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Writing and Developing animation

Writing and Developing animation. Monday, 19 November 2012. Adapting an existing book for animation. Over the years we have adapted many books in our search for suitable vehicles for animation. Some of these have been illustrated books for children, others were major works of literature, and we also made an animated version of Dylan Thomas’s “Under Milk Wood”, using the BBC radio recording made with the voice of Richard Burton. One of the problems with animated films is that they are difficult to market.

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Writing and Developing animation | writinganddevelopinganimation.blogspot.com Reviews
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Writing and Developing animation. Monday, 19 November 2012. Adapting an existing book for animation. Over the years we have adapted many books in our search for suitable vehicles for animation. Some of these have been illustrated books for children, others were major works of literature, and we also made an animated version of Dylan Thomas’s “Under Milk Wood”, using the BBC radio recording made with the voice of Richard Burton. One of the problems with animated films is that they are difficult to market.
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Writing and Developing animation | writinganddevelopinganimation.blogspot.com Reviews

https://writinganddevelopinganimation.blogspot.com

Writing and Developing animation. Monday, 19 November 2012. Adapting an existing book for animation. Over the years we have adapted many books in our search for suitable vehicles for animation. Some of these have been illustrated books for children, others were major works of literature, and we also made an animated version of Dylan Thomas’s “Under Milk Wood”, using the BBC radio recording made with the voice of Richard Burton. One of the problems with animated films is that they are difficult to market.

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1

Writing and Developing animation: July 2012

http://writinganddevelopinganimation.blogspot.com/2012_07_01_archive.html

Writing and Developing animation. Tuesday, 24 July 2012. Common Mistakes Made By Writers - 2. Of course, there are writers who will ignore the bible entirely. Their storylines will be unsuitable, their dialogue off character and their emphasis off message. These writers do not get re-commissioned. All the same, perverse as it may seem, my second common mistake is:. Following the bible too rigidly. Because we call our briefing documents bibles. This is clearly not the case. Other things can and do develop.

2

Writing and Developing animation: June 2012

http://writinganddevelopinganimation.blogspot.com/2012_06_01_archive.html

Writing and Developing animation. Wednesday, 27 June 2012. Writing For Animation - 26. The Role Of The Story Editor (Cont). For reasons already discussed, animation coproductions often have a number of partners, often in different countries, and sometimes with different ideas. These partners will all want some form of editorial input. Animation is still very labour intensive, and studios cannot afford to pay their artists to sit around waiting for work to arrive. Because this means that scripts will have...

3

Writing and Developing animation: May 2012

http://writinganddevelopinganimation.blogspot.com/2012_05_01_archive.html

Writing and Developing animation. Tuesday, 29 May 2012. Writing For Animation -23. The Story Editor – Why you need one. Animated series, for reasons I have already explained, have large numbers of episodes. This means that the process of managing the scriptwriting needs to be handled carefully. The production will often involve teams of artists in different countries, who need to be supplied with scripts, layouts, and voice tracks in a predictable and constant stream. When we made SuperTed. I was in a pr...

4

Writing and Developing animation: Adapting an existing book for animation.

http://writinganddevelopinganimation.blogspot.com/2012/11/adapting-existing-book-for-animation.html

Writing and Developing animation. Monday, 19 November 2012. Adapting an existing book for animation. Over the years we have adapted many books in our search for suitable vehicles for animation. Some of these have been illustrated books for children, others were major works of literature, and we also made an animated version of Dylan Thomas’s “Under Milk Wood”, using the BBC radio recording made with the voice of Richard Burton. One of the problems with animated films is that they are difficult to market.

5

Writing and Developing animation: Shows We Did Make

http://writinganddevelopinganimation.blogspot.com/2012/10/shows-we-did-make.html

Writing and Developing animation. Tuesday, 30 October 2012. Shows We Did Make. No show is easy to finance, but Hana’s Helpline was one that immediately drew support from a range of broadcasters. It was a preschool show about an Agony Aunt duck, Hana, who helps little animals out with their problems. Hana has a couple of eccentric helpers, and a son who she is in danger of neglecting. There are several reasons why we were able to make this show. I list these in no particular order:. We needed to find some...

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Writing and Developing animation

Writing and Developing animation. Monday, 19 November 2012. Adapting an existing book for animation. Over the years we have adapted many books in our search for suitable vehicles for animation. Some of these have been illustrated books for children, others were major works of literature, and we also made an animated version of Dylan Thomas’s “Under Milk Wood”, using the BBC radio recording made with the voice of Richard Burton. One of the problems with animated films is that they are difficult to market.

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Monday, October 1, 2012. Well, I know it has been quite awhile since I have posted. I have been deep into working on Tanked: part three: TURTLE TOWN. Really, Really hoping for a December finish. I have been posting updates about the animation here: https:/ www.facebook.com/pages/Tanked/279545472365? Friday, January 20, 2012. Dizzy's In Park Slope. Since November of last year I have had paintings hanging at Dizzy's in Park Slope curated by Radar Curatorial. Show ends Feb. 3rd. Thursday, December 1, 2011.

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