y digital. Gracias a la digitalización de los documentos, encontramos diferentes tipos de bibliotecas:. Son organizadores que proveen los recursos, incluyendo personal especializado, para seleccionar, estructurar, distribuir, controlar el acceso, conservar la integridad y asegurar la persistencia a través del tiempo de colecciones de trabajos digitale.

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