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Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.". The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.". But I didn't say nothing.". And we don't pay mooks.". I don't know.".

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Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.. The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.. But I didn't say nothing.. And we don't pay mooks.. I don't know..
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cinemascapes | thecinemascapes.blogspot.com Reviews

https://thecinemascapes.blogspot.com

Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.". The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.". But I didn't say nothing.". And we don't pay mooks.". I don't know.".

INTERNAL PAGES

thecinemascapes.blogspot.com thecinemascapes.blogspot.com
1

cinemascapes: April 2010

http://thecinemascapes.blogspot.com/2010_04_01_archive.html

Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.". The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.". But I didn't say nothing.". And we don't pay mooks.". I don't know.".

2

cinemascapes: January 2010

http://thecinemascapes.blogspot.com/2010_01_01_archive.html

Wednesday, January 13, 2010. The Auteur of Wes Anderson. I saved American cinema. What did you ever do? In The Royal Tenenbaums, Margot's slow motion introduction to Nico's These Days, helps express how each Margot and Richie have lost their way, have a nostalgia for their youth, and shows their secret desires for each other. Or Richie's suicide attempt to I-stab-myself-in-the-chest Elliot Smith's Needle in the Hay. Anderson just knows how to support the story and characters through music. Open on: colou...

3

cinemascapes: Taxi Driver

http://thecinemascapes.blogspot.com/2010/03/taxi-driver.html

Sunday, March 28, 2010. Prescribes that the scenarist must write an idea that can become plastic. Conveying the moving visual experience of film is what makes cinema unique from other art forms. The taxi driver might not agree. April 10, 2010 at 10:10 PM. Someone once quipped at a musician: too many notes! I always found that statement infantile and the exact opposite of what I perceive as my nature. I prefer longer songs, stories, critiques and meditations. Subscribe to: Post Comments (Atom).

4

cinemascapes: March 2010

http://thecinemascapes.blogspot.com/2010_03_01_archive.html

Sunday, March 28, 2010. Prescribes that the scenarist must write an idea that can become plastic. Conveying the moving visual experience of film is what makes cinema unique from other art forms. The taxi driver might not agree. Subscribe to: Posts (Atom). Late Night with Kowalski (reruns). View my complete profile.

5

cinemascapes: The Auteur of Wes Anderson

http://thecinemascapes.blogspot.com/2010/01/auteur-of-wes-anderson.html

Wednesday, January 13, 2010. The Auteur of Wes Anderson. I saved American cinema. What did you ever do? In The Royal Tenenbaums, Margot's slow motion introduction to Nico's These Days, helps express how each Margot and Richie have lost their way, have a nostalgia for their youth, and shows their secret desires for each other. Or Richie's suicide attempt to I-stab-myself-in-the-chest Elliot Smith's Needle in the Hay. Anderson just knows how to support the story and characters through music.

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failedascetic.blogspot.com failedascetic.blogspot.com

FAILED ASCETIC: January 2010

http://failedascetic.blogspot.com/2010_01_01_archive.html

I feel sorry for the butterflies. When I turn off the light,. Up ahead, piles of blue gather and form, the Niagara Escarpment,. My eyes gently wander downwards and to the right, yes, stripes of white race ahead of a truck. A cork is popped open in my ear and in flows a tide of stimulation. The white paper cross in an SUV,. True Patriot Love - reads a Tim Horton's sign,. Subject to ignorance, suffering and the domination of death, and inclined to sin,. So read on,. Macabre faces that rotate and. Seen Enou...

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FAILED ASCETIC: When Alone

http://failedascetic.blogspot.com/2010/02/when-alone.html

When I close my door and the room opens up, exactly like I left it: the living room bare and uninviting the kitchen, appliances and all. oh yes! I forgot to dump the coffee grinds, they are still waiting for me, patiently, to slide them on into the orange polyethylene, one more stop on the way to the graveyard, and then they will return to their vital elements, yes! I am the mediator, negotiating their passage. Deep sighs, abound. Yes. Well it was the summer of course - that is when fairs happen - and we...

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FAILED ASCETIC: Abort

http://failedascetic.blogspot.com/2010/03/abort.html

Foetal death forced my hand. March 21, 2010 at 5:04 PM. Subscribe to: Post Comments (Atom). Tied to our Bedpost.

failedascetic.blogspot.com failedascetic.blogspot.com

FAILED ASCETIC: Late Janaury

http://failedascetic.blogspot.com/2010/02/late-janaury.html

Slow down river, you're moving too fast. I see you still. Naked branches and boughs. Like the eyes of that Flaubertian heroine. Muddied by the rain. Cracked up into white life rafts. And woefully black at. In and on the surface. We are the same. You quail and quiver. Dear trees, friends, love of mine. Still, stay still. February 18, 2010 at 2:00 AM. Seems like OK Computers Tourist meets Robert Frost. Slooooooow dooooown, man. Subscribe to: Post Comments (Atom).

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FAILED ASCETIC: Tied to our Bedpost

http://failedascetic.blogspot.com/2010/03/tied-to-our-bedpost.html

Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. You bled so much. Sheep, tied to the bedpost. Typewriter in tow,.

failedascetic.blogspot.com failedascetic.blogspot.com

FAILED ASCETIC: -azine/-idol/-idone

http://failedascetic.blogspot.com/2010/02/supermarket-in-london.html

You're stuck in the stinker. Wind hisses, one foot in the door. No alcoves here,. They are warded off;. Reality ends with your sunday mass,. But we've always been. You've struck and spent. Photos, recitals, sub-conscious literal mind sounds. You spoke of cotton candy clouds. But all I see are shaken. Despair revs up,. Wheels and drumsticks spinning. Us, in the animal soup of time. Celluloid and all is all. Where are we going, ? March 19, 2010 at 11:07 PM. Subscribe to: Post Comments (Atom).

failedascetic.blogspot.com failedascetic.blogspot.com

FAILED ASCETIC: March 2010

http://failedascetic.blogspot.com/2010_03_01_archive.html

Foetal death forced my hand. Tied to our Bedpost. One o'clock and the walls whirr and hum into full swing - mad fighting voices rise up next door, reaching a boiling point, woman carries on yelling. You become what you worship", speaks the ant as it scales up the mound, past the mushrooms feeding patiently on detritus. Heavyweight crumb on its shoulder, up, up the mount. There's food for all. Pesach is upon us, and we must slaughter the image of what we have become,. Typewriter in tow,. This is my story.

failedascetic.blogspot.com failedascetic.blogspot.com

FAILED ASCETIC: February 2010

http://failedascetic.blogspot.com/2010_02_01_archive.html

You're stuck in the stinker. Wind hisses, one foot in the door. No alcoves here,. They are warded off;. Reality ends with your sunday mass,. But we've always been. You've struck and spent. Photos, recitals, sub-conscious literal mind sounds. You spoke of cotton candy clouds. But all I see are shaken. Despair revs up,. Wheels and drumsticks spinning. Us, in the animal soup of time. Celluloid and all is all. Where are we going, ? I am the mediator, negotiating their passage. Deep sighs, abound. Yes. I was ...

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cinemascapes

Friday, April 2, 2010. You don't make up your sins in a church. You do it in the streets.". The film marks Scorsese's birth into mob cinema: directing and co-writing a personal work dealing with characters he observed while growing up. Scorsese shoots the film grittily to reflect the reality of the anti-yuppies coming-of-age in a unforgiving, bleak setting of the Bronx. We're not paying because this guy. this guy's a fuckin' mook.". But I didn't say nothing.". And we don't pay mooks.". I don't know.".

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