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Audio Design for Digital Production

Audio Design for Digital Production. Thursday, April 17, 2014. Is there love in the telematic embrace? Posted by Caitlin Kearney. Tuesday, April 8, 2014. Class Notes April 8th. The Hippodrome messed up the sound card so some things had to be altered for the 5.1 surround sound:. 3 and 4 - stereo field - 3 is the left and 4 is the right. This is good to use for motion - could be behind the audience. 6 and 7 - center. There are bought VSTs on Ableton to use - use for extra credit Sonic Couture especially.

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Audio Design for Digital Production | ufdwaddp.blogspot.com Reviews
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Audio Design for Digital Production. Thursday, April 17, 2014. Is there love in the telematic embrace? Posted by Caitlin Kearney. Tuesday, April 8, 2014. Class Notes April 8th. The Hippodrome messed up the sound card so some things had to be altered for the 5.1 surround sound:. 3 and 4 - stereo field - 3 is the left and 4 is the right. This is good to use for motion - could be behind the audience. 6 and 7 - center. There are bought VSTs on Ableton to use - use for extra credit Sonic Couture especially.
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Audio Design for Digital Production | ufdwaddp.blogspot.com Reviews

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Audio Design for Digital Production. Thursday, April 17, 2014. Is there love in the telematic embrace? Posted by Caitlin Kearney. Tuesday, April 8, 2014. Class Notes April 8th. The Hippodrome messed up the sound card so some things had to be altered for the 5.1 surround sound:. 3 and 4 - stereo field - 3 is the left and 4 is the right. This is good to use for motion - could be behind the audience. 6 and 7 - center. There are bought VSTs on Ableton to use - use for extra credit Sonic Couture especially.

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Audio Design for Digital Production: March 2014

http://www.ufdwaddp.blogspot.com/2014_03_01_archive.html

Audio Design for Digital Production. Monday, March 31, 2014. In regards to this program, I am fairly confused. I played around with a few of the demos, and while somewhat easier to use than some audio software I've used in the past, it was still rather confusing. Finding the buttons for even just saving your work was a challenge. It comes with a small compliment of different filters and synths, though this is offset by the confusing nature of the interface. Spectral and String Synthesis. String synthesis...

2

Audio Design for Digital Production: February 2014

http://www.ufdwaddp.blogspot.com/2014_02_01_archive.html

Audio Design for Digital Production. Thursday, February 27, 2014. I am going to do some audio for my own-designed 3D environment. I may use tools and resources like Ableton, Cecilia, freesound, etc. Thank you Alachua county library. Posted by Caitlin Kearney. For this Midterm Project, I will be remixing “God Given” by Nine Inch Nails. I plan on using primarily be using Ableton, Noatikl, Audacity, and freesound.org. There are many different midi sequences that I can arrange various...For my midterm, I am ...

3

Audio Design for Digital Production: 4.3 Notes

http://www.ufdwaddp.blogspot.com/2014/04/43-notes.html

Audio Design for Digital Production. Thursday, April 3, 2014. For next Tuesday blog about:. Any old synthesizer that you can, maybe find a emulator and play with it. EX: MOOG, Slim Phatty, ARP2600, Sequential Circuits, Buchla, Oberheim, Yamaha, Rolado, Korg, IVS53. Important types of modulation we have learned so far. Ring(unique sounds), Frequency (bell, gong, brass) , Amplitude (tremolo), Granular. Potential quiz question: CV= Control Voltage. We talked about Delia and the tardis. Tutorial on 5.1.

4

Audio Design for Digital Production: Oberheim Electronics

http://www.ufdwaddp.blogspot.com/2014/04/oberheim-electronics.html

Audio Design for Digital Production. Monday, April 7, 2014. One of the first commercially available. Which was the four voice frame with an external 4 SEM module, configurations were based on the SEM. The Two-voice synthesizer included a two channel voltage controlled sequencer, and the Four-voice and Eight-voice machines included a rudimentary. Capable of recalling sound settings. If you like the sound of rush and this particular synth, here is a link. Https:/ obxd.wordpress.com/. Class Notes April 8th.

5

Audio Design for Digital Production: Sequential Circuits – Prophet 5

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Audio Design for Digital Production. Saturday, April 5, 2014. Sequential Circuits – Prophet 5. The Talking Heads "Stop Making Sense" concert from 1983 featured the use of the Sequential Circuits Prophet-5 synthesizer. In the song "Making Flippy Floppy" it plays a small backing role throughout the song, but can be heard distinctly during a synth bridge in the middle of the song, and a synth bridge towards the end of the song. Http:/ en.wikipedia.org/wiki/Sequential Circuits Prophet-5. Class Notes April 8th.

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The world of PMCs – Linnstrument | synthtech

https://synthtech.wordpress.com/2015/03/26/549

The tech side of electronic sound-craft. Online DSP primer – Circles, Sines, and Signals. How FPGA’s work. The world of PMCs – Linnstrument. March 26, 2015. Wired introduces the world of PMCs (polyphonic multi-dimensional controllers). As ‘revolutionary’ MIDI machines that. Can sense finger movement in three dimensions simultaneously in addition to controlling volume, a musician can also change a note’s pitch and timbre in real time. Over at Youtube you can check out what Roger had to say at NAMM 2015.

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The “electronic guitar” question | synthtech

https://synthtech.wordpress.com/2014/06/14/the-electronic-guitar-question

The tech side of electronic sound-craft. Axoloti, a digital audio platform for makers. The “electronic guitar” question. June 14, 2014. The other day I was thinking about the difference between “electric” and “electronic” instruments (would Spock play analog? Having decided that, I asked around and learned about the existence of a chintzy but fun Casio MIDI controller, model DG-20 made in the mid-80s. Then I turned to the web. I soon came across Troubador Tech’s MIDI guitar roster. Which led to his (?

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How FPGA’s work | synthtech

https://synthtech.wordpress.com/2015/04/17/how-fpgas-work

The tech side of electronic sound-craft. The world of PMCs – Linnstrument. Generative music video and musings. How FPGA’s work. April 17, 2015. This one’s marginal to many of us, but in case you’ve seen the letters before and wondered, this one’s not too. Technical … at first. How FPGAs work, and why you’ll buy one. The basic lowdown is that modern FPGA’s have “DSP slicers” in them. The important part for music:. Somewhat related: Android’s 10 Millisecond Problem: The Android Audio Path Latency Explainer.

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Raspberry Pi 2 now available | synthtech

https://synthtech.wordpress.com/2015/02/02/raspberry-pi-2-now-available

The tech side of electronic sound-craft. Building a monosynth using WebMIDI API. Raspberry Pi 2 now available. February 2, 2015. 32-bit ARMv7 Cortex-A7 cores … 3 to 6 times faster! That’s about all that needs to be said … except that, yep, still $35. Oh yeah … one more thing: “Raspberry Pi 2 runs the full range of GNU/Linux distros including Canonical’s Snappy Ubuntu Core. The new spin of this popular Linux distro that has been deliberately shrunk by Canonical to work in SoC in IoT.”. Get every new post ...

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Online DSP primer – Circles, Sines, and Signals | synthtech

https://synthtech.wordpress.com/2015/03/03/online-dsp-primer

The tech side of electronic sound-craft. Building a monosynth using WebMIDI API. The world of PMCs – Linnstrument. Online DSP primer – Circles, Sines, and Signals. March 3, 2015. Seeing Circles, Sines, And Signals. 8220;Compact Primer On Digital Signal Processing” by Jack Schaedler. It’s getting a lot of positive comments. Jack says:. Articles like this seem popular on SynthTech, and this is a very-well-done intro, so have at it! Leave a Reply Cancel reply. Enter your comment here. Our companion blog is.

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Axoloti, a digital audio platform for makers | synthtech

https://synthtech.wordpress.com/2015/01/14/axoloti-a-digital-audio-platform-for-makers

The tech side of electronic sound-craft. The “electronic guitar” question. Axoloti, a digital audio platform for makers. January 14, 2015. Recently seen at the CCC conference in Hamburg is Johannes Taelman’s OPEN Axoloti. Project (link to 30-minute CCC video.) ( Synthtopia link. It’s built around the Axoloti Core. DSP and microcontroller) hardware. The Core is configured using. A modular audio environment written in Java and works on Windows, OSX and Linux. Similar to Pure Data and MAX,. 120 years of ele...

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Roland AIRA goes modular, Malekko | synthtech

https://synthtech.wordpress.com/2015/04/25/roland-aira-goes-modular-malekko

The tech side of electronic sound-craft. Generative music video and musings. Roland AIRA goes modular, Malekko. April 25, 2015. If you’ve been waiting to hear about/see the new modular options for Roland’s AIRA synth. Or straight to Youtube. To see a video shot at the 2015 Musikmesse. Consider CDM’s picture. Of the prospective modules lineup. I haven’t figured out if the blinkenlights are either purely eyecandy or actually serve some useful purpose (other than in dark clubs of course). Online DSP primer ...

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Building a monosynth using WebMIDI API | synthtech

https://synthtech.wordpress.com/2015/02/03/building-a-monosynth-using-webmidi-api

The tech side of electronic sound-craft. Raspberry Pi 2 now available. Online DSP primer – Circles, Sines, and Signals. Building a monosynth using WebMIDI API. February 3, 2015. Browsers are only beginning to be able to play audio triggered by MIDI. This tutorial shows how. That can be done today using the Chrome browser and Angular.js … javascript code included. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. Address never made public). Online...

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Generative music video and musings | synthtech

https://synthtech.wordpress.com/2015/04/21/generative-music-video-and-musings

The tech side of electronic sound-craft. How FPGA’s work. Roland AIRA goes modular, Malekko. Generative music video and musings. April 21, 2015. Music from very short programs – the 3rd iteration. Demos 7 minutes of, erm, organized 8-bit sounds generated by very short computer programs. Visit here. To see what you can do; visit Viznut’s website. To find out what he’s thinking. Leave a Reply Cancel reply. Enter your comment here. Fill in your details below or click an icon to log in:. How FPGA’s work.

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Audio Design for Digital Production

Audio Design for Digital Production. Thursday, April 17, 2014. Is there love in the telematic embrace? Posted by Caitlin Kearney. Tuesday, April 8, 2014. Class Notes April 8th. The Hippodrome messed up the sound card so some things had to be altered for the 5.1 surround sound:. 3 and 4 - stereo field - 3 is the left and 4 is the right. This is good to use for motion - could be behind the audience. 6 and 7 - center. There are bought VSTs on Ableton to use - use for extra credit Sonic Couture especially.

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