miyocomunica.com
El poderoso Tipo – Miyo Comunica
https://miyocomunica.com/2017/01/09/el-poderoso-tipo
Publicidad, marketing, diseño. 9 enero, 2017. 2 febrero, 2017. Si queréis ver una orgía visual entre la tipografía, el lettering y la caligrafía, seguid el trabajo de este estudio portugués. El estudio de diseño Xesta Studio. Lo sabe bien. Está hospedado en Portugal y es especialista en el diseño con el. El pase de diapositivas requiere JavaScript. Podéis seguir todo su trabajo desde xestastudio. Comparte en Facebook (Se abre en una ventana nueva). En 2017 damos la bienvenida al Storydoing. Estás comenta...
golemlab.tumblr.com
The Golem Lab
http://golemlab.tumblr.com/tagged/typography
This is a tumblelog, kinda like a blog but with short-form, mixed-media posts with stuff I like. Scroll down a bit to start reading. Or a bit more to read more about me. Xesta at INKY - Graffiti, Streetart and Galery. Reblogged from Betype - Typography and Lettering Inspiration. We make Sweet Graphics. Design by Marcus Olovsson.
golemlab.tumblr.com
by9: Xesta at INKY - Graffiti, Streetart &... - The Golem Lab
http://golemlab.tumblr.com/post/25725948763/by9-xesta-at-inky-graffiti-streetart
This is a tumblelog, kinda like a blog but with short-form, mixed-media posts with stuff I like. Scroll down a bit to start reading. Or a bit more to read more about me. Xesta at INKY - Graffiti, Streetart and Galery. Reblogged from Betype - Typography and Lettering Inspiration. Reblogged this from betype. Reblogged this from betype. Reblogged this from betype. Reblogged this from betype. Reblogged this from betype. Reblogged this from betype. Reblogged this from betype. Reblogged this from betype.
learn.scannerlicker.net
Making a Font: Maximal – Part I | Learn – Scannerlicker!
http://learn.scannerlicker.net/2015/04/03/making-a-font-maximal-part-i
Posted on April 3, 2015. Filed under Making. Making a Font: Maximal – Part I. Author: Fábio Duarte Martins. Today, while I was waking up, I came up with an idea on how to do something that I’ve been wanting to do for a while. But before I tell you what the idea was, let me contextualize you. It sounds quite simple, right? Just writing small posts about what you’re doing as you go. Seems tangible, not very time consuming and interesting. And when I say. So why haven’t I’ve done it yet? The web is flooded ...
uncannyeditions.com
Uncanny Editions » D’flower
http://www.uncannyeditions.com/project/dflower
This project is the result of a collaboration between Uncanny Editions and Xesta Studio. To visually communicate the singer Melanie Charles’s (also know as D’flower) music, influences and heritage. The visual identity does not consist of stactic logo but is instead a visual language in constant change made of different compositions. The website makes use of the full screen to display the various versions of the ‘D’ and use alternative typographic signatures at the top. Larr; Chaetura Pelagica.
vintevintevinte.net
20 20 20 » cartazes
http://www.vintevintevinte.net/category/2014lx/cartazes2014lx
De regresso ao vinte vinte vinte, desta vez como convidado. Emoção. Designer gráfico e ilustrador do Porto, nascido em 1990. Faz parte do VÉRTICE Design Studio e da We Came From Space. Filipe Matos (born in 1977). Is a Visual Artist and Web Designer that lives and works in Lisbon. He has a degree on Graphic Design by IADE, in Lisbon. Nasceu na Madeira em 1990. Estudou Design de Comunicação no Porto e Direcção de Arte na Suíça. Actualmente vive e trabalha no Porto. Gosta de correr à beira-mar.
alvaromartino.com
About - Álvaro Martino - Photographer and Graphic Designer
http://www.alvaromartino.com/about
I'm Álvaro Martino a Portuguese. Photographer and Graphic Designer based in Porto / Portugal. I’m also a Co-Founder and photographer of We Came From Space. WCFS is a transmitting knowledge platform, living from an almost complete overlap between this universe,. And aspiring to extract the most from the nature of this reality. Find me in Behance. Contacts / 351 93 863 22 66 /. 2007 • 2016. Editorial, Portfolio Design,. Portrait, Product, Brands,. Identity, Editorial,. Final Arts and Web Layouts.
uncannyeditions.com
Uncanny Editions » Bright Ivy
http://www.uncannyeditions.com/project/bright-ivy
Visual identity for Bright Ivy,. An artist management company specialising in classical, jazz and contemporary music. The identity puts emphasis on the networking orientation of the company as well as the innovative and creative nature of the artists with whom Bright Ivy works. Collateral material include stationary, website. And social media. Typography in collaboration with Xesta Studio. Larr; Fashion Illustration. Uncanny 4 →.
uncannyeditions.com
Uncanny Editions » Piano Circus
http://www.uncannyeditions.com/project/piano-circus
Piano Circus is a 6-piano ensemble with a particular focus on minimalist music. For its 25th anniversary relaunch concert, Uncanny Editions was commissioned to design a new visual identity that responded to the group and its music. Finally, in parallel with the illustrations, a custom-made display typeface was designed by Xesta Studio. Larr; Fragments of History IPP’s 30th Anniversary. Lost Botanics Vol. 7 →.
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