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fineartconservation.ie

Damian Lizun | Fine Art Conservation

http://www.fineartconservation.ie/links-4-4-50.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Nicolaus Copernicus University (NCU) in Torun, Poland. The Department of the Conservation of Paintings and Polychrome Sculpture at the Institute. For the Study, Restoration and Conservation of Cultural Heritage, Faculty of Fine Arts,. Nicolaus Copernicus University in Torun, Poland. Http:/ www.arcchip.cz/w10/w10 wantuch-jarkiewicz.pdf. Pigments Through the Ages.

fineartconservation.ie

Fine Art Conservation. Conservation-Restoration of paintings

http://www.fineartconservation.ie/areas-of-specialisation-4-4-32.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. My experience in the conservation-restoration of paintings includes the following:. Consolidation of loose or flaking paint. Canvas stabilisation and repair, including lining. Panel stabilisation and repair. Surface cleaning to remove grime, removal of discoloured varnish and over-paintings. Filling, retouching and varnishing. Conservation of frames and gilding.

fineartconservation.ie

Fine Art Conservation. Conservation-Restoration of paintings

http://www.fineartconservation.ie/conservation-of-paintings-4-4-32.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. My experience in the conservation-restoration of paintings includes the following:. Consolidation of loose or flaking paint. Canvas stabilisation and repair, including lining. Panel stabilisation and repair. Surface cleaning to remove grime, removal of discoloured varnish and over-paintings. Filling, retouching and varnishing. Conservation of frames and gilding.

fineartconservation.ie

Fine Art Conservation. Conservation-Restoration of paintings

http://www.fineartconservation.ie/documentation-4-4-52.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Before and after conservation treatment each object is thoroughly photographed to record its condition and all visible damage and repairs; these photographs provide important documentation on the nature and outcome of the work. Additional photographs are taken during treatment, particularly before inpainting, ingilding or other forms of compensation.  To record d...

fineartconservation.ie

Fine Art Conservation. Conservation-Restoration of polychrome sculptures

http://www.fineartconservation.ie/conservation-of-polychrome-sculptures-4-4-36.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Conservation of polychrome sculptures. Polychrome literally means multi-coloured, and derives from the Greek words 'poly' (many) and 'chromos' (colour). The polychromy of wood en. On much the same techniques as panel paintings , therefore t. Heir conservation issues are often very similar to problems encountered with panel paintings. Over centuries many wooden.

fineartconservation.ie

Damian Lizun | Fine Art Conservation. Publications

http://www.fineartconservation.ie/publications-4-4-49.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Damian Lizun, . Examination and conservation treatment of Raden Saleh’s "Ship in distress". On Conservation, no 3, 2015. Technical examination and conservation of the painting "The Death of Sapphira" by Ambrosius Francken II: contribution to the artist technique. E-conservation Journal, no 1, autumn 2013. Damian Lizun, . South Tipperary County Museum. IPCRA Journal, May 2012.

fineartconservation.ie

Damian Lizun | Fine Art Conservation

http://www.fineartconservation.ie/about-4-4-30.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Received his MA in Conservation and Restoration of Paintings and Polychrome Sculpture from Nicholas Copernicus University, Torun, Poland. He was brought up in a unique atmosphere of respect for art and heritage in a family which has been involved in the conservation and restoration of art for two generations. His father, Zenon Lizun. Combining art and science, Damian uses his...

fineartconservation.ie

Fine Art Conservation. Conservation-Restoration of frames

http://www.fineartconservation.ie/conservation-of-frames-4-4-33.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Conservation of frames and gilding. Technical examination of the frame can help in understanding the changes that have taken place and is without doubt an important tool in the identification process. However, the results of analysis must be considered in conjunction with an overall examination of the execution, materials and aging characteristics of the frame. .

fineartconservation.ie

Fine Art Conservation. X-radiography

http://www.fineartconservation.ie/x-radiography-4-4-45.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Are a form of electromagnetic radiation and are shorter in wavelength than ultraviolet radiation. This non-destructive technique is commonly used for technical examination of paintings in order to assess their condition and learn about the original materials and techniques used by artists.  . X-radiography is very useful for detecting the composition changes ( pentimenti.

fineartconservation.ie

Fine Art Conservation. Pigments analysis

http://www.fineartconservation.ie/pigments-analysis-4-4-47.html

Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres. Pigments and fillers analysis. Is undertaken to establish the contents of an artist’s palette or identify the pigments used in a decorative paint scheme. It can often prove useful when dating paintings. Conservation of frames and gilding. Conservation of polychrome sculptures. Microscopy identification of wood and vegetable fibres.