thealchemicrenaissance.blogspot.com

THE ALCHEMIC RENAISSANCE

Lunedì 9 aprile 2007. The ****** and Christ, 1504 - 1505. There is an arcane bond between the two protagonists of Raphael’s artistic and philosophical creation. A fine thread unites the horizontal gaze of the ****** with the oblique gaze of Christ, who is blessing the world, while the evident and impressive presence of a single “spirit” obliges one’s eyelids to slightly close. The spiritus mercurius originates in St. Thomas’s desire to evolve - through the means of sceptical curiosity - to achi...The tra...

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THE ALCHEMIC RENAISSANCE | thealchemicrenaissance.blogspot.com Reviews

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Lunedì 9 aprile 2007. The ****** and Christ, 1504 - 1505. There is an arcane bond between the two protagonists of Raphael’s artistic and philosophical creation. A fine thread unites the horizontal gaze of the ****** with the oblique gaze of Christ, who is blessing the world, while the evident and impressive presence of a single “spirit” obliges one’s eyelids to slightly close. The spiritus mercurius originates in St. Thomas’s desire to evolve - through the means of sceptical curiosity - to achi...The tra...

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1 the alchemic renaissance

2 critical understanding

3 raffaello

4 the elixir

5 pubblicato da

6 pietro negri

7 nessun commento

8 first act nigredo

9 thomas’s doubt

10 from rational curiosity

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THE ALCHEMIC RENAISSANCE | thealchemicrenaissance.blogspot.com Reviews

https://thealchemicrenaissance.blogspot.com

Lunedì 9 aprile 2007. The ****** and Christ, 1504 - 1505. There is an arcane bond between the two protagonists of Raphael’s artistic and philosophical creation. A fine thread unites the horizontal gaze of the ****** with the oblique gaze of Christ, who is blessing the world, while the evident and impressive presence of a single “spirit” obliges one’s eyelids to slightly close. The spiritus mercurius originates in St. Thomas’s desire to evolve - through the means of sceptical curiosity - to achi...The tra...

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thealchemicrenaissance.blogspot.com

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THE ALCHEMIC RENAISSANCE: "MAGNIFICAT" di S.Botticelli, 1481

http://thealchemicrenaissance.blogspot.com/2007/04/magnificat-di-sbotticelli-1481.html

Domenica 8 aprile 2007. MAGNIFICAT" di S.Botticelli, 1481. 1 ALCHEMY OF KNOWLEDGE. Sociologist Edgar Morin, an authority on contemporary culture, was invited, in 1999, by UNESCO, to expose his ideas on an interdisciplinary project entitled "Education for a Sustainable Future". Herein, he presented a synthesis of the "Seven Themes" to be tackled in any type of education that takes the new generations at heart. Though the Delphic principle stating, "If you do not know yourself, you will never know God" has...

2

THE ALCHEMIC RENAISSANCE: "PUTREFACTION" , Chiave VIII (Frate Basilio Valentino)

http://thealchemicrenaissance.blogspot.com/2007/04/putrefaction-chiave-viii-frate-basilio.html

Domenica 8 aprile 2007. PUTREFACTION" , Chiave VIII (Frate Basilio Valentino). All I know about the world, even through science, starts from my perception or from an experience of the world, without which, the symbols of science will have no meaning. We should not ask if we really perceive the world, but we should say, instead , that the world is what we perceive". If the sleep of reason awakes the dormant monsters in human psyche, it is even worse the dullness. Error and illusion have been parasitizing ...

3

THE ALCHEMIC RENAISSANCE: "HISTORY OF PASSION" , Jeronimus Bosch, 1489

http://thealchemicrenaissance.blogspot.com/2007/04/history-of-passion-jeronimus-bosch-1489.html

Domenica 8 aprile 2007. HISTORY OF PASSION" , Jeronimus Bosch, 1489. Human identity is found in the sentiments of compassion, comprehension and sympathizing. The thousand-year old history of the evolution of primary instincts, and of conflictual integration of emerging cultures in society, have resulted in unique religious and artistic experiences of the three spiritual qualities that define, in modern terms, the theological virtues of faith, hope and charity. Humans are physical, biological, psychologic...

4

THE ALCHEMIC RENAISSANCE: FIRST ACT: "NIGREDO"

http://thealchemicrenaissance.blogspot.com/2007/04/first-act-nigredo.html

Lunedì 9 aprile 2007. Caravaggio and Apocalipse Now. The existential condition of the Nigredo is experienced by men and women who wish to transform their psychic impulses into pure sentiment, affection and self-knowledge. In the film Iris, a true story of the last years of an Irish writer, the protagonist intuitively understands that only the mind has the power to free an individual’s creative potential. Education, training, control, the transmission of ideas, channelling and orientation are terms which ...

5

THE ALCHEMIC RENAISSANCE: FROM RATIONAL CURIOSITY TO CRITICAL COMPREHENSION

http://thealchemicrenaissance.blogspot.com/2007/04/from-rational-curiosity-to-critical.html

Lunedì 9 aprile 2007. FROM RATIONAL CURIOSITY TO CRITICAL COMPREHENSION. The Incredulity of St Thomas not only presents us with the four faces of Reason. In this work, Caravaggio emblematically represents the saint’s rational curiosity through his expression and extended index finger in an event, and technique, capable of undermining faith, opinion and empirical practice. A double diagonal establishes a relationship between the parts of an arrangement that must subtly intercommunicate through operations ...

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museohermetico1.blogspot.com

THEATRUM CHEMICUM: aprile 2007

http://museohermetico1.blogspot.com/2007_04_01_archive.html

EMBLEMI DELLA CONOSCENZA INTUITIVA. Venerdì 13 aprile 2007. ALCHIMIA DELLA COSCIENZA RAZIONALE. CARAVAGGIO, Crocifissione di San Pietro, 1600. La ricerca razionale della felicità. Giovedì 12 aprile 2007. ALCHIMIA DELLA COSCIENZA SENSORIALE. CARAVAGGIO, Riposo durante la fuga in Egitto, 1595. ALCHIMIA DELLA RAGION CRITICA. CARAVAGGIO. Incredulità di San Tommaso, 1600. Ciò significa ‘decapitare’ la superbia connaturata al pensiero forte di Golia, per cui Caravaggio incide sulla spada di Davide ...

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THEATRUM CHEMICUM: ALCHIMIA DELLA COSCIENZA RAZIONALE

http://museohermetico1.blogspot.com/2007/04/alchimia-delal-coscienza-razionale.html

EMBLEMI DELLA CONOSCENZA INTUITIVA. Venerdì 13 aprile 2007. ALCHIMIA DELLA COSCIENZA RAZIONALE. CARAVAGGIO, Crocifissione di San Pietro, 1600. La ricerca razionale della felicità. Iscriviti a: Commenti sul post (Atom). ALCHIMIA DELLA COSCIENZA RAZIONALE. ALCHIMIA DELLA COSCIENZA SENSORIALE. ALCHIMIA DELLA RAGION CRITICA. La filosofia della conoscenza. La psicologia della percezione.

museohermetico1.blogspot.com

THEATRUM CHEMICUM: ALCHIMIA DELLA RAGION CRITICA

http://museohermetico1.blogspot.com/2007/04/alchimia-della-ragion-critica.html

EMBLEMI DELLA CONOSCENZA INTUITIVA. Giovedì 12 aprile 2007. ALCHIMIA DELLA RAGION CRITICA. CARAVAGGIO. Incredulità di San Tommaso, 1600. La rinuncia a controllare il mondo attraverso i sistemi di idee, dottrine e ideologie equivale a un atto iniziatico ritenuto fondamentale nella filosofia rinascimentale. Iscriviti a: Commenti sul post (Atom). ALCHIMIA DELLA COSCIENZA RAZIONALE. ALCHIMIA DELLA COSCIENZA SENSORIALE. ALCHIMIA DELLA RAGION CRITICA. La filosofia della conoscenza.

museohermetico1.blogspot.com

THEATRUM CHEMICUM: ALCHIMIA DELLA COSCIENZA SENSORIALE

http://museohermetico1.blogspot.com/2007/04/alchimia-della-coscienza-sensoriale.html

EMBLEMI DELLA CONOSCENZA INTUITIVA. Giovedì 12 aprile 2007. ALCHIMIA DELLA COSCIENZA SENSORIALE. CARAVAGGIO, Riposo durante la fuga in Egitto, 1595. Il riposo della Sacra famiglia durante fuga in Egitto viene reinterpretata da Caravaggio in chiave metaforica al fine di stabilire un punto fermo della ricerca spirituale. L’assenza di egoicità conduce l’io putativo. Iscriviti a: Commenti sul post (Atom). ALCHIMIA DELLA COSCIENZA RAZIONALE. ALCHIMIA DELLA COSCIENZA SENSORIALE. ALCHIMIA DELLA RAGION CRITICA.

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THE ALCHEMIC RENAISSANCE

Lunedì 9 aprile 2007. The Virgin and Christ, 1504 - 1505. There is an arcane bond between the two protagonists of Raphael’s artistic and philosophical creation. A fine thread unites the horizontal gaze of the Virgin with the oblique gaze of Christ, who is blessing the world, while the evident and impressive presence of a single “spirit” obliges one’s eyelids to slightly close. The spiritus mercurius originates in St. Thomas’s desire to evolve - through the means of sceptical curiosity - to achi...The tra...

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